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Milenko Prvacki

^ Click on the image to view the full Artist Profile.

Milenko Prvacki (b. 1951) is one of Singapore’s most influential contemporary artists and educators. Moreover, he has made a significant impact through both his paintings and his leadership in art education. As a result, his practice blends European training with Southeast Asian cultural perspectives. Therefore, his work continues to resonate across generations of artists and collectors alike.


*Prices are subject to change without prior notice.


Education
  • 1975 | Master of Fine Arts (Painting), Institute of Fine Arts, Bucharest, Romania
Selected Solo Exhibitions
  • 2019 | Abstraction for Beginners, HAOS Gallery, Belgrade, Serbia
  • 2015 | Milenko Prvacki: E La Nave Va (and the ship sails on), iPreciation, Singapore
  • 2014 | Johor Strait, Bergamont Station Art Centre, Santa Monica, California, USA
  • 2012 | Milenko Prvacki: A Survey 1979 – 2012 (curated by Charles Merewether), Institute of Contemporary Art, Singapore
  • 2012 | Remembrance of Things Past, iPreciation, Hong Kong
  • 2007 | Recollection, Taksu Gallery, Singapore
  • 2006 | Construction Site, Museum of Contemporary Art, Sydney, Australia
Selected Duo Exhibitions
Selected Group Exhibitions 
  • 2019 | iPreciation 20th Anniversary: Reverie Collection – 25 Years of Art Collecting Journey, iPreciation Gallery, Singapore
  • 2019 | iPreciation at Taipei Dangdai 2019, Taipei Nangang Exhibition Center, Taipei, Taiwan
  • 2019 | Touch Giving Art, The Arts House, Singapore
  • 2019 | Sava Stepanov Collection, Gallery Matica Srpska, Novi Sad, Serbia
  • 2019 | Children’s Biennale 2019, Ngee Ann Kongsi Concourse Gallery, Singapore
  • 2019 | Hyper-realism and Postmodernism, Contemporary Art Gallery, Zrenjanin, Serbia
  • 2018 | VIII Tashkent International Biennale of Contemporary Art
  • 2018 | Departure 3, iPreciation Gallery, Singapore
  • 2018 | Art New York, Pier 94, Art Miami, USA
  • 2018 | Hangzhou Gallery, China / EC Gallery, Singapore
  • 2015 | The Cultural Medallion and Visual Arts 1979 – 2015, Nanyang Academy of Fine Arts, Singapore
  • 2014 | Market Forces, Erasure: From Conceptualism to Abstraction, Osage Gallery and City University of Hong Kong, Hong Kong
  • 2014 | Departure, iPreciation Gallery, Singapore
  • 2014 | Do you believe in Angels? MO_Space, Manila Philippines and Singapore
  • 2013 | Island Vernacular, Peninsula Arts with Plymouth University, UK
  • 2013 | The Realm in the Mirror, the Vision out of Image (curated by Feng Boyi), Suzhou Jinji Lake Art Museum, China
  • 2013 | Postmodernism in Vojvodina (1976 – 1990), Museum of Contemporary Art Volvodina, Novi Sad and Gallery Kulturni Center, Belgrade, Servia
  • 2013 | Cascadence – SG Redux, iPreciation Gallery, Singapore
  • 2012 | Panorama – Recent Art from Contemporary Asia, Singapore Art Museum
Awards
  • 2012 | Cultural Medallion Award, Singapore
  • 2011 | Chevalier de L’Ordre des Arts et des Lettres, France
  • 1986 | Special Jury Award, Academie Internationale De Lutece, France
  • 1986 | Ex Tempore Art Symposium Award, Piran, Slovenia
  • 1985 | Special Jury Award, 17th International Painting / Exhibition, Cagnes sur Mer, France
  • 1982 | 2nd  International Drawing Triennial, Museum of Contemporary Drawing Award and Faber Castel Award Nurnberg, Germany
  • 1982 | Ex Tempore Art Symposium Award, Piran, Slovenia
  • 1981 | MP Award, 1st Watercolour Biennale, Karlovac, Croatia
  • 1980 | Annual Art Society Award, Novi Sad, Yugoslavia
  • 1980 | IM Award for Drawing, International Portrait, Drawing Exhibition, Tuzla, Bosnia and Herzegovina
  • 1980 | Award for Best Annual Solo Exhibition, Kolarceva Zaduzbina, Belgrade, Yugoslavia
  • 1974 | Pesak Summer Painting Symposium Award, Pancevo, Yugoslavia
Selected Permanent Collections
  • National Museum, Belgrade, Yugoslavia
  • Museum of Contemporary Art, Belgrade, Yugoslavia
  • Singapore Art Museum, Singapore
  • National Gallery, Singapore
  • Gallery of New South Wells, Sydney, Australia
  • NUS Museum, National University of Singapore, Singapore

Tomita Natsumi 富田菜摘

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About Tomita Natsumi

Equipped with a sharp eye for detail, Tomita Natsumi is a contemporary artist from Japan who was born in Tokyo in 1986. After enrolling in the oil painting course at Tama Art University in her hometown, she developed the foundation for her artistic practice. Since 2007, her work has appeared in solo exhibitions and art fairs in Japan and abroad. In addition, respected institutions such as the Hamada Children’s Museum of Art have included her work in their collections.

Artistic Approach

Known for her witty and unconventional perspective, Tomita works with quirky and unexpected materials drawn from everyday life. Rather than relying solely on traditional artistic media, she transforms ordinary scraps and found objects into vivid, playful, and imaginative creations. As a result, familiar materials are presented to viewers in surprising new forms.

Nature, Urbanity, and Imagination

Youthful, rebellious, and highly intuitive, Tomita’s practice reflects on humanity’s relationship with the natural environment, especially the tension between urban life and nature. Furthermore, animals and fantastical creatures frequently appear in her compositions, rendered in vibrant forms through unusual combinations of materials. Endearing yet thought-provoking, these works evoke a sense of childlike wonder while encouraging viewers to reconsider the overlooked creative possibilities of everyday things.


Tomita Natsumi, On the way home, 2011, 25x58x14cm, Newspaper
On the Way Home, 2011, 25x58x14cm, Newspaper
*Price: $6,000.00

*Prices are subject to change without prior notice.


Education
  • 2009 | Department of Painting (Oil Painting Course), Tama Art University, Tokyo
Recent Solo Exhibitions
  • 2025 | Things and Creatures, Hiroki Oda Museum of Art, Fukuoka
  • 2025 | Old and Good Things, Fukuzumi Gallery, Osaka
  • 2024 | Shangri-La, Nakamuraya Salon Museum of Art, Tokyo
  • 2024 | WONDER CIRCUS, Bunkamura Gallery, Tokyo
  • 2022 | Wonder World, Bunkamura Gallery, Tokyo
  • 2022 | Strange Paradise, Fukuzumi Gallery, Osaka
  • 2020 | Scrap World, Yamazaki Mazak Museum, Aichi
  • 2020 | Monogatari, Matsuzakaya Nagoya Store Art Gallery, Aichi
  • 2020 | A Dream in Reality, Shinjuku Takashimaya Art Gallery, Tokyo
  • 2020 | Art through Creative Reuse! x Natsumi Tomita: Things and Living Things, Chofu City Cultural Hall Tazukuri, Tokyo
  • 2020 | Days of Hanging Advertisement, Fukuzumi Gallery, Osaka
  • 2019 | LOST WONDERLAND, Bunkamura Gallery, Tokyo
  • 2018 | A Midsummer Night’s Dream, Takashimaya Shinjuku Art Gallery, Tokyo
  • 2018 | Higashine City Public Cultural Facility Manabia Terrace, Yamagata
  • 2018 | Manabi no Mori Noichi Kaleido, Ishikawa
  • 2018 | Days of Train Advertisements, Galerie Tokyo Humanité, Tokyo
  • 2018 | Long Long Time Ago, Fukuzumi Gallery, Osaka
  • 2017 | TSUNAGU GALLERY × Natsumi Tomita, Kokusai Pulp & Paper Co., Ltd. Headquarters Building, Tokyo
  • 2016 | Carnival of Animals, Kanagawa Prefectural Hall Gallery, Kanagawa
  • 2016 | ONCE UPON A TIME, Shinjuku Kashiwajima 10F Art Gallery, Tokyo
  • 2016 | Re:Born, Machida Tokyu Twins, Tokyo
  • 2016 | Adults’ Grand Sports Day, Fukuzumi Gallery, Osaka
Earlier Solo Exhibitions
  • 2015 | Things and Living Things, Shinjuku Residents Gallery, Tokyo
  • 2015 | Heisei Ukiyo-e – Pictures of Actors on Stage -, Galerie Tokyo Humanité, Tokyo
  • 2014 | Wonder Carnival, Bunkamura Box Gallery, Tokyo
  • 2014 | Wonder Jungle, Fukuzumi Gallery, Osaka
  • 2013 | The Small Forest, Galerie 412, Japan
  • 2013 | Happy and Fun These Days: A Creature World Exhibition by Natsumi Tomita, Sato Museum of Art, Tokyo
  • 2013 | Natsumi Tomita’s Creature World, Shinjuku Historical Museum, Tokyo
  • 2013 | Adults Grand Sports Day, Galerie Tokyo Humanité, Tokyo
  • 2012 | All My Newborns, iPreciation, Hong Kong
  • 2012 | Natsumi Tomita Exhibition ~Utopia~, Chukyo University Art Gallery C-Square, Aichi
  • 2010 | Donjarahoi in the Shade of the Forest, GALLERY Ecru no Mori, Shizuoka
  • 2010 | Tomita Natsumi’s Art Like This Too, Takashimaya Tokyo Store Art Gallery X, Tokyo
  • 2010 | Night Carnival, Fukuzumi Gallery, Osaka
  • 2010 | Sorry for keeping you waiting for so long, Galerie Tokyo Humanité, Tokyo
  • 2009 | Solo Exhibition, iPreciation, Singapore
  • 2009 | WONDERLAND, Nisshin Gallery, Tokyo
  • 2009 | PARADISE, Gallery Fukuzumi, Osaka
  • 2009 | Yoridorimidori, Gallery Strenger, Tokyo
  • 2008 | I LOVE SON, NODA CONTEMPORARY, Nagoya
  • 2008 | Natsumi Tomita’s World, Andersen Children’s Museum, Chiba
  • 2007 | GALAPAGO, Galerie Tokyo Humanité
Recent Group Exhibitions
  • 2025 | A Living Tapestry, Nagano Prefectural Art Museum, Nagano
  • 2022 | Animals living in forest of Art, Menard Art Museum, Aichi
  • 2019 | Retirement Exhibition of Hiroji Noda: External Force, Tama Art University, Tokyo
  • 2018 | Lovely Small Animals, Nihombashi Takashimaya Art Gallery, Tokyo
  • 2018 | Waste Material Art, Hamada Children’s Museum of Art, Shimane
  • 2017 | Animal Park, Nihombashi Mitsukoshi Main Store Art Square, Tokyo
  • 2017 | Newspaper Transformation, Hamada Children’s Museum of Art
  • 2017 | My Cat, The Sato Museum of Art
  • 2017 | Message to the Future from Two Rich Islands, Toshima Center Square, Tokyo
  • 2016 | Art of ULTRAMAN, Shinjuku Takashimaya Art Gallery
Earlier Group Exhibitions
  • 2015 | Kyoto International Film and Art Festival, Former Rissei Elementary School, Kyoto
  • 2014 | the Collection 047 Animals in the Picture, Tokyo Opera City Art Gallery, Tokyo
  • 2014 | Azamino Children’s Gallery, Yokohama Civic Art Gallery Azamino, Kanagawa
  • 2013 | Fishes, Hamada Children’s Museum of Art, Shimane
  • 2012 | sogno・dream, The Sato Museum of Art, Tokyo
  • 2012 | Female times, Bunkamura Box Gallery, Tokyo
  • 2012 | Echigo-Tsumari Art Triennial “friends of forest in Kyororo”, Forest school Kyororo, Niigata
  • 2011 | Emerging Japanese Artists at iPRECIATION Hong Kong
  • 2011 | The 3rd COREDO Women’s Art Style, COREDO Nihombashi, Tokyo
  • 2011 | TAMA VIVANT II 2011, Tama Art University, Tokyo
  • 2011 | Parthenon Tama, Tokyo
  • 2011 | Art Swim in the Sea, The World Children’s Art Museum in Okazaki, Aichi
  • 2009 | Echigo-Tsumari Art Triennial “Satoyama Art Zoo”, Matsudai Nobutai Gallery, Niigata
  • 2009 | Takashimaya Art Aquarium, Takashimaya Art Gallery, Tokyo and traveling in Japan
Selected Collections
  • Hamada Children’s Museum of Art
  • Tokyo Opera City Art Gallery
  • The Sato Museum of Art
  • Fuchu Art Museum, Tokyo
Public Installations
  • Underground Shopping Center: Whity Umeda, Osaka
  • Toshima City Office, Tokyo
  • Resource Circulation Center: Recycling Forest, Mie
Artist Information
Market and Auction Records

Irene Chou

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Irene Chou 周綠雲 (1924–2011) was a pioneering Hong Kong ink painter and a key figure in the development of the Hong Kong New Ink movement. Through exhibitions and research, iPreciation has presented her work and contributed to the appreciation of her legacy in modern Chinese ink painting.

Born in Shanghai in 1924, Irene Chou graduated from St. John’s University in 1945 with a BA in Economics. She later worked as a journalist before moving to Hong Kong in 1949. There, she studied under the Lingnan School master Zhao Shao’ang and developed a strong foundation in traditional Chinese ink painting.

Chou gradually moved beyond conventional landscape and bird-and-flower subjects in search of a more personal artistic language. Her early training remained important, but she increasingly used ink as a means of expressing inner experience and emotion.


*Prices are subject to change without prior notice.


Education
  • 1945 | BA in Economics at St. John’s University, Shanghai
Selected Solo Exhibitions
  • 2021 | As Clouds – Ink Paintings of Irene Chou, iPreciation, Singapore
  • 2019–2020 | Irene Chou Rediscovered: Paintings from the M. K. Lau Collection, Duddell’s, Hong Kong
  • 2019 | A World Within – The Art and Inspiration of Irene Chou, 20th Century Chinese Female Artist Series, Asia Society Hong Kong Centre, Hong Kong
  • 2017 | Irene Chou’s Universe of Ink — Solo Exhibition at Art Basel Hong Kong 2017
  • 2008 | Irene Chou 84, Hanart TZ Gallery, Hong Kong
  • 2008 | Life is a Many Splendoured Thing, iPreciation, Singapore
  • 2007 | Life is a Many Splendoured Thing, The Rotunda, Exchange Square Central by iPreciation, Hong Kong
  • 2006 | Universe of the Mind – Irene Chou a Retrospective Exhibition, University Museum and Art Gallery, University of Hong Kong, Hong Kong
  • 2006 | New Paintings by Irene Chou, Hanart TZ Gallery, Hong Kong
  • 2004 | Irene Chou at Eighty, Hanart TZ Gallery, Hong Kong
  • 2004 | From Representation to Revelation: The Transitional Works (1950-1990) of Irene Chou, Grotto Fine Art, Hong Kong
  • 2004 | The Universe is My Heart – Exhibition by Irene Chou, Pao Galleries, Hong Kong Arts Centre, Hong Kong
  • 2003 | Winter Solstice, iPreciation, Singapore
  • 2003 | My Universe, iPreciation, Singapore
  • 2003 | The Universe is My Heart, My Heart is the Universe, Hong Kong Arts Centre, Hong Kong
  • 2000 | The Universe is My Mind, Hanart TZ Gallery, Hong Kong
  • 1999 | Solo Exhibition, Philip Bacon Gallery, Australia
  • 1998 | Solo Exhibition, Rotunda, Exchange Square, Hong Kong
  • 1997 | Irene Chou Painting Exhibition, (Solo exhibition), Hong Kong Bank Building, Brisbane, Australia
  • 1996 | Ancient Traditions, New Images, Philip Bacon Galleries, Brisbane, Australia
  • 1996 | Works by Irene Chou, Lyric Lounge, Queensland Performing Art Complex, Brisbane
  • 1995 | The Cosmic Vision of Zhou Luyun, Cat Street Galleries, Hong Kong
  • 1994 | The Kenneth and Yasuko Myer Collection of Contemporary Asian Art, Myer Centre, Brisbane
  • 1994 | Solo Exhibition, Taipei Art Museum, Taipei
  • 1991 | Solo Exhibition, Godfrey Far East Art, London
  • 1989 | Solo Exhibition, Hanart TZ Gallery, Hong Kong
  • 1988 | Solo Exhibition, Hanart Gallery, New York
  • 1987 | Solo Exhibition, Leal Senado, Museum Luis de Camoes, Macau
  • 1986 | Solo Exhibition, Fung Ping Shan Museum, University of Hong Kong, Hong Kong
  • 1985 | Solo Exhibition, Charlotte Horstmann and Gerald Godfrey, Hong Kong
  • 1983 | Solo exhibition, City Gallery, Manila
  • 1981 | Solo exhibition, Raya Gallery, Melbourne
  • 1977 | Solo exhibition, Raya Gallery, Melbourne
  • 1976 | Solo exhibition, Quorium Galleries, Hong Kong
  • 1970 | Solo exhibition, US Cultural Centre, Hong Kong
  • 1968 | Solo exhibition, Hong Kong City Hall, Hong Kong
Selected Group Exhibitions
  • 2021 | Art for Everyone at HKMoA, City-wide art campaign, Hong Kong
  • 2020 | UNSCHEDULED, Hong Kong Art Gallery Association, Tai Kwun, Hong Kong
  • 2019 | iPreciation 20th Anniversary: Reverie Collection – 25 Years of Art Collecting Journey, iPreciation, Singapore
  • 2019 | iPreciation at Taipei Dangdai 2019, Taipei Nangang Exhibition Center, Taipei, Taiwan
  • 2019 | A Tribute to Irene Chou, Ink Society at Ink Asia 2019, Hong Kong
  • 2019 | One Art Group – Pioneers of Ink Art, Galerie du Monde, Hong Kong
  • 2018 | iPreciation at Fine Art Asia 2018, Hong Kong Convention and Exhibition Centre, Wan Chai, Hong Kong
  • 2018 | HOPE A charity exhibition celebrating the works of outstanding contemporary Chinese women artists
  • 2015 | A Legacy of Ink: Lui Shou-kwan 40 Years On, Hong Kong Arts Centre, Alisan Fine Arts, Hong Kong
  • 2013 | Hong Kong Masters, Rossi & Rossi Ltd, London, U.K
  • 2012 | A tribute to Hong Kong Masters, Hanart TZ Gallery, Hong Kong
  • 2010 | De la Chine, entre Tradition et Modernite, Galerie F. Helser, Luxembourg
  • 2008 | Hong Kong Art: Open Dialogue Exhibition Series II – New Ink Art: Innovation and Beyond, curated by Alice King, Hong Kong Museum of Art, Hong Kong
  • 2007 | The Norman W. M Ko Collection of Hong Kong Art, 2007, University Museum and Art Gallery, The University of Hong Kong, Hong Kong
  • 2007 | The New Face of Ink Painting: Modern Ink Painting Group Exhibition, Central Plaza, Hong Kong
  • 2006 | Contemporary Hong Kong Ink Painting Exhibition, Hong Kong Central Library, Hong Kong
  • 2004 | Reconciliation Art Works, Multicultural Community Centre, Brisbane
  • 2002 | Chinese Paintings from the Khoan and Michael Sullivan Collection, Ashmolean Museum, University of Oxford, Oxford, United Kingdom
  • 2002 | Artists in the Neighbourhood Scheme II Launching Exhibition, Hong Kong Central Library, Hong Kong
  • 2002 | Hong Kong Cityscapes – Ink Painting in Transition, Hong Kong Festival, London, United Kingdom
  • 2001 | Multicultural Women’s Business Exhibition, Australia/ In Celebration of Art – Hong Kong Arts Centre 25th Anniversary Exhibition, Hong Kong Arts Centre, Hong Kong
  • 1999 | Sculpting Nature, Hanart TZ Gallery, Hong Kong
  • 1996 | Annandale Art Gallery, Sydney
  • 1995 | Lui Shou-kwan (1919-1975) and His School, Hong Kong Arts Centre, Alisan Fine Arts, Hong Kong
  • 1995 | Lingo – Getting the Picture, Brisbane City Hall, Brisbane, Australia
  • 1994 | Art Asia 1994, Hong Kong International Fine Art Expositions, Hong Kong
  • 1994 | The 25th Anniversary Exhibition of One Art Group, City Hall, Hong Kong
  • 1993 | Inaugural Exhibition of the Asia-Pacific Triennial of Contemporary Art, Queensland Art Gallery, Brisbane
  • 1993 | Art Asia 1993, Hong Kong International Fine Art Expositions, Hong Kong
  • 1992 | Chinese Art 1992, Godfrey Far East Art, London, United Kingdom
  • 1992 | Contemporary Hong Kong Art Biennial, Hong Kong Museum of Art
  • 1991 | Recent Paintings of Irene Chou and Hon Chi-Fun, The Rotunda, Exchange Square, Hong Kong
  • 1991 | Six Contemporary Chinese Women Artists, San Francisco
  • 1991 | Art Works of Hong Kong Women Artists, The Hong Kong Institute for Promotion of Chinese Culture
  • 1990 | Art Works of Hong Kong Women Artists, The Hong Kong Institute for Promotion of Chinese Culture, Hong Kong
  • 1989 | Exhibitions of 19th and 20th Century and Modern Chinese Paintings, Sotheby’s Hong Kong and Christie’s Swire, Hong Kong (to 1993)
  • 1989 | The Fourth Asian International Art Exhibition, Seoul Metropolitan Museum of Art
  • 1989 | Thirteen Well-Known Hong Kong Painters, Nagoya
  • 1988 | The XXII International Prix of Contemporary Art, Monte Carlo, Monaco
  • 1988 | Hong Kong Modern Art, National Art Museum of China, Beijing, China
  • 1988 | Ink Paintings by Hong Kong Artists, Barbican Centre, London, United Kingdom
  • 1987 | Ten Years of Hong Kong Painting, Hong Kong Art Centre, Hong Kong
  • 1987 | Reality & Infinity-with Koo Mei, Alisan Fine Arts, Hong Kong
  • 1986 | University Art Collection Show, Fung Ping Shan Museum, The University of Hong Kong, Hong Kong
  • 1986 | Art’ 86, Hong Kong Museum of Art, Hong Kong
  • 1986 | Hong Kong International Contemporary Ink Paintings, The Chinese University of Hong Kong, Hong Kong
  • 1985 | Contemporary Hong Kong Art Biennial, Hong Kong Museum of Art, Hong Kong
  • 1985 | Foundation Prince Pierre de Monaco Exhibition, Monte-Carlo National Museum, Monaco
  • 1985 | Shui Mo – The New Spirit of Chinese Tradition, Hong Kong Arts Centre, Hong Kong
  • 1984 | Academy Award Winner’s Exhibition, Hong Kong Museum of Art, Hong Kong
  • 1983 | Art 1983, Fung Ping Shan Museum, University of Hong Kong, Hong Kong
  • 1983 | The Experience of Art, Hugh Moss Collection, Hong Kong
  • 1983 | Contemporary Art of the Eighties, Hong Kong Art Centre, Hong Kong
  • 1983 | Woman Artists’ Show, Hong Kong Women’s Art Council, Hong Kong
  • 1982 | Contemporary Art from Hong Kong, Metropolitan Museum of Manila
  • 1982 | Exhibition of International Association of Ink Painters, Taiwan, Singapore, Malaysia, Seoul
  • 1982 | Contemporary Vision of Landscape, Hong Kong Museum of Art, Hong Kong
  • 1981 | Art 1981, Fung Ping Shan Museum, University of Hong Kong, Hong Kong
  • 1981 | Contemporary Art of Chinese Intellectuals, Hong Kong City Hall, Hong Kong
  • 1981 | Inaugural Exhibition, Japan! International Artists Society
  • 1980 | One Art Group Exhibition, National Museum of History, Taipei
  • 1980 | Hong Kong Art, Yolanda Gallery, Chicago
  • 1979 | One Art Group Exhibition, National Museum, Singapore
  • 1979 | New Raya Inaugural Exhibition, Raya Gallery, Melbourne
  • 1979 | Hong Kong Art, Australia
  • 1978 | Art’ 78, Fung Ping Shan Museum, University of Hong Kong, Hong Kong
  • 1978 | One Art Group Show, Hong Kong
  • 1977 | First Choice Hong Kong Exhibition, Hong Kong (annually until 1986)
  • 1977 | Hong Kong Arts Centre Inaugural Exhibition, Hong Kong Arts Centre, Hong Kong
  • 1977 | Women Artists, Hong Kong City Hall, Hong Kong
  • 1977 | Art-The Visual Experience, Hong Kong
  • 1976 | Critics’ Choice, St. John Hall, Hong Kong
  • 1976 | Art’ 76, Fung Ping Shan Museum, University of Hong Kong, Hong Kong
  • 1975 | Cleveland International Drawing Biennial, London
  • 1975 | Contemporary Hong Kong Art, Hong Kong Museum of Art, Hong Kong
  • 1975 | Five Artists Exhibition, National Taiwan Arts Centre, Taiwan
  • 1975 | Hong Kong Artists 1975, St. John’s Hall, Hong Kong
  • 1975 | Hong Kong Painters, Luz Gallery, Manila
  • 1974 | Contemporary Hong Kong Art, Hong Kong Art Festival, Hong Kong
  • 1973 | Chinese Ink Painting, Fung Ping Shan Museum, University of Hong Kong
  • 1973 | Contemporary Hong Kong Art Exhibition, City Hall Museum and Art Gallery, Hong Kong
  • 1973 | Five Contemporary Chinese Artists, Mavis Chapman Gallery, Sydney, Australia
  • 1972 | International Society of Plastic and Audio-Visual Art (ISPAA). Hong Kong, Taiwan, Japan, Korea
  • 1972 | Contemporary Hong Kong Art, Pacificulture Asia Museum, Pasadena, California
  • 1972 | One Art Group, City Hall, Hong Kong
  • 1972 | Art Now Hong Kong, Evansville Museum, Indiana
  • 1971 | Art Now Hong Kong, London, Edinburgh, Bristol, Manchester, United Kingdom
  • 1971 | Contemporary Chinese Ink Painters, Lee Nordness Gallery, New York, United States
  • 1970 | 202nd The Royal Academy Summer Exhibition, The Royal Academy of Arts, London, United Kingdom
  • 1969 | 201st The Royal Academy Summer Exhibition, The Royal Academy of Arts, London, United Kingdom
  • 1969 | Contemporary Hong Kong Art, City Hall Museum and Art Gallery, Hong Kong
  • 1968 | In Tao Art Association, City Hall, Hong Kong
  • 1968 | Contemporary Hong Kong Art, City Museum and Art Gallery, Hong Kong
Awards
  • 1988 | Hong Kong Artists’ Guild Painter of the Year Award
  • 1983 | Urban Council Fine Arts Award for Painting (Chinese Media)
  • 1972 | Pacificulture Asia Museum Fine Art Award
Selected Collections
  • Ashmolean Museum, University of Oxford, United Kingdom
  • British Museum, London, United Kingdom
  • Museum of Fine Arts, Boston, USA
  • Hong Kong Museum of Art, Hong Kong
  • The University of Hong Kong, Hong Kong
  • Chinese The University of Hong Kong, Hong Kong
  • University Museum and Art Gallery, The University of Hong Kong (formerly known as Fung Ping Shan Museum), Hong Kong
  • Norman W. M. Ko Collection, Hong Kong
  • M. K. Lau Collection, Hong Kong
  • M+, Hong Kong
  • Queensland Art Gallery, Brisbane, Australia
  • National Museum of History, Taipei, Taiwan
  • National Taiwan Museum of Fine Arts, Taichung, Taiwan
  • National Art Gallery, Manila, Philippines
  • City Gallery, Manila, Philippines
  • Raya Gallery, Melbourne, Australia
  • Hong Kong Land, Hong Kong

Rosanna Li Wei-Han 李慧嫻

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Rosanna Li is a leading ceramic artist from Hong Kong, and retired Assistant Professor at the School of Design of Hong Kong Polytechnic University. Born in Hong Kong, Rosanna first studied Ceramics at the Hong Kong Polytechnic, and pursued tertiary education at University of Liverpool. Her works have been exhibited extensively in Asia, Australia, Canada, the U.S.A and Europe. Rosanna’s works are collected by the Hong Kong Museum of Art, the Shiwan Ceramic Museum in Guangdong, and many more museum and institutions in Asia. Rosanna has garnered numerous awards, including the Hong Kong Urban Council Fine Art Award (Ceramics) in 1985, the Artist of the Year Award (Sculpture), the Silver Award in Ceramics of the Guangdong Museum of Art in 2000; and in 2005, she was awarded the Secretary for Home Affairs Commendation Medal, for her contributions to the promotion of the arts and culture in Hong Kong.

Earthy and comical, Rosanna’s plump, amiable, figures are versatile caricatures, portraying the various, vibrant facets of Hong Kong popular culture. The Mahjong figures are caught in earnest play, looking mirthful and at ease, while her yoga sculptures are seated in repose, emitting through their robust, ample frames, a contemplative aura that speaks of the artist’s wit and craftsmanship, relayed through her chubby, amiable creations.


*Price: $35,000.00 (Price for the entire set of 6, not sold individually)


Selected Solo Exhibits
  • 2018 | Love Books, Love Puffs, Love Mobiles, Grotto Fine Art, Hong Kong
  • 2017 | Toast to Go – Rosanna Li Ceramics Solo Exhibition, Giant Year Gallery, Hong Kong
  • 2014 | Soulmate – a Solo Exhibition of Rosanna Li, YY9 Gallery, Hong Kong
  • 2013 | Coffee or Tea? Ceramic Works by Rosanna Li Wei-Han, iPreciation, Singapore
  • 2009 | Yuanyang Qishui – Han’s Café, Grotto Fine Art, Hong Kong
  • 2006 | Men, I wish I knew How to Quit You!, Grotto Fine Art, Hong Kong
  • 2002 | Easy Easy, Rotunda, Exchange Square, Central Hong Kong
  • 2000 | Terraces Topography: Yu Lan Festival, Para/Site , Hong Kong
  • 1999 | The Unbearable Loneliness of Being, Pottery Workshop, Hong Kong
  • 1997 | Hong Kong Artists Series: Li Wei Han – Muddle Muddles, Hong Kong Museum of Art
Awards
  • 2020 | Artist of the Year Award (Visual Arts) at the 14th Hong Kong Arts Development Awards
  • 2005 | Secretary for Home Affairs Commendation Medal Awards
  • 2000 | Artist of the Year Award (Sculpture)
  • 2000 | Silver Award in Ceramics of the Guangdong Museum of Art
  • 1985 | Hong Kong Urban Council Fine Art Award (Ceramics)
Selected Public Collections
  • Hong Kong Heritage Museum
  • Hong Kong Museum of Art
  • Guangdong Museum of Art
  • Shiwan Ceramic Museum, Guangdong
  • Zhejiang Art Museum

Kacey Wong

*Prices are subject to change without prior notice.

Michael Chen

Click here to view the Artist Profile

Kongozanmaiin, Koyasan, Japan, 2006, Photograph, 37 x 45cm
*Price: $3,800.00
Sultan Ahmet Mosque. Istanbul, Turkey, 2002, Photograph, 37.5 x 45cm
*Price: $3,800.00
Masjid-i Vakil (Columns) Shiraz, Iran, 2003, Photograph, 36 x 43cm
*Price: $3,800.00

*Prices are subject to change without prior notice.

Wee Kheng-Li

Click here to view the Artist Profile

Flatbed Tricycle, Urumqi, China, 2001, Edition 1 of 5, Silver Gelatin Print, 44 x 65cm (Framed)
*Price: $3,000.00
The Glenlivet Distiller, 2001, AP 1 of 2, Silver Gelatin Print, 28 x 35.5cm, 41.5 x 51cm (Framed)
*Price: $2,500.00
Breakfast Room, 2001, AP 1 of 2, Silver Gelatin Print, 35.5 x 28cm, 52 x 40cm (Framed)
*Price: $2,500.00
Great Buddha, Binglingsi, 2004, Edition 1 of 5, Silver Gelatin Print, 45 x 65cm (Framed)
*Price: $3,000.00
Temple, 2003, Edition 1 of 8, C-Print, 54 x 67cm (Framed)
*Price: $3,500.00
Gate, 2003, Edition 1 of 8, C-Print, 34.5 x 50.8cm, 54 x 67cm (Framed)
*Price: $3,500.00

*Prices are subject to change without prior notice.

DoDo Jin Ming

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First Movement – XXXIV, 1997, Photograph, Edition 1 of 25, 41 x 61cm
*Price: $8,000.00
Second Movement – VII, 2004, Photograph, Edition 5 of 10, 135 x 110cm
*Price: $25,000.00
XIV, 2001, Photograph, Edition 3 of 10, 76 x 102cm
*Price: $20,000.00

*Prices are subject to change without prior notice.

Jiao Jian

Jiao Jian 矯健 (b.1962) is a contemporary artist who works mainly with the photographic medium. In 1984, he graduated with a Bachelor’s Degree in Arts, Crafts and Decorating from the Zhejiang Institute of Fine Art (now known as the China Academy of Art) in Hangzhou, China. He further pursued his post graduate studies in Visual Communication at the institute in 1992. In 1995, he enrolled in a photography course at the West Sydney Institute of Fine Art in Australia. Subsequently, he underwent a short-term master’s degree program in Photography held in conjunction between the Beijing Central Fine Art Institute (China) and the Queensland Fine Art Institute (Australia) in 1998. At present moment, he is an Associate Professor and Head of Photography Department at the Animation and Media Institute in the China Academy of Art, Hangzhou.


Fill the Void 01 填补空白 01, 2005-2010, Edition 1 of 5, Archival Photography on Handmade Rice Paper,
63 x 75cm, 140 x 83cm (Scroll size)
*Price: $8,300.00
Fill the Void 02 填补空白 02, 2005-2010, Edition 1 of 5, Archival Photography on Handmade Rice Paper,
63 x 75cm, 140 x 83cm (Scroll size)
*Price: $8,300.00

*Prices are subject to change without prior notice.


Education
  • 1998 | Photography Degree, Twin Institutions of the Beijing Central Fine Art Institute and the Queensland Fine Art Institute, Australia
  • 1995 | Photography refresher course, West Sydney Institute of Fine Art, Australia
  • 1992 | Degree Standard Research in The Design of Visual Transmissions
  • 1984 | BA Arts, Crafts and BA Decorating, Zhejiang Institute of Fine Art (now the Chinese Institute of Fine Art), Zhejiang, China
Selected Exhibitions
  • 2013 | Let it Be, OFOTO Gallery, Shanghai, China
  • 2012 | Objects, Bottega Veneta Exhibition Hall, Shanghai China
  • 2011 | Wanxiang – China Art Academy Photography Exhibition, China Academy of Art, Hangzhou, China
  • 2011 | Lishui International Photo Festival – Unexperimental Visual Way, Lishui, China
  • 2010 | Visual Dialogue – Joint Workshop between Chinese and European Artists, Mingyuan Culture and Art Center, Shanghai, China
  • 2010 | Another Landscape, Inter Art Center and Gallery at 798 Art Zone Beijing, M50 epSITE Shanghai, China
  • 2009 | Drama/Stage, Urban Photography in Shanghai, Liu Haisu Art Museum, Shanghai, China
  • 2008 | Pink China Contemporary Art Exhibition, TRIANGLE Gallery, London, UK
  • 2007 | City Tale, Photography Exhibition, OFOTO Gallery, Shanghai, China
  • 2007 | Jiao Jian, Yan Shi Photography Exhibition, OFOTO Gallery, Shanghai, China
  • 2005 | Plentiful – China’s Contemporary Photography Exhibition, Art Scene Gallery, Shanghai, China
  • 2005 | CAN2005 Photography Exhibition, 6th San Francisco International Photography Festival, San Francisco, CA, USA
  • 2005 | IT IS I, Gallerla Carla Sozzanl, Milan, Italy
  • 2004 | Jiao Jian Photography Exhibition, The Chinese Institute of Fine Art (New Media Art Department), Hangzhou, China
  • 2003 | IT IS I, China’s International Photography Festival, Pingyao, China
  • 2001 | Jiao Jian, Luo Yongjin, Zhang Baocheng Photography Exhibition, The Chinese Institute of Fine Art, Shanghai Branch Gallery, Shanghai, China
  • 2000 | Jiao Jian Photography Exhibition, Shanghai University Fine Art Institute Gallery, Shanghai, China
  • 2000 | Jiao Jian Photography Exhibition, The Chinese Institute of Fine Art Gallery, Hangzhou, China
  • 1989 | The Chinese Modern Art Exhibition, The Chinese Museum of Fine Art, Beijing, China

For full list of exhibitions, please contact the gallery at [email protected]

Exhibition History

Oh Chai Hoo

^ Click on the image to view the full Artist Profile.

Oh Chai Hoo (b. 1960, Singapore) is a multidisciplinary artist known for working across painting, ceramics, calligraphy, and seal carving. Since graduating from the Nanyang Academy of Fine Arts in 1982, he has remained an active figure in Singapore’s art scene. His artistic practice reflects a strong foundation in traditional ink techniques while exploring contemporary visual language. As a result, his works often combine craftsmanship with experimentation.

Over the years, his artworks have been exhibited in Singapore and internationally. Moreover, his works are held in both private and institutional collections, including the National Museum of Singapore and Istana.


*Prices are subject to change without prior notice.


Education
  • 1982 | Graduated from Nanyang Academy of Fine Arts, Singapore
Selected Solo Exhibitions
Selected Group Exhibitions
Awards
  • 2013 | Siaw-Tao Best Artwork Award
  • 2010 | Siaw-Tao Achievement Award
  • 1999 | Highly Commendable Award, Abstract Medium, 18th UOB Painting Competition, Singapore
  • 1992 | Distinction in Visual Art Creation, Nanyang Academy of Fine Arts Alumni Association, Singapore
Permanent Collections
  • Istana Art Collection
  • National Museum of Singapore
Exhibition History
Further Information

For further information on Oh Chai Hoo and his work, please refer to the following resources:

For the full list of exhibitions and awards, please contact the gallery at [email protected].

Hong Zhu An

^ Click on the image to view the full Artist Profile

Hong Zhu An 洪祝安 (b. 1955) is a contemporary ink artist known for bridging Chinese artistic traditions with modern abstraction. Over the years, he has developed a distinctive visual language rooted in calligraphy, ink painting, and philosophical thought. As a result, his works focus on rhythm, movement, and spatial balance rather than direct representation.

At the same time, his practice reflects both Eastern and Western influences. Therefore, his work occupies an important position within contemporary ink art in Asia and beyond.


The Properous Month, 2003, Ink and Colour on Paper, 35.5 x 34.5cm, 58 x 60cm (Framed)
*Price: $6,000.00
The Quiet Moon, 2002, Ink and Colour on Paper, 35.5 x 34.5cm, 58 x 60cm (Framed)
*Price: $6,000.00

*Prices are subject to change without prior notice.


Selected Solo Exhibitions
  • 2017 | Unabating Spring, Ode To Art, Singapore
  • 2011 | Inner Drawing, Ode To Art, Singapore
  • 2009 | Silence, Ode To Art, Singapore
  • 2003 | Fluid Transitions, The Esplanade, Singapore
  • 2002 | Ancient Hues, Featherstone Center for the Arts, Massachusetts, USA
  • 1996 | Solo exhibition: The Essence of Art, Art Forum, Singapore
  • 1995 | East-West: Abstraction Meets Calligraphy, The Substation, Singapore
  • 1987 | Hong Zhu An – Exhibition,  National Art Museum Shanghai, China
Selected Group Exhibitions
  • 2006 | Asian Art Mosaic, a Charity Auction show organized by Yaddo Art, Singapore
  • 2006 | The Fifth Shenzhen International Art Biennale, China
  • 2005 | The Second Beijing International Art Biennale, China
  • 2000 | Melbourne Art Fair, represented by Art Forum, Australia
  • 1995 | UOB Painting of the Year Winners’ Exhibition, UOB Plaza, Singapore

For full list of exhibitions, please contact the gallery at [email protected] 

Huang Yuanqing

^ Click on the image to view the full Artist Profile

Huang Yuanqing 黃淵青 (b. 1963) was born in Shanghai, China in 1963, learning and practising calligraphy from a young age. He graduated from the Shanghai University of Science and Technology in 1985. Huang later studied at the Shanghai Normal University in 1987 and graduated from the Oil Painting Department in 1989. He currently lives and works in Shanghai.

A representative of Chinese calligraphic abstraction, Huang extracts visual elements of calligraphy into his lyrical paintings. As he sets the lines and stokes free, they transfigure into animated beats bursting with energy and spontaneity. Painting in a multitude of colours, his oeuvre is expressively free-spirited.


*Prices are subject to change without prior notice.


Education
  • 1989 | Shanghai Normal University, Fine Arts Department
  • 1985 | Shanghai University of Science and Technology
Selected Solo Exhibitions
  • 2016 | Huang Yuanqing, Gallery Albrecht, Berlin / Ink Aroundspace Living, Shanghai
  • 2015 | “Shi” 203 Art, Shanghai
  • 2014 | Folding space, Yibo Gallery, Shanghai
  • 2013 | Huang Yuanqing, Gallery Sanjyo Gion, Kyoto
  • 2012 | Huang Yuangqing, Galerie Albrecht, Berlin
  • 2010 | Xing Xiang, Zhang Jiang Contemporary Art Center, Shanghai / Huang Yuangqing, Galerie Albrecht, Berlin
  • 2007 | move closer, Gallery of Bangkok University
  • 2005 | in, not in, Zhang Jiang, Shanghai
  • 2004 | Facade, Facade, A&A Phoenix, Hong Kong
  • 2003 | Facade, Facade, BizArt, Shanghai, PRC
  • 2002 | Gallery Goto, Tokyo, Japan / The Light From Within, A&A Phoenix, Hong Kong
  • 2001 | Gallery Goto, Tokyo, Japan
Selected Group Exhibitions
  • 2016 | Dialect, China Art Museum, Shanghai / Abstract China, Mingyuan Art Museum, Shanghai / Study Of Line, Niandai  Art Museum, Wenzhou / Poetique, Pifo Gallery, Beijing / Breath, Liuhaisu Art Museum Branch, Shanghai / No Limit, Zhoupu Art Centre, Shanghai / Banquit of art, Chun Art Museum, Shanghai / Foresight, Aroundspace Gallery, Shanghai
  • 2015 | Time And Space, Power Station Of Art / Art in Shanghai, Songjiang Contemporary Art Museum, Shanghai / Red, Aroundspace Gallery, Shanghai / Collective Individualism, Aroundspace Gallery, Shanghai / City Vision, Yun Art Centre, Shanghai / Nothing, Yibo Gallery, Shanghai / Grand Tour From Soul, Capital Gallery, Shanghai / Somewhere in Time Around, Space Gallery, Shanghai
  • 2014 | Contemporary Art in shanghai, City Sculpture centre, Shanghai / Ink, Chun Art Museum, Shanghai / Works on Paper, 203 Art, Shanghai / “Pusu”十 一 Art Museum, Shanghai
  • 2013 | Utopia, Mingyuan Art Centre, Shanghai / Paintings, James Cohan Gallery, Shanghai / Hong fang Union, Hong Fang Art Space, Shanghai / Heart.Soul, Bund 22 Art, Shanghai
  • 2012 | New Art in Shanghai, Taiwan Art Museum, Taipei / Horizon, Yamanashi Art Museum, Yamanashi / JiangNan, Fan Hua Artspace, Shanghai / The Way of Writing, Himalaya Art Centre, Shanghai / Shanghai Culture, Hong Fang Art Space
  • 2011 | Dao.Nature, Shanghai Contemporary Art Centre, Shanghai / Horizon, You Diao Yuan Institution, Shanghai / New tradition-Abstract Art From Shanghai, Gallery Sanjyo Gion, Kyoto / Come Back, Pu Dong Airport, Shanghai / Word, Nestyard Gallery, Shanghai / Writing and Passing, Ku Art.Bei jing / City Abstraction, Gallery Art Front, Tokyo
  • 2010 | River Flows East, The Collection Art Archaeology in Lincolnshire, Lincolnshire, Chambers Fine Art, Beijing / Shanghai Modern, CAI contemporary art Reach Institute, Sapporo / Works in air, Shanghai highway, Shanghai / Works on Paper, Tanshi Art
  • 2009 | Quiet quest: Realism to Abstraction, Onemoon art, Beijing / Back to Modern, Xihu art Museum, Hangzhou / Fan Ceremony: Works on Paper, Fine Arts Literature Art Centre, Wuhan/Yard Gallery, Shanghai / 7 Artist, Nestyard Gallery, Shanghai / Ink Painting Today, 796 Art, Shanghai
  • 2008 | SH Contemporary 2008, Shanghai Exhibition Center, Shanghai / China Art Now, Sinwa Art Center, Tokyo, Japan / Shanghai Contemporary Art, Kaluyisawa  Art Centre, Kaluyisawa / Shanghai Focus, 99 Art Space, Shanghai / New Abstract Art, K Gallery, Chengdu
  • 2007 | Chinese edition—— Contemporary Art, Today Art Museum / With-Shanghai Contemporary Artists’ Calligraphy Works Exhibition, Mao Ming Gallery, Shanghai / Shanghai Famous Artists’ Calligraphy Works Exhibition, Ming Yuan Art Centre, Shanghai / Shanghai Going On, Bunkamu Gallery, Tokyo / Shanghai Wash Zoology, Ming Yuan Art Centre, Shanghai / Classic Style, Originality Art Center, Shanghai  / Contemporary Present, Wu Jiao Chang 800, Shanghai / Line, Creek Art Center, Shanghai / Float-China Contemporary Art Exhibition, National Museum of Contemporary Art, Korea / SH Contemporary 2007, Shanghai Exhibition Center / Art in China, Tokyo Simwa Art Museum
  • 2006 | Classic of Institute, Hai Shang Hai Art Centre, Shanghai / Interlinked, Dong Hua University, Shanghai / Works of Two Artists, Ya Cao Gallery, Shanghai / Image;No Image, Ban Dao Art Centre, Shanghai / Attitude, East China Normal University, Shanghai / Their Print, Ban Dao Art Centre, Shanghai / Shanghai Abstract Art Exhibition, Ming Yuan Art Centre, Shanghai / Return From Mao Ming Road, Mao Ming Gallery, Shanghai
  • 2005 | Metaphysics 2005; Black and White, Shanghai Art Museum, Shanghai, PRC / Alien and Illusion, Shanghai Art Museum / Possible of Founding, Spring Salon, Shanghai
  • 2004 | Beyond Dimensional Space, Shanghai Duolun Museum of Modern Art, Shanghai / Only Natural-Cognition & Touch, the Abstract and the Real, Henry’s Studio & Antiques, Shanghai / Shanghai 1.2.3: calligraphy exhibition, Tokyo, Japan / Shanghai Abstract Art, Ming Yuan Art Centre, Shanghai / Dreaming of Dragon Nation, Contemporary Art from China, Irish Museum of Modern Art, Dublin, Ireland Angle; a touring exhibition Red Classic Gallery, Nanjing, Endless Gallery, Shanghai & ChinaBlue Gallery, Beijing of one’s own accord; a modern art exhibition with no scheme, Original Impress Art Club, Shanghai Reflection: China Japan Korea Modern Art, Shanghai Duolun Museum of Modern Art
  • 2003 | Metaphysics: Shanghai Abstract Art Exhibition, Shanghai Art Museum / Shanghai 1.2.3: A touring exhibition, Shanghai, PRC, Tokyo, Nagano & Soka, Japan / A Different Choice 60’s Generation; Bandao Art Centre, Shanghai PRC / Yue, Shanghai Duolun Museum of Modern Art
  • 2002 | East-West: Chinese Contemporary Art, Artist’s House, Vienna, Austria / The Wind From Shanghai, Shanghai Contemporary Art, Hamburg, Germany / Japan & China: Group Calligraphy Exhibition, Shanghai / 24:30 Contemporary Art Exhibition, BizArt, Shanghai / Shanghai Abstract Art, Liu Hai Shu Art Museum, Shanghai / Metaphysics: Shanghai Abstract Art, Shanghai Art Museum, Shanghai
  • 2001 | Retour, Shanghai / ExtraOrdinary, Aura Gallery, Shanghai / Los Angeles International Art Biennale, Los Angeles, USA / Metaphysics: Shanghai Abstract Art, Shanghai Art Museum, Shanghai / Art Fair, Guangzhou PRC / Chinese Contemporary Art Exhibition Tokyo, Japan / Contemporary Art Exhibition, AA Gallery, Shanghai / Shanghai Inchon International Fine Art Exchange Exhibition, Inchon, Korea / Grosse Kunst Ausstellung, Dusseldorf, Germany / Fan Exhibition, Shanghai
  • 2000 | Abstract Transitions: a two-person painting exhibition, BizArt, Shanghai / Works on Paper, Aura Gallery, Shanghai

For the full list of exhibitions, public commissions and awards, please contact the gallery at [email protected]

Song Ling

^ Click on the image to view the full Artist Profile

Song Ling 宋陵 (b. 1961) was born in Hangzhou, China in 1961. He graduated from the Chinese Painting Department of Zhejiang Academy of Fine Arts (currently known as Chinese Academy of Fine Arts) in 1984.

In 1985, Song Ling entered the Zhejiang Art Academy as a professional painter. With a deep interest in surrealism, he participated in the “85 New Space Exhibition” with his “Man · Pipeline” series. In 1986, together with Zhang Peili, Geng Jianyi and Wang Qiang, he founded the “Pond Society”, one of the most important art groups in the early days of Chinese contemporary art. Song Ling participated in each collective creation. At the same time, his individual works also reached a peak, creating representative and influential works such as the “Meaningless Choice” series. His works were influential at that time and were published in numerous important newspapers and magazines, and he became one of the most important artists of the 85 New Wave Art Movement.

Song Ling moved to Melbourne, Australia in 1988, where he participated in the earliest exhibitions of Chinese contemporary art and held many solo exhibitions throughout Australia. Today, he has held many solo exhibitions and participated in many group exhibitions in China, Australia and the rest of the world. His works have been permanently collected by many corporations and public institutions, including Art Bank, Sydney (Australia), Australian and New Zealand Bank Collection, Melbourne (Australia), White Rabbit Museum, Sydney (Australia), Deakin University Art Collection, Melbourne (Australia), Pacific Asia Museum, Los Angeles (U.S), Long Art Museum, Shanghai (China) and Yuz Foundation, Jakarta (Indonesia) and Shanghai (China).


Study 12 临摹 12 号, 2017, Ink on Paper, 74 x 74cm
*Price: $33,000.00
Study 13 临摹 13 号, 2017, Ink on Paper, 74 x 74cm
*Price: $33,000.00
Education
  • 1984 | Department of Chinese Painting, Zhejiang Academy of Fine Arts
Selected Solo Exhibitions
  • 2020 | Model House, RIVERSIDE Space, Hangzhou, China
  • 2019 | Catch the Muddle, New Century Art Foundation, Pond Society, Shanghai, China
  • 2018 | Magritte’s Room, Hive Center for Contemporary Art, Shenzhen, China 2017 | Wildlife, Niagara Galleries, Melbourne
  • 2016 | Wildlife, Hive Center for Contemporary Art, Beijing, China
  • 2015 | Face, Niagara Galleries, Melbourne / Ghosts in the Mirror – Song Ling 1985-2013, Zhanjiang Art Museum, Hangzhou, China
  • 2014 | Ghosts in the Mirror – Song Ling 1985-2013, Today Art Museum, Beijing, China
  • 2013 | The Face, Eva Breuer, Sydney
  • 2012 | Beauty and the Beast, Niagara Galleries, Melbourne
  • 2011 | A Day in the Life, Michael Reid at Elizabeth Bay, Sydney
  • 2010 | Kaleidoscope, Niagara Galleries, Melbourne
  • 2009 | Recent Paintings, Eva Breuer, Sydney
  • 2008 | When We Were Young, Niagara Galleries, Melbourne
  • 2007 | Eva Breuer Art Dealer, Sydney
  • 2006 | Niagara Galleries, Melbourne
  • 2001 | Contemporary Ink Work by Song Ling, Zhejiang Painting Academy, Hangzhou, China
  • 1997 | Caulfield Arts Complex, Melbourne
  • 1996 | Paintings by Song Ling, Pinacotheca, Melbourne
  • 1994 | Paintings by Song Ling, Pinacotheca, Melbourne
  • 1992 | Paintings by Song Ling, Pinacotheca, Melbourne
  • 1991 | Mystical East, Chinese Museum, Melbourne
  • 1989 | Impounded Visions, Frank Hardy Fine Art, Brisbane
Selected Group Exhibitions
  • 2021 | Flower, Not, iPreciation, Singapore
  • 2020 | Duration: Chinese Art in Transformation, Minsheng Art Museum, Beijing, China / Being of Evils, Hive Center for Contemporary Art, Beijing, China
  • 2018 | Here/Everywhere: The Sample of Overseas Chinese Art, The 3rd Overseas Artists Invitational Exhibition, He Xiangning Art Museum, Shenzhen, China / Animamix Biennale, Museum of Contemporary Art Shanghai, China 
  • 2017 | Crisscrossing East and West: The Making of Ink Art in Contemporary East Asia, Museum of Contemporary Art Yinchuan, China / Memory and Contemporary, Venice Biennale, Venetian Arsenale, Venice, Italy / The Unusual Westlake, China National Academy of Fine Arts, Hangzhou, China / Ten Thousand Hours, Art KDS, The King David School, Melbourne
  • 2016 | International Exhibition of 20 Contemporary Art Masters, Mid-Levels Buildings Art Museum, Zhejiang, China / Mutualism – Contemporary Chinese Ink and Wash Painting Exhibition, China Cultural Centre, Sydney / The Ride to Combine, Hive Center for Contemporary Art, Shanghai Exhibition Center, Shanghai, China / The 9th International In Art Biennale of Shenzhen, China / Art 021, Hive Center for Contemporary Art, Shanghai Exhibition Center, Shanghai, China / Unrealities in the reality, Boxes Art Space of OCT Harbor, Shenzhen, China
  • 2015 | Art021, Hive Center for Contemporary Art, Shanghai Exhibition Center, Shanghai, China
  • 2014 | Awareness, International Day for the Elimination of Violence against Women Art Exhibition, The Chinese Museum of Women and Children, Beijing, China / Melbourne Art Fair, Royal Exhibition Building, Melbourne / Crossing Boundaries, contemporary Asian Australian artists, Sydney Town Hall, Sydney / Variation – Contemporary Chinese Ink Art Series II,Hive Center for Contemporary Art, Beijing, China
  • 2013 | Sydney Contemporary 13, Carriageworks, Sydney / Arts Can Do, Australia China Art Foundation, Hong Kong / The Sulman Prize, Art Gallery of New South Wales, Sydney / Snake, Snake, Snake: Contemporary Asian Australian Artists, Sydney Town Hall, Sydney
  • 2012 | Melbourne Art Fair, Niagara Galleries, Royal Exhibition Building, Melbourne / SH Contemporary Art Fair, Australia China Art Foundation, Shanghai Exhibition Centre, Shanghai, China / Redlands Westpac Art Prize Exhibition, NAS Gallery, Sydney / Chinese Australia, Austin Tung Gallery, Melbourne / Artevent, National Gallery of Victoria, Melbourne / Shanghai Contemporary Art Fair, Australia-China Art Foundation, Shanghai, China
  • 2011 |  Festival of Fisher’s Ghost Art Award, Campbelltown Arts Centre, New South Wales / Art for Science, Murdoch Children’s Research Institute Charity Exhibition, Nellie Castan Gallery, Melbourne / Melbourne Savage Club Art Prize Exhibition, Melbourne Savage Club, Melbourne/ Mosman Art Prize Exhibition, Mosman Art Gallery, New South Wales / Zoo AiR: Twenty Artists from the 2011 Artists in Residence Program at Taronga Zoo, The University Gallery, The University of Newcastle, New South Wales / Hawkesbury One: Citizen Collectors, Newcastle Region Art Gallery, New South Wales / Prometheus Visual Arts Award Exhibition, Merrimac, Queensland / The Archibald Prize Exhibition, Art Gallery of New South Wales, Sydney and touring / The Wynne Prize Exhibition, Art Gallery of New South Wales, Sydney / Artwork to Tapestry, TarraWarra Museum of Art, Victoria / Calleen Art Award, Cowra Regional Art Gallery, New South Wales
  • 2010 | Stan and Maureen Duke Gold Coast Art Prize Finalists’ Exhibition, Gold Coast City Gallery, Queensland / Festival of Fisher’s Ghost Art Award, Campbelltown Arts Centre, New South Wales / Paul Guest Prize, Bendigo Art Gallery, Victoria / Melbourne Art Fair, Niagara Galleries, Royal Exhibition Building, Melbourne / Williamstown Contemporary Art Prize Finalists’ Exhibition, The Substation, Melbourne / The Wynne Prize Exhibition, Art Gallery of New South Wales, Sydney / The Stanthorpe Art Festival Award, Stanthorpe Regional Art Gallery, Queensland 
  • 2009 | The Eutick Memorial Still Life Award Finalists’ Exhibition, Coffs Harbour Regional Gallery, New South Wales / Art For Science, Murdoch Children’s Research Institute Charity Exhibition, Nellie Castan Gallery, Melbourne / Sunshine Coast Art Prize Finalists’ Exhibition, Caloundra Regional Art Gallery, Queensland / Darebin La Trobe Art Prize Finalists’ Exhibition, Bundoora Homestead Art Centre, Melbourne / Now 2.0, Australian Commercial Galleries Association, Federation Square, Melbourne / Salon des Refusés, S H Ervin Gallery, Sydney / The Sulman Prize Exhibition, Art Gallery of New South Wales, Sydney / Recent Acquisitions from the Deakin University Art Collection, Deakin University Art Gallery, Melbourne / Coming Home, Linda Gallery, Beijing, China
  • 2008 | Art Singapore, Gaffer Hong Kong, Singapore / Melbourne Art Fair, Royal Exhibition Building, Melbourne / From Mao to Now, Sydney Olympic Park, New South Wales / Australian Contemporary, The Rotunda, Exchange Square, Central, Hong Kong / The Archibald Prize Exhibition, Art Gallery of New South Wales, Sydney and touring / The 56th Blake Prize for Religious Art, Deakin University Art Gallery, Melbourne / Linden Postcard Show, Linden Centre for Contemporary Arts, Melbourne
  • 2007 | Stan and Maureen Duke Gold Coast Art Prize, Gold Coast Arts Centre, Queensland / ABN AMRO 2007 Emerging Artist Award Finalists’ Exhibition, Sydney / DLAP 2007, City of Darebin and La Trobe University Acquisitive Art Prize Exhibition, Bundoora Homestead Art Centre, Melbourne / Savage Club Art Prize Exhibition, Melbourne / ABN AMRO 2007 Emerging Artist Award Exhibition, Melbourne / MLC Acquisitive Art Exhibition, Melbourne / The Blake Prize Exhibition, National Art School, Sydney and touring / Art For Science, Murdoch Children’s Research Institute Charity Exhibition, Nellie Castan Gallery, Melbourne / Prometheus Visual Arts Award Exhibition, Merrimac, Queensland / Art@mgs Contemporary Art Exhibition, Motor Works Gallery, Melbourne / Tattersall’s Contemporary Art Prize Exhibition, Melbourne / Crossroads, Toyota Community Spirit Gallery, Melbourne
  • 2006 | If You Were To Collect… Elements of Abstraction, The Deloitte Art Exhibition, Melbourne / The Fletcher Jones Geelong Contemporary Art Prize Exhibition, Geelong Gallery, Victoria / ABN AMRO 2006 Emerging Artist Award Finalists’ Exhibition, Sydney / New Social Commentaries, F.J. Foundation Art Prize Exhibition, Warrnambool Art Gallery, Victoria / ABN AMRO Emerging Artist Award Exhibition, Melbourne / Melbourne Art Fair, Niagara Galleries, Royal Exhibition Building, Melbourne
  • 2004 | Sydney Affordable Art Fair, East and West Art, Sydney
  • 2001 | New Space-2000, Hangzhou, China
  • 1999 | International Contemporary Calligraphy, Hangzhou, China 

For full list of exhibitions and collections, please contact the gallery at [email protected].

Tay Bak Chiang

^ Click on the image to view the full Artist Profile.

Tay Bak Chiang (鄭木強, b. 1973) is a Singaporean contemporary ink artist represented by iPreciation. His works are known for bridging traditional Chinese ink painting with modern abstraction, exploring nature, structure, and philosophical depth through expressive brushwork and refined minimalism. He was born in 1973 in Malaysia/Singapore. He showed an interest in art from an early age and pursued formal training. He graduated from the Nanyang Academy of Fine Arts in Singapore in 1995 and later continued his studies at the China Academy of Art in Hangzhou in 1997. These experiences shaped his understanding of both traditional and contemporary Chinese art techniques.


*Prices are subject to change without prior notice.

Selected Solo Exhibitions
Selected Group Exhibitions
  • 2018 | 《唤风》Beckoning of the Breeze, Visual Arts Centre, Singapore
  • 2018 | 《岩石裂缝》In the Cleft of the Rock, Pontone Gallery, Taichung, Taiwan
  • 2018 | 《磊》Moving Mountains, Artsembly, Esplanade – Theatres on the Bay, Singapore
  • 2017 | Singapore – Japan Ink Painting Exchange Exhibition, Visual Arts Centre, Singapore
  • 2017 | Impressions, Oriental Art & Cultural Center, Kuala Lumpur, Malaysia
  • 2015 | 45th Anniversary Exhibition of Siaw-Tao Chinese Seal-Carving Calligraphy and Painting Society, Singapore
  • 2015 | Portable Art Week, iPreciation Gallery, Singapore
  • 2013 | Made in Singapore – Three Quarters of a Century, Nanyang Academy of Fine Arts, Singapore
  • 2013 | 《床事》A Thing or Two about the Bed, FOST Gallery, Singapore
  • 2013 | Cascadence – Singapore Redux, iPreciation Gallery, Singapore
  • 2013 | Crisis of Monumentality, Chan Hampe Galleries, Singapore
  • 2012 | Cityscapes Unbound, OCBC Centre, Singapore
  • 2012 | 《墨》Mò, Jendela Visual Arts Space, Esplanade, Singapore
  • 2010 | Now and Next – Modern Arts of Korea, Japan, Singapore, National Museum of Gwang-Ju, Korea
  • 2010 | Space + Imagination, Korea Singapore Contemporary Art Exchange Exhibition, Jeollanamdo Okgwa Art Museum, Korea
  • 2010 | Celebrating Asian Art, Artfolio Gallery, Singapore
  • 2010 | Live Our Dreams Community Paintings, The Arts House, Singapore
  • 2009 | Nanyang in Paris, Nanyang Academy of Fine Arts Gallery, Singapore
  • 2009 | Nanyang – 70 Years After, Nanyang Academy of Fine Arts Gallery, Singapore
  • 2005 | Singapore Art Show, Singapore Management University, Singapore
  • 2004 | Internationale Cite des Arts, Paris, France
  • 2004 | Siaw-Tao Chinese Seal-Carving Calligraphy and Painting Society Exhibition, Kuala Lumpur, Malaysia
Awards
  • 2003 | First Prize (Traditional Chinese Medium Category), 22nd UOB Painting of the Year Competition, Singapore
  • 2002 | Young Artist Award for Visual Arts, National Arts Council, Singapore
  • 2002 | Distinction Award, Chinese Painting Category, Dr Tan Sze Chor Art Award, Singapore
  • 2000 | First Prize, Traditional Chinese Medium, 19th UOB Painting of the Year Competition, Singapore
  • 1999 | First Prize, Singapore Turf Club Art Competition
  • 1999 | Distinction Award, Chinese Painting Category, Dr Tan Sze Chor Art Award, Singapore
  • 1995 | 16th Shell Discovery Art Award, Singapore
Selected Public Collections
  • The Istana, Singapore
  • Ministry of Foreign Affairs, Singapore
  • Nanyang Academy of Fine Arts, Singapore
  • National Arts Council, Singapore
  • National Gallery Singapore
  • Mandarin Oriental, Singapore
  • Permanent Mission of Singapore to the United Nations, New York
  • OCBC Bank, Singapore
  • Shangri-La Hotel, Singapore
  • Shangri-La Hotel at The Shard, London, UK
  • Simmons & Simmons Contemporary Art Collection, Singapore
  • Singapore Turf Club, Singapore
  • Singtel, Singapore
  • SC Global Developments, Singapore
  • Swiss Re, Singapore
  • United Overseas Bank, Singapore

For the full list of exhibitions, awards and collections, please contact the gallery at [email protected]

Press Releases

For more info on press and media coverage, please contact the gallery at [email protected]

Official and Institutional Resources
Market and Auction Records
Social Media

Gao Xingjian

^ Click on the image to view the full Artist Profile

Gao Xingjian 高行健 (b. 1940) is a Chinese-born novelist, playwright, painter, and filmmaker who later became a French citizen. In 2000, he received the Nobel Prize in Literature for an oeuvre recognized for its “universal validity, bitter insights and linguistic ingenuity.” Beyond literature, Gao is also widely known for his ink paintings and multidisciplinary artistic practice. His work moves fluidly between literature, theatre, visual art, and film.


*Prices are subject to change without prior notice.


Education
  • 1962 | Beijing Foreign Studies University
Selected Solo Exhibitions
Selected Group Exhibitions
Awards
  • 2002 | Legion of Honour by French President Jacques Chirac
  • 2002 | Golden Plate Award by the American Academy of Achievement
  • 2000 | Nobel Prize in Literature
  • 1997 | Le Prix du Nouvel An Chinois for La Montagne de l’âme
  • 1994 | French Community of Belgium Prize for his play

For the full list of exhibitions and awards, please contact the gallery at [email protected].

Press Releases
Further Information

Willy Tay

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Willy Tay 戴瑋利 (b. 1974) graduated from LaSalle College of the Arts in 1994 with a Diploma in Fine Art (Painting). He continued his studies at RMIT University, completing his Bachelor of Arts (Fine Art) in 1998 and a Master of Arts (Fine Art) in 2004. With a dynamic artistic practice, Willy Tay has participated in both solo and group exhibitions in Singapore and internationally. Notable exhibitions include “Do You Believe in Angels?” at Equator Art Projects in Singapore and Mo_Space in the Philippines in 2014; “The Realm in the Mirror, the Vision out of Image” at Jinji Lake Art Museum in Suzhou, China in 2013; “Moments on White” at Osage Gallery in Hong Kong and Singapore in 2007.

He currently lives and works in Singapore, where he continues to develop his artistic practice.


*Prices are subject to change without prior notice.


Education
  • 2004 | Master of Arts (Fine Art), RMIT University, Melbourne
  • 1998 | Bachelor of Arts (Fine Art), RMIT University, Melbourne
  • 1994 | Diploma in Fine Art (Painting), LaSalle SIA College of the Arts, Singapore
Solo Exhibitions
  • 2014 | Absence of Knowing, Equator Art Projects, Singapore
  • 2007 | A Matter of Time, SooBin Art Gallery, Singapore
  • 2005 | Still, PKW Gallery, Singapore
  • 2005 | An Inward Dialogue, Chengdu Painting Academy, China
  • 2005 | An Inward Dialogue, Tank Loft Art Center, Chongqing, China
  • 2005 | Recent Works, Asian Art Options, Singapore
  • 2004 | Landscape +, SooBin Art Gallery, Singapore
Selected Group Exhibitions
  • 2025 | Art SG 2025, Singapore
  • 2025 | Refrained, iPreciation Gallery, Singapore
  • 2023 | Impression Culture and Art Festival, Wenjiang Art District, Chengdu, China
  • 2017 | Temporal Relations, TYC Studio Gallery, Chengdu, China
  • 2013 | Do You Believe in Angels?, Equator Art Projects, Singapore & Mo_Space, Manila, Philippines
  • 2013 | Painting in Singapore, Equator Art Projects, Singapore
  • 2012 | The Realm in the Mirror, the Vision out of Image, Singapore Contemporary Art Exhibition, Jinji Lake Art Museum, Suzhou, China
  • 2011 | OH Open House / OH Post Exhibition, Evil Empire Gallery, Singapore
  • 2007 | Ephemeral, PKW Gallery, Singapore
  • 2007 | Moments on White, Osage SOHO Gallery, Hong Kong
  • 2007 | Painting in Spite Of…, Project Space, Singapore
  • 2007 | 3rd Guiyang Biennial, Guizhou, China
  • 2007 | Moments on White, Osage Gallery, Singapore
  • 2006 | ART Singapore, Singapore
  • 2005 | …and a Partridge in a Pear Tree, Asian Art Options, Singapore
  • 2005 | ART Singapore, Singapore
  • 2005 | 500 & Below Show, PKW Gallery, Singapore
  • 2004 | ASEAN Art Awards Exhibition, National Art Gallery, Bangkok, Thailand
  • 2004 | Work in Progress, Earl Lu Gallery, Singapore
  • 2003 | Philip Morris ASEAN Award Exhibition, MITA Building Atrium, Singapore
  • 2003 | Concerted Spaces, Studio 106, Singapore
  • 2003 | The Big Small Show, Art Seasons Gallery, Singapore
  • 2003 | Box II, Plastic Kinetic Worms, Singapore
  • 2003 | Work in Progress II, Earl Lu Gallery, Singapore
  • 2002 | Fable of the Pelican, Art Motion Gallery, Singapore
  • 2002 | Round the World in Eight Ways (Charity Auction), Hilton Hotel, Singapore
  • 2001 | Nokia Singapore Art 2001, Sculpture Square, Singapore
  • 2001 | 20th UOB Painting of the Year Exhibition, UOB Building, Singapore
  • 1999 | Suria III Group Show, Caldwell House Gallery, CHIJMES, Singapore
  • 1998 | All Must Go!, Substation Gallery, Singapore
  • 1998 | Ao Tu, Earl Lu Gallery, Singapore
  • 1997 | Moon and Star Show, Utopia Gallery, Singapore
  • 1996 | Singapore Red Ribbon Award Exhibition, Suntec City / Bugis Junction / Substation Gallery, Singapore
  • 1996 | Philip Morris ASEAN Art Awards Exhibition, Takashimaya Gallery, Singapore
  • 1994 | Eclectic Group Exhibition, LaSalle Gallery, Singapore
  • 1994 | Defence Art Exhibition, Marina Square, Singapore
Teaching
  • 2000–2001 | Multimedia Department (Digital Imaging), LaSalle SIA College of the Arts
Performance
  • 2005 | Replenish, Dance choreography by Matthew Hawkins (UK), Tank Loft Art Center, Chongqing
Articles and Reviews
  • 2007 | “A Matter of Time”, by Cyril Wong
  • 2005 | “Lost Myth”, by Zhang Xiao Zhong, Lian He Zhao Pao
  • 2005 | “Lost and Reshaped Myth”, by Zhai Yong Ming
  • 2004 | “Artist and Exhibition”, by KK Goh, Lian He Zhao Pao
  • 2004 | “Turning Walls into Art”, by Sujin Thomas, Streats
  • 2003 | “Art of Peeking Pays Off”, by Clarissa Oon, The Straits Times
  • 2002 | “Pictures in Another Time”, by Ian Woo, Vehicle Contemporary Visual Arts
  • 2002 | “Fable of the Pelican”, by Milenko Prvacki
  • 2001 | “Nokia Singapore Art”, by Suhaila Sulaiman, The Straits Times
  • 1996 | “Alumni Group Seeks Directions in Chinese Drama”, by Wong Chee Meng, The Straits Times
  • 1996 | “Transitional Times”, by Rachel Farnay, Vogue Singapore
Awards
  • 2003 | Philip Morris ASEAN Art Award, Jurors’ Choice
  • 2001 | 20th UOB Painting of the Year, Highly Commended
  • 1998 | Singapore Urban Art Competition, Commendation
  • 1996 | Singapore Red Ribbon Award “Art Against AIDS”, Merit Prize
  • 1996 | Philip Morris ASEAN Art Awards, Honorable Mention
  • 1994 | Defence Art Competition, Merit Award
Private Collections
  • Westin Hotel, Xiamen, China
  • Singapore Art Museum
  • DBS Bank, Singapore
  • National Art Gallery, Bangkok, Thailand
  • Dr Brian Howard
  • Professor Howard Hunter
  • Dr Woffles Wu
  • Mr Ong Kim Huat

For the full CV and biography details, please contact the gallery at
[email protected].

Exhibition History
Further Information

For further information about Willy Tay and related institutions, please refer to the following resources:

Eric Chan

^ Click on the image to view the full Artist Profile

Eric Chan (b. 1975) in Kuala Lumpur, Malaysia, currently based in Singapore / Malaysia, is one of Southeast Asia’s notable contemporary artist. An award winning arts practitioner, he has carved out a reputation for reinvigorating interest in painting as a resonant contemporary media. His art practice also extends across different medias from film and photography to installations and sculptural works.


Flip, 2023, 122 x 90cm, Mixed Media on Linen
*Price: $16,000.00
Strive, 2024, 122 x 90cm, Mixed Media on Linen
*Price: $16,000.00

*Price is subjected to change without further notice.


Biography

Eric Chan, born 1975 in Kuala Lumpur, Malaysia, currently based in Singapore / Malaysia, is one of Southeast Asia’s notable contemporary artist. An award winning arts practitioner, he has carved out a reputation for reinvigorating interest in painting as a resonant contemporary media. His art practice also extends across different medias from film and photography to installations and sculptural works. 

With more than two decades of active commitment to his art practice, having had many solo exhibitions internationally, he has enjoyed recognition for his work, receiving amongst others, the Jurors’ Choice at the Philip Morris ASEAN Art Awards (2002) and Highly Commended accolade at the 2003 UOB Painting of the Year Competition under the photography section. Chan was also the first artist to inaugurate the BMW Young Asian Artists series in collaboration with the Singapore Tyler Print Institute in 2007. 

In addition to having strong auction success at Christie’s and Sotherby’s, his works are collected by the Singapore Art Museum and in corporate and public collections such as the CapitaLand Art Collection, UOB Art Collection, UBS Art Collection, OCBC Art Collection, SingTel Art Collection and the Ministry of Foreign Affairs, Singapore, to name just a few. 

Notably, his work was exhibited at The Galleria d’Arte Moderna Milano in an exhibition entitled, “Don’t Shoot The Painter” in 2011 alongside works of artists he greatly admired such as Gerhard Richter, Francesco Clemente, Ed Ruscha and many more. 

His installation work, “Bondages of Desire” was also acquired by The Burger Collection. The highly respected art magazine, Art in America listed The Burger Collection as one of the “Top 200 Collections in the World” and the German art magazine, Monopol also rates The Burger Collection as one of the 100 most influential collections in the world. 

Education
  • 2000 | Master of Fine Art, RMIT University, Austurlia
  • 1997 | Bachelor of Arts in Fine Art (DISTINCTION) RMIT University, Australia
  • 1996 | Diploma in Fine Art, LASALLE College of the Arts Singapore
Solo Exhibition
  • 2016 | In Light of the Ephemeral Silence, FOST Gallery, Singapore
    / in-Definite Defiance – Solo Exhibition by Eric Chan, ChanHampe Galleries, Singapore
  • 2011 | WANTED: Possession and Rejection, ChanHampe Galleries, Singapore / Paintings by Eric Chan, Stephanie Hoppen Gallery, London, UK / The Romantics of Betrayal, ION Art Gallery, ION Orchard, Singapore / Submissions to Beauty, Paintings by Eric Chan, Amelia Johnson Contemporary, Hong Kong
  • 2008 | Fine Displacement, Paintings by Eric Chan, Amelia Johnson Contemporary, Hong Kong
  • 2007 | Another Place. Another Time. The Substation Gallery, Singapore
  • 2006 | Paintings by Eric Chan, Drawing Room, Manila, Phillipines / Indulge – Paintings by Eric Chan, Gajah Gallery, Singapore
  • 2005 | From Here To After- Paintings by Eric Chan, The Third Line, Dubai, UAE
  • 2004 | TemptedPaintings by Eric Chan, Taksu Jakarta, Indonesia
  • 2003 | Fine ObjectionsPaintings by Eric Chan, Taksu Singapore, Singapore
  • 2002 | Out-SightPaintings by Eric Chan, Bark Modern Art, Hong Kong / New paintings by Eric Chan, Valentine Willie Fine Art Gallery, Kuala Lumpur, Malaysia
  • 2001 | In Between Odds – New Works by Eric Chan, The Substation Gallery, Singapore / ERIC CHAN – Exhibition, Valentine Willie Fine Art Gallery, Kuala Lumpur, Malaysia / The Gallery – Siemens Malaysia, Kuala Lumpur, Malaysia
  • 2000 | Flaunting – Paintings by Eric Chan, Art Forum Gallery, Singapore
Selected Exhibitions
  • 2015 | Dont’ Shoot The Painter. Paintings from UBS Art Collection.
    Galleria d’Arte Moderna, Milan, Italy
  • 2011 | London Art Fair 2011, Stephanie Hoppen Gallery, London, UK
  • 2005 | TOWARDS BEAUTY’S END, Bathurst Regional Art Gallery, New South Wales, Australia / ART FOR NATURE, Rimbun Dahan, Selangor, Malaysia / EMERGING ARTISTS EXHIBITION, Span Galleries, Melbourne, Australia
  • 2004 | TOWARDS BEAUTY’S END, Queensland University Art Museum, Brisbane, Australia / FOOTSTEPS (JEJAK LANGKAH), National Art Gallery, Kuala Lumpur, Malaysia
  • 2003 | MALINDO, Taksu Jakarta, Indonesia / TAKSU GALLERY (Singapore) Opening Exhibition, Taksu Singapore, Singapore
    2002 | ASEAN ART AWARDS 2002 Philip Morris Group of Companies
  • Bali International Convention Centre, Nusa Dua, Bali, Indonesia / Singapore Art Awards 2001/2002 Philip Morris Group of Companies The Gallery @ Paragon, Singapore / Painted: Recent Works by Contemporary Southeast Asian Painters Valentine Willie Fine Art Gallery, Kuala Lumpur, Malaysia
  • 2001 | ASEAN ART EXPO – Singapore, Earl Lu Gallery, Singapore / RMIT Master of Fine Art Graduate Show (Singapore), LASALLE-SIA Gallery, Singapore / STRATA 2000 – RMIT Master of Fine Art Graduate Show, SPAN Gallery, Melbourne, Australia
  • 2000 | Imagined Boundaries – Looking at New Model Communities Marine Parade Theatre Festival 2000 (Visual Arts Exhibition) Marine Parade Community Building, Singapore / Between – LASALLE School of Fine Art Faculty Show, Earl Lu Gallery, Singapore
  • 1999 | SUARA IV – LASALLE Alumni Art ExhibitionCaldwell House, CHIJMES, Singapore / PRAXIS – LASALLE School of Fine Art Faculty Show, Earl Lu Gallery, Singapore / Work In Progress, Master in Fine Art Exhibition, LASALLE Gallery, Singapore
  • 1998 | New Generation Singapore Artist Exhibition, Art Forum Gallery, Singapore / SEMIOSIS – LASALLE School of Fine Art Faculty Show, Earl Lu Gallery, Singapore / A Refusal To Be Aware Of All Options; Looking Into Contemporary Painting The Substation Gallery, Singapore / Suara III – LASALLE Alumni Art Exhibition, Caldwell House, CHIJMES, Singapore / VISUAL + – 5 Installation 5 Artist, LASALLE Gallery, Singapore / Drench – 4th RMIT Fine Art Graduate Exhibition, Earl Lu Gallery, Singapore / President’s Charity Show, Earl Lu Gallery, Singapore
  • 1997 | Art Power – Substation Fund-raising Show, Caldwell House, CHILMES, Singapore / BA Studies – Works In Progress, LASALLE Gallery, Singapore
  • 1996 | Relic – Fine Art Diploma Show, Earl Lu Gallery, Singapore / Perspective & Chance Connections Visiting Australian Artist Helen Geier’s Workshop LASALLE Gallery, Singapore
  • 1995 | Wetterling-Teo Scholarship Exhibition, Wetterling-Teo Gallery, Singapore / Collage & Assemblage, LASALLE Gallery, Singapore
Art Residencies
  • 2005 | Young Artist Programme (Printmaking Residency) Singapore Tyler Print Institute (STPI), Singapore

Selected Awards and Scholarships
  • 2003 | Highly Commended (Photography Section) UOB Painting of the Year Competition
  • 2002 | Jurors’ Choice Award, Philip Morris Group of Companies Singapore Art Awards 2001/2002
  • 1997 | Outstanding Achievement Award Bachelor of Arts in Fine Art (Painting) Royal Melbourne Institute of Technology (RMIT) LASALLE-SIA College of the Arts, Singapore / Art Bursary for Bachelor of Arts Studies, LASALLE-SIA College of the Arts, Singapore / Arts In The City Street Painting Competition – 1st Prize
  • 1996 | Singapore Festival of the Arts Fringe 1996

For full CV and biography details, please contact the gallery at [email protected]

Exhibition History

Irene Chou Beyond Adversity Pricelist

Life is a Many Splendoured Thing, 2007, 30 x 30cm (Each), Ink, Colour and Acrylic on Paper
*Price: $26,000.00
Life is a Many Splendoured Thing, 2007, 30 x 30cm (Each), Ink, Colour and Acrylic on Paper
*Price: $26,000.00
Life is a Many Splendoured Thing, 2007, 30 x 30cm (Each), Ink, Colour and Acrylic on Paper
*Price: $26,000.00
Life is a Many Splendoured Thing, 2007, 30 x 30cm (Each), Ink, Colour and Acrylic on Paper
*Price: $26,000.00
Life is a Many Splendoured Thing, 2007, 29.5 x 29.5cm, 53 x 53cm (with border), Ink and Color on Paper
*Price: $13,000.00
Life is a Many Splendoured Thing, 2007, 29 x 29cm, 53 x 53cm (with border), Ink and Color on Paper
*Price: $13,000.00
Life is a Many Splendoured Thing, 2007, 29 x 29cm, 53 x 53cm (with border), Ink and Color on Paper
*Price: $13,000.00
Life is a Many Splendoured Thing, 2007, 29 x 29cm, 53 x 53 cm (with border), Ink and Color on Paper
*Price: $13,000.00
Life is a Many Splendoured Thing, 2007, 29 x 29cm, 53 x 53cm (with border), Ink and Color on Paper
*Price: $13,000.00
Life is a Many Splendoured Thing, 2007, 29 x 29 cm, 53 x 53cm (with border), Ink and Color on Paper
*Price: $13,000.00
Life is a Many Splendoured Thing,2007,29x29cm,53x53cm (with border),Ink and Color on Paper
*Price: $13,000.00
Life is a Many Splendoured Thing, 2007, 29 x 29cm, 53 x 53cm (with border), Ink and Color on Paper
*Price: $13,000.00
Life is a Many Splendoured Thing, 2007, 29 x 29cm, 53 x 53cm (with border), Ink and Color on Paper
*Price: $13,000.00
Life is a Many Splendoured Thing, 2007, 29 x 29cm, 53 x 53cm (with border), Ink and Color on Paper
*Price: $13,000.00
Life is a Many Splendoured Thing, 2007, 14.5 x 16cm, Ink and Colour on Paper
*Price: $3,500.00
Life is a Many Splendoured Thing,2007,16×14.5cm,Ink and Colour on Paper
*Price: $3,500.00
Life is a Many Splendoured Thing,2007,16×14.5cm,Ink and Colour on Paper
*Price: $3,500.00
Life is a Many Splendoured Thing,2007,16×14.5cm,Ink and Colour on Paper
*Price: $3,500.00
Life is a Many Splendoured Thing,2007,30x30cm,Ink,Colour and Acrylic on Paper
*Price: $13,000.00
Life is a Many Splendoured Thing,2006,16×14.5cm,Ink and Colour on Paper
*Price: $3,500.00
Life is a Many Splendoured Thing, 2007, 30 x 30cm, Ink, Colour and Acrylic on Paper
*Price: $13,000.00
Life is a Many Splendoured Thing, 2007, 14.5 x 16cm, Ink and Colour on Paper
*Price: $3,500.00
Life is a Many Splendoured Thing, 2007, 16 x 14.5cm, Ink and Colour on Paper
*Price: $3,500.00
Life is a Many Splendoured Thing, 2007, 14.5 x 16cm, Ink and Colour on Paper
*Price: $3,500.00
Life is a Many Splendoured Thing, 2006, 16 x 14.5cm, Ink and Colour on Paper
*Price: $3,500.00
Life is a Many Splendoured Thing, 2007, 14.5 x 16 cm,Ink and Colour on Paper
*Price: $3,500.00
Life is a Many Splendoured Thing, 2007, 16 x 14.5cm, Ink and Colour on Paper
*Price: $3,500.00
Life is a Many Splendoured Thing, 2007, 16 x 14.5cm, Ink and Colour on Paper
*Price: $3,500.00
Life is a Many Splendoured Thing,2007, 14.5 x 12cm, 35.5 x 35.5cm (with border),Ink and Color on Paper
*Price: $3,500.00
Life is a Many Splendoured Thing,2007, 12.5 x 14.5cm, 35.5 x 35.5cm (with border), Ink and Color on Paper
*Price: $3,500.00
Life is a Many Splendoured Thing,2007,14.5x16cm,Ink and Colour on Paper
*Price: $3,500.00
Life is a Many Splendoured Thing,2007,16×14.5cm,Ink and Colour on Paper
*Price: $3,500.00
Life is a Many Splendoured Thing,2006,14.5x16cm,Ink and Colour on Paper
*Price: $3,500.00
Life is a Many Splendoured Thing, 2006, 14.5 x 16cm, Ink and Colour on Paper
*Price: $3,500.00
Life is a Many Splendoured Thing, 2006, 30 x 30cm, Ink and Colour on Paper
*Price: $13,000.00
Life is a Many Splendoured Thing, 2006, 30x30cm, 65x50cm (Framed), Ink and Colour on Paper
*Price: $13,000.00
Life is a Many Splendoured Thing, 2006, 30 x 30cm (unframed), 58 x 58cm (framed), Ink and Colour on Paper
*Price: $13,000.00
Life is a Many Splendoured Thing, 2007, 30 x 30cm, 81.4×65.3cm (Framed), Ink, Colour and Acrylic on Paper
*Price: $13,000.00
Life is a Many Splendoured Thing, 2007, 30 x 30cm, Ink, Colour and Acrylic on Paper
*Price: $13,000.00
Life is a Many Splendoured Thing, 2007, 30x 30cm, Ink, Colour and Acrylic on Paper
*Price: $13,000.00

*Price is subjected to change without further notice.

Irene Chou

Life is a Many Splendoured Thing, 2007, 30 x 30cm, 81.4×65.3cm (Framed), Ink, Colour and Acrylic on Paper
*Price: $13,000.00
Life is a Many Splendoured Thing, 2007, 30 x 30cm, Ink, Colour and Acrylic on Paper
*Price: $13,000.00
Life is a Many Splendoured Thing, 2007, 30x 30cm, Ink, Colour and Acrylic on Paper
*Price: $13,000.00

*Price is subjected to change without further notice.

Irene Chou

Life is a Many Splendoured Thing, 2006, 30 x 30cm, Ink and Colour on Paper
*Price: $13,000.00
Life is a Many Splendoured Thing, 2006, 30x30cm, 65x50cm (Framed), Ink and Colour on Paper
*Price: $13,000.00
Life is a Many Splendoured Thing, 2006, 30 x 30cm (unframed), 58 x 58cm (framed), Ink and Colour on Paper
*Price: $13,000.00

*Price is subjected to change without further notice.

Irene Chou

Life is a Many Splendoured Thing,2007,14.5x16cm,Ink and Colour on Paper
*Price: $3,500.00
Life is a Many Splendoured Thing,2007,16×14.5cm,Ink and Colour on Paper
*Price: $3,500.00
Life is a Many Splendoured Thing,2006,14.5x16cm,Ink and Colour on Paper
*Price: $3,500.00
Life is a Many Splendoured Thing, 2006, 14.5 x 16cm, Ink and Colour on Paper
*Price: $3,500.00

*Price is subjected to change without further notice.

Irene Chou

Life is a Many Splendoured Thing,2007, 14.5 x 12cm, 35.5 x 35.5cm (with border),Ink and Color on Paper
*Price: $3,500.00
Life is a Many Splendoured Thing,2007, 12.5 x 14.5cm, 35.5 x 35.5cm (with border), Ink and Color on Paper
*Price: $3,500.00

*Price is subjected to change without further notice.

Irene Chou

Life is a Many Splendoured Thing, 2007, 16 x 14.5cm, Ink and Colour on Paper
*Price: $3,500.00
Life is a Many Splendoured Thing, 2007, 16 x 14.5cm, Ink and Colour on Paper
*Price: $3,500.00

*Price is subjected to change without further notice.

Irene Chou

Life is a Many Splendoured Thing, 2007, 14.5 x 16cm, Ink and Colour on Paper
*Price: $3,500.00
Life is a Many Splendoured Thing, 2007, 16 x 14.5cm, Ink and Colour on Paper
*Price: $3,500.00
Life is a Many Splendoured Thing, 2007, 14.5 x 16cm, Ink and Colour on Paper
*Price: $3,500.00
Life is a Many Splendoured Thing, 2006, 16 x 14.5cm, Ink and Colour on Paper
*Price: $3,500.00
Life is a Many Splendoured Thing, 2007, 14.5 x 16 cm,Ink and Colour on Paper
*Price: $3,500.00

*Price is subjected to change without further notice.

Irene Chou

Life is a Many Splendoured Thing, 2007, 30 x 30cm, Ink, Colour and Acrylic on Paper
*Price: $13,000.00

*Price is subjected to change without further notice.

Irene Chou

Life is a Many Splendoured Thing,2006,16×14.5cm,Ink and Colour on Paper
*Price: $3,500.00

*Price is subjected to change without further notice.

Irene Chou

Life is a Many Splendoured Thing,2007,30x30cm,Ink,Colour and Acrylic on Paper
*Price: $13,000.00

*Price is subjected to change without further notice.

Irene Chou

Life is a Many Splendoured Thing,2007,16×14.5cm,Ink and Colour on Paper
*Price: $3,500.00

*Price is subjected to change without further notice.

Irene Chou

Life is a Many Splendoured Thing,2007,16×14.5cm,Ink and Colour on Paper
*Price: $3,500.00
Life is a Many Splendoured Thing,2007,16×14.5cm,Ink and Colour on Paper
*Price: $3,500.00

*Price is subjected to change without further notice.

Irene Chou

Life is a Many Splendoured Thing, 2007, 14.5 x 16cm, Ink and Colour on Paper
*Price: $3,500.00

*Price is subjected to change without further notice.

Irene Chou

Life is a Many Splendoured Thing, 2007, 29 x 29cm, 53 x 53cm (with border), Ink and Color on Paper
*Price: $13,000.00

*Price is subjected to change without further notice.

Irene Chou

Life is a Many Splendoured Thing, 2007, 29 x 29cm, 53 x 53cm (with border), Ink and Color on Paper
*Price: $13,000.00
Life is a Many Splendoured Thing, 2007, 29 x 29cm, 53 x 53cm (with border), Ink and Color on Paper
*Price: $13,000.00

*Price is subjected to change without further notice.

Irene Chou

Life is a Many Splendoured Thing, 2007, 29 x 29cm, 53 x 53 cm (with border), Ink and Color on Paper
*Price: $13,000.00
Life is a Many Splendoured Thing, 2007, 29 x 29cm, 53 x 53cm (with border), Ink and Color on Paper
*Price: $13,000.00
Life is a Many Splendoured Thing, 2007, 29 x 29 cm, 53 x 53cm (with border), Ink and Color on Paper
*Price: $13,000.00
Life is a Many Splendoured Thing,2007,29x29cm,53x53cm (with border),Ink and Color on Paper
*Price: $13,000.00

*Price is subjected to change without further notice.

Irene Chou

Life is a Many Splendoured Thing, 2007, 29.5 x 29.5cm, 53 x 53cm (with border), Ink and Color on Paper
*Price: $13,000.00
Life is a Many Splendoured Thing, 2007, 29 x 29cm, 53 x 53cm (with border), Ink and Color on Paper
*Price: $13,000.00
Life is a Many Splendoured Thing, 2007, 29 x 29cm, 53 x 53cm (with border), Ink and Color on Paper
*Price: $13,000.00

*Price is subjected to change without further notice.

Irene Chou Window Display

Life is a Many Splendoured Thing, 2007, 30 x 30cm (Each), Ink, Colour and Acrylic on Paper
*Price: $26,000.00
Life is a Many Splendoured Thing, 2007, 30 x 30cm (Each), Ink, Colour and Acrylic on Paper
*Price: $26,000.00
Life is a Many Splendoured Thing, 2007, 30 x 30cm (Each), Ink, Colour and Acrylic on Paper
*Price: $26,000.00
Life is a Many Splendoured Thing, 2007, 30 x 30cm (Each), Ink, Colour and Acrylic on Paper
*Price: $26,000.00

*Price is subjected to change without further notice.

Lee Wen

^ Click the image to view the full Artist Profile.

Lee Wen (b. 1957 – d. 2019) was a multidisciplinary artist and one of Singapore’s most internationally recognised performance artists. Best known for his Journey of a Yellow Man series, Lee Wen’s performances and installations often exposed and questioned the ideologies and value systems of individuals as well as social structures. His work attempted to combine Southeast Asian contexts with international currents in contemporary art. His early practice was associated with the Artists Village, an alternative art group in Singapore and later forged a more individuated artistic career.


*Price is subjected to change without further notice.


Biography

Born in 1957, Lee Wen was a Singaporean multidisciplinary artist working on social identity themes. After leaving a banking career to enroll at LASALLE College of the Arts, Lee graduated with a Masters of Fine Art in 2006. Best known for his Yellow Man series of work, Lee was one of the pioneers of Performance Art in Singapore.

Lee Wen relied on the strategic deployment of visual, kinesthetic symbols and signs in his works. Through various constructed personas, his works allowed visitors an insight into his roles as an artist. Lee had explored different strategies of time-based and performance art since 1989. Lee’s work had been strongly motivated by social investigations as well as inner psychological directions using art to interrogate stereotypical perceptions of culture and society.

Lee Wen’s essays, texts and investigations were an important reference, not only for Singaporean and Asian artists, but also for Performance art scholars and researchers worldwide.

Beyond his performance art, Lee was a multidisciplinary artist. To him, all his works irregardless of medium is about conveying a message to the audience by means of composing a picture, image or scene. Faced with the obstacle of battling with Parkinson’s disease, the artist’s body movements were increasingly limited, thus large paintings and drawings had become a feat to him. The gestures of marking and drawing lines across the blank spaces, the very act of painting and drawing was akin to a performance in itself. Despite these challenges, his two-dimensional works convey an overwhelming sense of optimism and perseverance.

Lee Wen was a contributing member in The Artists Village of Singapore and had been participating in Black Market international performance collective. Lee was also co-organiser of R.I.T.E.S. – Rooted in the Ephemeral Speak (2009), a platform to support and develop performance art practices, discourse, infrastructure and audiences in Singapore. In 2003, Lee spearheaded the Future of Imagination international performance art event, seeing the value of having an annual gathering of international artists in Singapore, to share a continuing interest in the cultural constructs of identity.

In 2005, Lee Wen was awarded the Cultural Medallion for his contributions to the development of Contemporary Art in Singapore and he also won the Joseph Balestier Award for the Freedom of Art in 2016. Lee Wen passed away in 2019.

Education
  • 2006 | MA Fine Arts, LaSalle-SIA College of the Arts, Singapore
  • 1992 | City of London Polytechnic, London, UK
  • 1990 | LaSalle-SIA College of the Arts, Singapore
Exhibitions

Selected Solo Exhibitions

  • 2017 | Merdeka Mereka, Grey Projects, Singapore
  • 2017 | Birds, 3331 Art Gallery, Tokyo, Japan
  • 2015 | Songs Unsung, iPreciation, Singapore
  • 2014 | Mirrors In The Dark, Grey Projects, Singapore
  • 2014 | ‘Lee Wen at Art Basel, HK 2014’, Presented by iPreciation, Hong Kong Convention & Exhibition Centre (HKCEC), Hong Kong
  • 2012 | Lee Wen: Lucid Dreams In The Reverie Of The Real, Singapore Art Museum, Singapore
  • 2008 | Anthropometry Revision, Soo Bin Art Int’l, Singapore
  • 2007 | Freedom to Daydream, Mothers of Imagination, Your Mother Gallery, Singapore
  • 2004 | Unframed–7, P-10, Singapore
  • 2003 | Strange Fruit, The Substation, Singapore
  • 2002 | Everybody Should Be Happy, Utterly Art, Singapore
  • 1997 | Hand-Made Tales, The Black Box, Theatre Works, Singapore
  • 1995 | Neo-Baba, VA-nishiogi Gallery, Tokyo, Japan
  • 1993 | Journey of a yellow man no.3: DESIRE, The Substation, Singapore

Selected Group Exhibitions

  • 2019 | SUNSHOWER: Contemporary Art from Southeast Asia 1980s to Now, Kaohsiung Museum of Fine Arts, Kaohsiung, Taiwan
  • 2018 | Children’s Festival: Small Big Dreamers, National Gallery Singapore, Singapore
  • 2017 | SUNSHOWER: Contemporary Art from Southeast Asia 1980s to Now, The National Art Center, Tokyo, Japan
  • 2015 | The Prudential Singapore Eye, Art Science Museum, SINGAPORE
  • 2015 | ‘Secret Archipelago’, Palais De Tokyo, Paris, France
  • 2015 | Whose Game is It?, Royal College Of Art, London, Curating Contemporary Art Exhibitions, England
  • 2015 | (Art Garden) Le Printemps 2015 Gare Saint Sauveur, Lille, France
  • 2015 | Do Disturb, Palais De Tokyo, Paris, France
  • 2015 | Prudential Eyezone, Co-curated by ArtScience Museum START, Saatchi Gallery, London, England
  • 2015 | The Esplanade Presents National Day Celebrations, Singapore
  • 2015 | 2015 Artist Making Movement, 5th Asian Art Biennale, National Taiwan Museum of Fine Arts,Taichung, Taiwan, R.O.C
  • 2015 | Kulstof 15 Performance Art Festival Nordkraft, Alborg, Denmark
  • 2015 | BONE 18 Performance Art Festival Bern, Switzerland
  • 2014 | The Roving Eye: Contemporary Art from Southeast Asia, ARTER, Istanbul, Turkey
  • 2014 | ‘Modern Love’, Institute of Contemporary Arts, Singapore LASALLE College of the Arts’, Singapore
  • 2014 | Roppongi Art Night, Roppongi Hills, Tokyo Midtown Plaza, Tokyo, Japan
  • 2013 | Britto International Artists Workshop, Dhaka, Bangladesh
  • 2013 | 7th Kuala Lumpur Triennial BARRICADE , Kuala Lumpur, Malaysia
  • 2013 | Cascadence , Singapore Redux, Singapore
  • 2013 | “The Realm in the Mirror, the Vision out of Image”, Suzhou Jinji Lake Art Museum, China
  • 2013 | “Gu Yu International Performance Art Festival 2013”, Xi An,Shang Nan, Beijing, China
  • 2013 | ‘My Earth Staglinec 2013’ Staglinec, Koprivnica, Croatia
  • 2013 | “Rethinking of Protocols-Us and/As Institutions’ curated by Biljana Ciric, Guangzhou Times Museum, Guangzhou, China
  • 2013 | “Lit Up 2013”, Aliwal Art Center, Singapore
  • 2013 | “The Artist, the Book and the Crowd”, The Substation, Singapore “Singapore Biennale 2013: If The World Changed”, Singapore Art Museum, Singapore
  • 2013 | “Concept Context Contestation: art & the collective”, Bangkok Art & Culture Centre, Bangkok, Thailand
  • 2012 | “Wanderers 2 / Underground Site”, 4th International Performance Art Festival Toyama, Japan
  • 2012 | “New Strange Faces”, Valentine Willie Fine Arts, Singapore
  • 2012 | “The Lecher of Art” The Substation, Singapore
  • 2012 | “14th Asiatopia International Performance Art Festival”, Bangkok, Thailand
  • 2012 | “The First Venice International Performance Art Week”, Venice, Italy
  • 2011 | 2011 R.I.T.E.S. “Rooted In The Ephemeral Speak” #01/2011, The Substation, Singapore
  • 2011 | “This Is Performance Art”, Aberdeen and Glasgow, Scotland
  • 2011 | “Negotiating Home, History & Nation: Two Decades of Contemporary Art from S.E. Asia, 1991– 2011”, Singapore Art Museum, Singapore
  • 2011 | “Video: An Art, A History”, Singapore Art Museum, Singapore
  • 2011 | “Singapore Survey 2011: Imagine Malaysia”, Valentine Willie Fine Arts, Singapore
  • 2011 | Future of Imagination 7, Goodman Art Centre, Singapore
  • 2011 | “Currents: from Singapore in Macau”, Ox warehouse, Macau, Hong Kong
  • 2011 | “Guangzhou Live”, You You Gallery, Guangzhou, China
  • 2010 | National Review of Live Art 2010, Glasgow, Scotland
  • 2010 | Performance Art Laboratory Project (PALA Project) 2010
  • 2010 | “undisclosed territory#4”, Padepokan Lemah Putih, Solo, Indonesia
  • 2010 | Future of Imagination 6, Sculpture Square, Singapore
  • 2010 | 9th International Performance Art, Turbine, Giswil 2010, Switzerland
  • 2010 | Rencontre internationale d’art performance de Québec, Quebec, Canada
  • 2010 | Survey from Singapore, FADO, Toronto Free Gallery, Toronto, Canada
  • 2010 | 4 Directions from Asia, Grace Exhibition Space, Brooklyn, New York, U.S.A.
  • 2010 | “The winds project” encontro internacional da performance, Teatro TUCA, Sao Paulo, Brazil
  • 2010 | Action Script: Symposium on Performance Art Practice and Documentation in Asia, Hong Kong
  • 2010 | Performance Platform Lublin 2010, Poland
  • 2010 | BONE 13 – Festival für Aktionskunst, Berne, Switzerland
  • 2009 | International Performance Show-Ceramic Passion, 5th World Ceramic Biennale, Icheon, South Korea
  • 2009 | Infr’Action ‘09 -Festival International d’Art Performance, Paris, France
  • 2009 | Rasa Aksi-4 Artists From Singapore, Lublin, and, Warsaw, Poland
  • 2009 | Live Action Göteborg 09, Gothenburg, Sweden
  • 2009 | Momentum- Platform for Performance-Art, Brussels, Belgium
  • 2009 | “Drawing As Form”, Sculpture Square, Singapore
  • 2009 | 10th OPEN International Performance Art Festival, Beijing, China
  • 2009 | LIVE International Performance Art Biennale, Vancouver, Canada
  • 2009 | Performance In Frames, Singapore Management University Gallery, Singapore
  • 2008 | “Small East Co-prosperity Restaurant 08”, Tokyo, Japan
  • 2008 | Intervene! Interrupt! Rethinking Art as Social Practice, University of California, Santa Cruz, U.S.A
  • 2008 | Kết Nối : Vietnam-Singapore Performance Art Dialogue, Singapore Art Museum, Singapore
  • 2008 | Performatica’08, Four Artists From Singapore, 26cc, Rome and La Casa Verde, Foligno, Italy
  • 2008 | Blow!5- Performance Art Meeting between Singapore and Germany, Hildesheim & Ilsede, Germany
  • 2008 | The Artists Village: 20 Years On, Singapore Art Museum, Singapore
  • 2008 | Infr’Action -Festival International d’Art Performance, Sète, France
  • 2008 | UP-ON First International Live Art Festival, Chengdu, Sichuan, China
  • 2008 | 2nd Vital Chongqing International Live Art Festival, Chongqing, Sichuan, China
  • 2008 | Inward Gazes: Documentaries of Performance Art in China & Asia, Macao Museum of Art, Macau
  • 2008 | Future of Imagination 5, Sculpture Square, Singapore
  • 2008 | Asiatopia, 10th Anniversary, Bangkok Art &Culture Centre, Thailand
  • 2007 | National Review of Live Art 2007, Glasgow, Scotland
  • 2007 | Perfurbance #3, “spiritual renewal”, Yogyakarta, Indonesia
  • 2007 | Là-bas-> Hyper Center in Helsinki, Finland
  • 2007 | IX Międzynarodowy Festiwal Sztuki Akcji “Interakcje 2007” Piotrkow Trybunalski; Bielsko-Biała, Poland
  • 2007 | Made In China, Louisiana Museum of Modern Art; Humlebæk, Denmark
  • 2007 | Future of Imagination 4, 72-13, TheatreWorks, Singapore
  • 2007 | Maju Jaya – CHAOS Dab!, Jogjakarta National Museum, Jogjakarta, Indonesia
  • 2007 | Vital 07: essence of performance, Chinese Art Center, Manchester, England
  • 2007 | LONG’ACTION 07- rencontres franco-chinoises d’art performance, Sète France
  • 2006 | M1 Singapore Fringe Festival 2006, Singapore
  • 2006 | Satu Kali, Kuala Lumpur, Malaysia
  • 2006 | Future of Imagination 3, The Substation, Singapore Art Museum, Singapore
  • 2006 | TROUBLE #2, halles de schaerbeek, Brussels, Belgium
  • 2006 | acción!06MAD – III Encuentro Internacional de Arte de Acción. Madrid, Spain
  • 2006 | Ctrl+Alt+Del, Singapore Management University Arts Fest 2006, Singapore
  • 2006 | 4th DaDao Live Art Festival, Beijing, China
  • 2006 | S+S, 1, ALL_2, Shenyang, China
  • 2006 | 7a*11d International Festival of Performance Art, Toronto, Canada
  • 2006 | DEFORMES, Primera Bienal de Performance, Santiago, Chile
  • 2006 | Birds Migration: Indonesia International Performance Art Event [IIPAE, Jakarta, Indonesia
  • 2006 | Episode5: 12-Hour Performance, Sound and Video Festival, Singapore
  • 2005 | Performance Site, Myanmar 05, Borders:withIN withOUT, NICA, Yangon, Myanmar
  • 2005 | National Review of Live Art, 2005 , Glasgow, Scotland
  • 2005 | Crossing Time International, Dartington College of Arts, Totnes, Devon, England
  • 2005 | 3 Encuentro Internacional de Performance, Institut Valencia D’Art Modern (IVAM), Valencia, Spain
  • 2005 | National Review of Live Art – MIDLAND 05, Perth, Australia
  • 2005 | Stopover, Japan Singapore Performance Art Meeting, FronT Room Gallery, Singapore
  • 2005 | Situations, Museum of Contemporary Art, Sydney, Australia
  • 2005 | REACH OUTLYING 2005 Tipalive Taiwan International Performance Art Festival, Taipei, Taiwan
  • 2005 | “UGNAYAN‘05”, 4th Philippine International Performance Art Festival (PIPAF), Manila, The Philippines
  • 2005 | Spaces and Shadows: Politics of Fun, House of World Culture, Berlin, Germany
  • 2005 | Self-portrait Performativ, langaut, Golberode, Dresden, Germany
  • 2005 | BLURRR 5 biennial of performance art, Tel Aviv, Israel
  • 2005 | Bone 8, Schlachthaus Theater, Bern, Switzerland
  • 2004 | 130 Bank Gallery, 10th Anniversary Commemoration Exhibition, Kitakyushu, Japan
  • 2004 | National Review of Live Art, 2004, Glasgow, Scotland
  • 2004 | Perform:State:Interrogate: Performance Studies international Conference (PSi#10), The Substation, Singapore
  • 2004 | 2nd DaDao Live Art Festival, Beijing, China
  • 2004 | Giving Water An Image, Hanoi University of Fine Arts, Hanoi, Vietnam
  • 2004 | Sea Art Festival, Busan Biennale 2004, Pusan, S. Korea
  • 2004 | Voice of Site, Tokyo National University of Fine Arts and Music, Tokyo, Japan
  • 2004 | Sustainable, Tokyo National University of Fine Arts and Music, Tokyo, Japan
  • 2004 | Future of Imagination 2, Sculpture Square, Singapore
  • 2003 | Aciones en Ruta, Mexico City and Encuentro Intl de Performance Yucatan, Merrida, Mexico
  • 2003 | Future of Imagination, The Substation, Singapore
  • 2003 | 4th Asiatopia, Bangkok Thailand
  • 2003 | “Alter-Native Dialogues”, Video/ Performance collaboration with James Luna, Tokyo, Japan
  • 2003 | Recontre Int’l d’art performance de Quebec 2002, LELIEU, Quebec, Canada
  • 2001 | EXIT International Festival for Unusual Live Performances, Cable Factory, Helsinki, Finland
  • 2001 | 2nd Open Art Festival, Pengshan, Leshan and Chengdu, Sichuan, China
  • 2001 | Theertha International Artists Workshop – 2001, Lunaganga, Sri Lanka
  • 2000 | FEAST! Food In Art! Singapore Art Museum, Singapore
  • 2000 | Critical Response, Ivan Dougherty Gallery, University of New South Wales, Sydney, Australia
  • 2000 | Expo 2000, Performance with Black Market International, Hanover, Germany
  • 2000 | TransEuropa -Theatre Festival 2000, Hildesheim, Germany
  • 2000 | Artists Investigating Monument – AIM projects, Raffles Landing Site, Singapore
  • 1999 | Rånd, Festival der Regionen, Zuckerfabrik Enns, Austria
  • 1999 | The Third Asia Pacific Triennale of Contemporary Art, Queensland Art Gallery, Brisbane, Australia
  • 1999 | Nokia Singapore Art 1999, Singapore Art Museum, Singapore
  • 1999 | “Post-Ulu”, The Artists Village Exhibition, The Substation, Singapore
  • 1998 | Construction in Process VI – The Bridge, The Artists Museum, Melbourne, Australia
  • 1998 | Sub-Fiction, Werkleitz Biennale 1998, Tornitz & Werkleitz, Germany
  • 1998 | “3rd Asian Performance Art Series”, Tokyo, Japan
  • 1998 | Asiatopia, Bangkok, Thailand
  • 1998 | ZUG. Flexible:X, Performance Art Operation Work, Dresden, Germany
  • 1997 | Simposio International De Escultura Mexico-Japon, Tuxtla Guttierez, Chiapas, Mexico
  • 1997 | Sexta Bienal de La Habana, Havana, Cuba
  • 1997 | 2nd Asian Performance Art Series, Nagano, Tokyo, Japan
  • 1997 | SeptFest Art Conference-Multi-culturalism, The Substation, Singapore
  • 1997 | Performance Art Conference5, Bangkok, Suan Pakkad Palace, Bangkok, Thailand
  • 1996 | Recontre International d’art Performance Et Multi-media 1996, Quebec, Canada
  • 1996 | Between the Visible and Invisible, Lahore International Arts Workshop, Pakistan
  • 1995 | 2nd Nippon International Performance Art Festival, Tokyo & Nagano, Japan
  • 1995 | Castle of Imagination, 3rd International Artists Meeting, Bytow, Poland
  • 1995 | “International Nature Art Symposium”, Yatoo, Kong Ju, S. Korea
  • 1995 | Kwang Ju Biennale,, Kwang Ju, S. Korea
  • 1995 | MA: East West Study Project, Dusseldorf & Darmstadt, Germany
  • 1995 | Chiang Mai Social Installation, Chiang Mai, Thailand
  • 1994 | 4th Asian Art Show, Fukuoka Art Museum, Fukuoka and Setagaya Art Museum, Tokyo, Japan
  • 1994 | 5th Fukui International Video Biennale, Tawara, Fukui City, Japan
  • 1993 | Sense Yellow, Concrete House, Nontburi, Thailand
  • 1992 | International Sculpture Symposium, Gulbarga, Karnataka, India
  • 1990 | TIME Show, Artists Village, Ulu Sembawang, Singapore
  • 1990 | C.A.R.E.: Concerned Artists for the Environment, Artist Village, Singapore Art Festival, Singapore
  • 1989 | HAPPENINGS II, QU*ART Gallery, Hong Kong, Hong Kong
  • 1989 | HAPPENINGS, National University of Singapore, Singapore
  • 1989 | The Drawing Show, Artists Village, Ulu Sembawang, Singapore
Performances

Performances with Black Market International

  • 2015 | Kulstof 15, Kroppen Som Proces OG Billede International performance festival NORDKRAF, Aarlborg Denmark
  • 2015 | BONE 18 – Festival für Aktionskunst, Berne, Switzerland
  • 2013 | “Gu Yu International Performance Art Festival 2013”, Xi An,Shang Nan, Beijing, China
  • 2011 | “This Is Performance Art”, Glasgow, Scotland
  • 2010 | “undisclosed territory#4”, Padepokan Lemah Putih, Solo, Indonesia
  • 2010 | Future of Imagination 6, Sculpture Square, Singapore
  • 2010 | Performance Platform Lublin 2010, Poland
  • 2010 | Performance Art Season 2010, Warsaw, Poland
  • 2010 | Black Market in Town, Orangerie Theater im Volksgarten, Köln, Germany
  • 2010 | Blow!8, Umformerstation, Ilsede, Germany
  • 2010 | BONE 13 – Festival für Aktionskunst, Berne, Switzerland
  • 2007 | National Review of Live Art 2007, Glasgow, Scotland
  • 2006 | TROUBLE #2, halles de schaerbeek, Brussels, Belgium
  • 2003 | Aciones en Ruta, Mexico City and Encuentro Intl de Performance Yucatan, Merrida, Mexico
  • 2003 | National Review of Live Art, Glasgow, Scotland
  • 2003 | Zweiten Ilseder PerformanceAbend, Gebläsehalle in Ilsede, Germany
  • 2003 | 13th Performance Art Conference – “The Art of Action 111”, Podewils‘schen Palais, Berlin, Germany
  • 2003 | Bone 8, Schlachthaus Theater, Bern, Switzerland
  • 2003 | Le Theatre de L’Usine (place des Volontaires), Geneve, Switzerland
  • 2002 | 4th Asiatopia, Bangkok Thailand
  • 2002 | Recontre Int’l d’art performance de Quebec 2002, LELIEU, Quebec, Canada
  • 2000 | Expo 2000, Performance with Black Market International, Hanover, Germany
  • 2000 | TransEuropa -Theatre Festival 2000, Hildesheim, Germany
Awards
  • 2016 | Joseph Balestier Award for the Freedom of Art
  • 2014 | ASA (Artist Scholar Activist) Award, Performance Studies international (PSi)
  • 2013 | Artist-in-Residence, School of the Art Institute of Chicago, Chicago, U.S.A
  • 2013 | Artist-in-Residence, Contemporary Art of Japan, Saitama, Japan
  • 2008 | Artist-in Residence, Red & Grey Contemporary, Chengdu, China
  • 2005 | Cultural Medallion, Singapore
  • 2002 | Artist in Residence, La-Salle-SIA College of the Arts, Singapore
  • 1998 | Artist in Residence (Asia Europe Ministerial Meeting, Cultural and Arts Program) supported by Visiting Arts, Foreign and Commonwealth Office, Gasworks Studios, London, UK
Workshops and Seminars
  • 2013 | School of the Art Institute of Chicago, Chicago, U.S.A.
  • 2007 | School of the Museum of Fine Arts, Boston, Massachusetts, USA
  • 2006 | NRLA (National Review of Live Art) International Winter School, Glasgow, SCOTLAND
  • 2006 | La-Salle-SIA College of the Arts, SINGAPORE
  • 2006 | Nanyang College of Fine Art, SINGAPORE
  • 2004 | Faculty of Fine Arts, Tokyo National University of Fine Arts and Music, Tokyo, JAPAN
  • 2004 | Hanoi University of Fine Arts, Hanoi, VIETNAM
  • 2004 | University of Ulster, Belfast, Northern Ireland, UK
  • 2003 | Universidad Autónoma Metropolitana, Mexico City, MEXICO
  • 2003 | Faculty of Fine Arts, Tokyo National University of Fine Arts and Music, Tokyo, JAPAN
  • 2002 | La-Salle-SIA College of the Arts, SINGAPORE
  • 2002 | Musashino Art University, TOKYO
  • 2001 | Musashino Art University, TOKYO
  • 2001 | Faculty of Fine Arts, Tokyo National University of Fine Arts and Music, Tokyo, JAPAN
  • 2001 | La-Salle-SIA College of the Arts, SINGAPORE
  • 2001 | Nanyang College of Fine Art, SINGAPORE
  • 2000 | Nanyang College of Fine Art, SINGAPORE
  • 2000 | La-Salle-SIA College of the Arts, SINGAPORE
  • 1999 | La-Salle-SIA College of the Arts, SINGAPORE
  • 1998 | Norwich College of Art and Design, NORWICH, UK
  • 1996 | Faculty of Fine Arts, Tokyo National University of Fine Arts and Music, Tokyo, JAPAN
Selected Public Collections
  • Singapore Art Museum, Singapore
  • National Gallery Singapore, Singapore
  • Fukuoka Asian Art Museum, Fukuoka, Japan
  • Queensland Art Gallery | Gallery of Modern Art, Brisbane, Australia
  • Mori Art Museum, Tokyo, Japan

Chen Xinmao

Born in Shanghai, Chen Xinmao’s (b. 1954) practice is deeply rooted in the evolution of traditional ink painting while expanding its possibilities through modern visual language, narrative structure, and conceptual depth. At the core of Chen’s practice is a distinctive synthesis of landscape, figure painting, and calligraphic inscription, arranged in layered, almost cinematic compositions. Rather than depicting observed nature, he constructs imagined or memory-driven environments in which gardens, interiors, and figures become symbolic carriers of cultural meaning. His renowned Peony Pavilion series transforms literary narrative into immersive pictorial worlds where human figures find themselves within stylized gardens that serve as metaphors for emotion and desire.

Peony Pavilion Series 42 遊園驚夢系列 42, 2019, 138x208cm, Ink, Acrylic on Paper
*Price: $150,000.00
Peony Pavilion Series 32 遊園驚夢系列 32, 2018, 34x137cm, Ink, Acrylic on Paper
*Price: $19,000.00
The River of No Return Series 大江東去系列,2008,67x200cm,Ink,Acrylic on Paper
*Price: $58,000.00

*Price is subjected to change without further notice.


Biography

About Chen Xinmao

Chen Xinmao is a contemporary Chinese ink artist known for combining traditional Chinese aesthetics with contemporary visual expression. As a result, his works often move between landscape, figure painting, and conceptual ink art. Moreover, his paintings frequently integrate text, imagery, and symbolism within a single composition. Therefore, his work reflects both artistic tradition and contemporary culture.

Early Life and Education

Chen Xinmao was born in Shanghai in 1954 and studied at the Shanghai Theatre Academy. After that, he graduated with a bachelor’s degree in 1982. Subsequently, he obtained a master’s degree from the Nanjing University of the Arts in 1987. As a result, he received both academic training and traditional ink painting education.

He later became a professor at East China Normal University. In addition, he supervised graduate students and contributed to ink painting education. Therefore, his academic role became an important part of his career. At the same time, he continued to develop his own artistic practice.

Artistic Practice and Themes

Chen’s work combines landscape, architecture, figures, and calligraphic text. However, rather than presenting a purely traditional landscape, he constructs imagined environments. As a result, his paintings often appear layered and narrative. Moreover, literature and theatre have influenced his artistic development. Therefore, his paintings often contain storytelling elements.

For example, some paintings include figures placed within architectural or garden settings. In these works, space is constructed through memory rather than observation. Consequently, the paintings appear both real and imagined. At the same time, the compositions reflect Chinese aesthetic philosophy.

The Peony Pavilion Series

One of Chen’s most well-known bodies of work is inspired by Peony Pavilion. In this series, he explores themes of love, dreams, and time. As a result, the garden becomes an important symbolic space. Moreover, figures placed within the garden represent human experience and emotion.

At the same time, the landscape reflects the idea of the Chinese garden as a constructed world. Therefore, the paintings combine literature, history, and visual art. In addition, the use of ink and colour creates atmosphere and narrative space.

Style and Visual Language

Chen Xinmao’s paintings combine ink, colour, and written text. In addition, he often uses multiple perspectives within one composition. As a result, the viewer moves through the painting visually. Furthermore, his brushwork ranges from controlled lines to expressive ink washes. Consequently, his work balances structure and spontaneity.

In contrast to traditional ink painting, his compositions are often fragmented. However, they remain rooted in calligraphy and ink tradition. Therefore, his visual language combines tradition and modernity.

Exhibitions and International Presence

Chen has exhibited extensively since the 1980s. For example, his works have been shown across China, Europe, and Asia. In addition, he has held solo exhibitions in Shanghai, Hong Kong, and Singapore. As a result, his work has gained international recognition.

He has also participated in major contemporary ink exhibitions. Therefore, his career reflects both academic and international engagement. Meanwhile, his paintings continue to evolve in style and concept.

Teaching and Academic Contribution

In addition to exhibiting, Chen has taught for many years at East China Normal University. Moreover, he has published research and participated in academic committees. As a result, his influence extends beyond his own artworks. Furthermore, he has contributed to the development of contemporary ink painting through education.

Therefore, his role as an artist and educator is closely connected. At the same time, his paintings continue to explore new visual possibilities.

Contemporary Ink and Cultural Context

Chen Xinmao belongs to a generation of artists associated with the development of contemporary ink art in China. During this period, artists experimented with new forms while engaging with tradition. As a result, ink painting entered a new phase of development. Similarly, Chen’s work reflects both historical change and artistic experimentation.

Therefore, his paintings can be understood as a dialogue between past and present. Overall, his work represents a contemporary approach to ink painting while remaining connected to cultural tradition.

Exhibitions

Selected Solo Exhibitions

  • 2019 | Peony Pavilion, iPreciation, Singapore
  • “Heart and ink phase” – Chen Xinmao’s solo exhibition, Shanghai Lush Lotus Art Space, Shanghai, China
  • 2011 | Chen Xinmao Solo Exhibition, Shandong Fine Arts Publishing House Art Museum, Shandong, China
  • 2010 |Solo exhibition, Hong Kong Central Library, Hong Kong
  • 2009 | Solo Exhibition, Shanghai Art Fair, Shanghai, China
  • 2008 | Chen Xinmao Solo Exhibition, M50, Shanghai, China
  • 2008 | Chen Xinmao Solo Exhibition, Vermont Studio Center, USA
  • 2007 | iStone, HaiShangShan Art Centre, Shanghai, China
  • 2007 | Chen Xinmao Solo Exhibition, M50, Shanghai, China
  • 2003 | Chen Xinmao Solo Exhibition, Art Scene Warehouse, Shanghai, China
  • 1997 | Chen Xinmao Solo Exhibition, Germany Center, Shanghai, China
  • 1991 | Chen Xinmao Solo Show, Culture Center, Oxford, England, United Kingdom
  • 1988 | Chen Xinmao Solo Exhibition, Vienna, Austria
  • 1987 | Chen Xinmao Solo Exhibition of a Post-graduate Student, Nanjing Academy of Fine Arts, Nanjing, China

Selected Group Exhibitions

  • 2018 | Re-start – Teacher Exhibition of Art School of East China Normal University, Shanghai Baolong Art Museum, Shanghai, China
  • 2018 | Shanghai 30-Year Contemporary Art Document Exhibition: Unit 2 – Avant-garde Trend (1985-1992), Mingyuan Art Museum, Shanghai, China 
  • 2018 | Pen-Jiang Jiangnan-Chinese Painting Invitational Exhibition, East China Normal University Library, Shanghai, China
  • 2017 | Xi Yun Dan Qing – Chinese Opera Character Painting Exhibition, Putuo District Cultural Center, Shanghai, China
  • 2017 | Extension at Sea – New Shanghai School Chinese Painting, Chinese Art Palace, Shanghai, China
  • 2017 | Edge Scenery – Shanghai Ink Invitational Exhibition, Han Tianheng Art Museum, Shanghai, China
  • 2016 | Wind, Water, and Change – Contemporary Ink Invitational Exhibition, 20th Shanghai Art Fair, Shanghai, China
  • 2016 | Breathing in the water – Shanghai Art Masters Invitational Exhibition, Liu Haisu Art Museum, Shanghai, China
  • 2016 | China New Ink Art Invitational Exhibition, Tangshan Art Museum, Hebei, China
  • 2015 | Peace Layer – Contemporary Ink Invitational Exhibition, Duoyunxuan Art Center, Shanghai, China
  • 2015 | Times·Yingying – Shanghai Contemporary Ink Invitational Exhibition, Long Art Museum, Shanghai, China
  • 2015 | 85·Arts 30th Contemporary Art Invitational Exhibition, Xinhua Center Art Museum
  • 2014 | Elephant Invisible – Contemporary Chinese Abstract Art Invitational Exhibition, Today Art Museum, Beijing, China
  • 2014 | Paper · 2014 Contemporary Art Invitational Exhibition, 2014 Art Newspaper Art Festival, Nantong Art Museum
  • 2013 | Art Shanghai City, Style Shanghai – Shanghai Contemporary Ink Paintings Invitational Exhibition, Sinan Mansion, Artron Art Network, China
  • 2013 | Opening Ceremony of the Himalayan Art Museum, Himalayan Art Museum, Shanghai, China
  • 2012 | International Ink Painting Exhibition and Academic Seminar, Zhongshan National Dr. Gallery, National Gallery of Chinese Paintings, Guangdong, China
  • 2012 | Chinese Ink Scene, Shanghai Duolun Museum of Modern Art, Shanghai, China
  • 2012 | Yi Jiangnan – Chinese Museum of Contemporary Art, Shanghai Hongfang Creative Center, Shanghai, China
  • 2012 | Ink Album Exhibition, Dade Hall, Shanghai M50, Shanghai, China
  • 2011 | Ink Online – Contemporary Ink Art World Tour, Berlin China Cultural Center, Germany
  • 2010 | Chinese Ink Scene · Shanghai, Shanghai Art Museum, Shanghai, China
  • 2009 | Open Flexibility – Innovative Contemporary Ink Art, Taipei Art Museum, Taiwan
  • 2008 | Second Taipei International Modern Ink Painting Biennial, Taipei Contemporary Art Museum, Taiwan
  • 2007 | The Third Chengdu Biennale, New International ConventionCenter of Chengdu, Sichuan, China
  • 2007 | The 22th Art International Exhibition of Asia, Bandung Selasar Sunaryo Art Space, Indonesia
  • 2007 | Invitational Exhibition of Contemporary Ink painting, Zhongjiang Contemporary Art Museum, Shanghai, China
  • 2006 | Exhibition of Chinese Painting Documentaries South Vision ArtMuseum, Nanjing, China
  • 2006 | Exhibition of Modern Art Painting, Shanghai, Hangzhou, China
  • 2006 | Shanghai Abstract Artworks, Mingyuan Art Center, Shanghai, China
  • 2005 | Chinese Modern Art Exhibition, Reed savage Gallery, Miami, USA
  • 2005 | Magic Lanterns, Galway Art Center, lreland
  • 2005 | Contemporary Ink Painting Exhibition, Walsh Gallery, Chicago, USA
  • 2004 | Cohesion-Chinese Contemporary Art Exhibition, Art scene Warehouse, Shanghai
  • 2004 | Art Cologne, Koelnmesse, Cologne, Germany
  • 2003 | Art Chicago, Navy Pier, Chicago, Illinois, USA
  • 2002 | Guangzhou International Art Triennial, Guangdong Art Museum,Guangdong Province
  • 2002 | Shanghai Abstract Art Exhibition, Liu Haisu Art Museum, Shanghai, China
  • 2002 | Ink Art Group Exhibition, Chambers Fine Arts, New York, USA
  • 2001 | Beyond Image/Under Image Chinese Contemporary Art Exhibition, Shanghai Art Museum, Shanghai, China
  • 2001 | California International Art Biennale, Los Angeles, California, USA 
  • 2001 | 20 Years of Experimentation – Contemporary Chinese Ink Painting Retrospection Exhibition, Guangdong Art Museum, Guangdong Province, China
  • 2000 | Chinese Contemporary Artists, Zhu Qi Zhan Art Museum, Shanghai, China
  • 2000 | The 4th National Ink Painting Exhibition, International Art Palace, Beijing, China 
  • 2000 | The Second International Ink Paintings Biennale, Guan Shan Yue Art Museum, Shenzhen, China
  • 2000 | Shanghai 2000, Walsh Gallery, Chicago, USA
  • 1999 | Dusseldorf Fine Art Exhibition, Germany, Dusseldorf, Germany
  • 1998 | The First International Ink Painting Biennial, Shenzhen Art Museum, Shenzhen Shanghai Art Biennale, Shanghai Art Museum, Shanghai, China
  • 1998 | The 20+1 Exhibition for Contemporary Chinese Art, International Communication Club, Japan
  • 1997 | Asian Arts, Chinese, Japanese and Korean Artists Exhibition, Korea
  • 1997 | China Art Museum, Beijing, China
  • 1997 | Outburst – 1st Chinese Abstract ArtistsGroup Show, Shanghai University, Shanghai, China
  • 1996 | Chinese Contemporary Art Exhibition, Beijing International Art Palace, Beijing, China
  • 1996 | Open Language Enrollment – 9 Chinese Artist in China, Jiangsu Art Museum, Nanjing, China
  • 1996 | 20+1 Group Exhibition, Shanghai Art Museum, Shanghai, China
  • 1995 | Shanghai Modern Art Exhibition, Munich and other cities, Germany
  • 1994 | Tour Exhibition, Halein Gallery, Vienna/ Salzburg, Austria
  • 1996 | The Eighth National Art Exhibition, Shanghai Art Museum, Shanghai, China
  • 1996 | Present Age Art Study of Document Exhibition the 3rd Part, East China Normal University, Shanghai, China
  • 1993 | Modern Art Exhibition of the Shanghai Museum, Tokyo, Japan
  • 1992 | Shanghai Modern Art Exhibition, Russia, Poland, Hungary
  • 1992 | For a Fair world, United Kingdom
  • 1991 | Chinese Paintings Exhibition, Shanghai, Italy, Germany and France
  • 1989 | Modern Chinese Art Traveling Exhibition, Exhibition at 6 Universities and Museums, USA
  • 1989 | National Chinese Painting Exhibition, China Art Museum, Beijing, China
  • 1984 | The 6th National Art Exhibition, Shanghai Art Museum, Shanghai, China
  • 1981 | National Youth Art Exhibition, China Art Museum, Beijing

Koo Mei

Born in Guangzhou and raised in Hong Kong, Koo Mei (b. 1929) studied under several leading 20th-century ink masters, including Chao Shao-an, Hu Nien-Tsu, Au Ho-Nien, and later Lui Shou-Kwan, a pioneer of the Hong Kong New Ink Movement. Koo developed a distinctive visual language that moves beyond direct representation toward atmospheric and emotionally resonant landscapes. Her paintings are characterized by expansive mountains, drifting clouds, and enveloping mists rendered through layered ink washes, fluid brushwork, and subtle gradations of colour. Rather than depicting specific locations, her landscapes emerge from recollections and dreams, creating poetic environments that evoke solitude, contemplation, and transcendence. Drawing upon both classical shanshui traditions and the experimental ethos of the Hong Kong New Ink Movement, Koo transforms the natural world into a space where memory and imagination converge.

Cloudy Melody 深谷雲影,1994,38x47cm,73x87cm (Framed),Ink and Colour on Paper
*Price: $15,000.00
Morning Memories 春之歌,1994,38x47cm,73x87cm (Framed),Ink and Colour on Paper
*Price: $15,000.00

*Price is subjected to change without further notice.


Biography

Born in Guangzhou in 1929 and grown up in Hong Kong, Koo Mei was under the tutelage of several renowned 20th-century ink masters: First, Chao Shao-an in 1963 in Hong Kong; Hu Nien-Tsu and Au Ho-Nien when she was residing in Taiwan in 1969; and later Hong Kong New Ink Movement pioneer Lui Shou-Kwan in 1974.Since the 1970s, Koo’s works hail from the abstract, dynamic and fluid nature of clouds and mists, images she yearned for and frequently dreamt about. Determine not to be bounded by the rigid structures dominating Hong Kong’s landscape; she turned for the picturesque villages, panoramic imageries of mountains, valleys, streams and vast open spaces. Hence, many of her paintings stemmed from her fond childhood memories and playful imaginations of a quaint, mystic realm.

In 1977, Koo Mei won the prestigious Hong Kong Urban Council Fine Arts Award, and the winning painting was subsequently collected by the Hong Kong Museum of Art. Her early works received high praises from Asia’s most respected 20th-century masters, Chang Dai-Chien and Zao Wou Ki. 1984 marked a new beginning of her artistic journey when she moved from Hong Kong to Canada, where she resides today. The changes of four seasons and majestic natural wonders in Canada became a major catalyst towards her expansive, ethereal landscapes and misty clouds. Today, at the age of 92, she remains one of the very few female ink landscape painters of our times. Koo Mei’s works are powerfully evocative, imbued with a sense of tranquillity and wisdom that age over the passage of time.

Koo Mei’s works have been collected by many important private collectors and organizations such as the State University of Utah, The University of Hong Kong, Hong Kong Museum of Art, Hong Kong Stadium, the Canadian Consulate General, Bank of America, Citibank, Bank of Australia, Hutchison Global Crossing Limited and Shaw Brothers (Hong Kong) Limited in Hong Kong respectively.

Exhibitions

Selected Solo Exhibitions

  • 2021| Where the Sun Sets, iPreciation, Singapore
  • 2009 | The Cloud and Mist Weaver, University Museum and Art Gallery, The University of Hong Kong
  • 2001 | The Lark and Her Misty Cloud, iPreciation, Singapore
  • 1998 | Splendour in the Sky, Museum Annexe, Hong Kong
  • 1996 | The Pristine Harmony Art Center, Taipei
  • 1995 | Poetic Interlude, Artpreciation, Hong Kong
  • 1994 | The Pristine Harmony Art Center, Taipei
  • 1994 | Jasmine Fine Art, Singapore
  • 1993 | Artpreciation, Hong Kong
  • 1993 | The Pristine Harmony Art Center, Taipei
  • 1989 | The Touchstone Gallery, Hong Kong
  • 1989 | Caves Gallery, Taipei
  • 1987 | The Art House Gallery, Kuala Lumpur
  • 1985 | Charlotte Horstmann and Gerald Godfrey Ltd., Hong Kong
  • 1984 | University of British Columbia, Vancouver, Canada
  • 1983 | City Hall, Hong Kong
  • 1983 | Chinese Manufacturers’ Association, Singapore
  • 1982 | Malaysia, Kuala Lumpur
  • 1981 | Lung Man Art Gallery, Taipei
  • 1981 | National Art Gallery, Singapore
  • 1981 | Hong Kong Arts Centre, Hong Kong
  • 1980 | City Hall, Hong Kong
  • 1978 | Lung Man Art Gallery, Taipei
  • 1977 | J.J. Gallery, San Francisco
  • 1976 | City Hall, Hong Kong
  • 1973 | City Hall, Hong Kong
  • 1973 | City Hall Yuen Long, Hong Kong
  • 1971 | Liang’s Gallery, Taipei

Selected Group Exhibitions

  • 2019 | iPreciation 20th Anniversary: Reverie Collection – 25 Years of Art Collecting Journey, iPreciation, Singapore
  • 2017 | Pacific Crossings: Hong Kong Artists in Vancouver, Vancouver Art Gallery, Vancouver, Canada
  • 2016 | Being and Inking: Documenting Contemporary Ink Art 2001-2016, Alisan Fine Arts, Aberdeen, Hong Kong, Aberdeen
  • 2015 | A Legacy of Ink: Lui Shou-Kwan 40 Years On, Alisan Fine Arts, Aberdeen, Hong Kong, Aberdeen
  • 2015 | Lui Shou-Kwan: A Legacy of Ink, Alisan Fine Arts, Aberdeen, Hong Kong, Aberdeen
  • 2010 | Scenic Sensibilities, Asian Fine Arts, Aberdeen, Hong Kong
  • 2009 | Art Show 09, CCM Center, Vancouver
  • 2008 | Art Show 08, CCM Center, Vancouver
  • 2007 | Art Show 07, CCM Centre, Vancouver
  • 2007 | The New Face of Ink Paintings, Sino Group, Hong Kong
  • 2006 | Art Show 06, CCM Centre Vancouver
  • 2006 | Love is a Many Splendoured Thing – Koos’ Family Painting Exhibition, Hong Kong
  • 2006 | Published memoir From Dawn to Dusk, Joint Publishing (Hong Kong) Company Limited
  • 2005 | Art Show 05, CCM Centre (Chinese Christian Mission of Canada), Vancouver
  • 2003 | Ink Paintings & Calligraphy, National Dr. Sun Yat-sen Memorial Hall, Taipei
  • 2000 | Modern Classical, Valentine Willie Fine Art, Kuala Lumpur, Malaysia
  • 1997 | Reunion and Vision, Contemporary Hong Kong art 1997, Hong Kong Museum of Art, Hong Kong
  • 1997 | Masterpieces of 20th Century Chinese Painting, The Canadian Foundation for the Preservation of Chinese Cultural and Historical Treasures, Canada
  • 1992 | Contemporary Art of Hong Kong, Hong Kong Museum of Art, Hong Kong
  • 1992 | Where the Stream Becomes a River, Vancouver Art Gallery, Canada
  • 1990 | University of British Columbia Asian Art Exhibition, Asian Art Auditorium, Vancouver
  • 1990 | Metamorphosis-Contemporary Chinese Paintings, Luen Chai, Hong Kong Arts Centre, Hong Kong
  • 1989 | Beyond the Magic Mountains; Chinese Paintings and Calligraphy by Artists in North America, Hanart Gallery, Hong Kong
  • 1988 | One Season of Promise, The Touchstone Gallery, Hong Kong
  • 1987 | Reality and Infinity, Alisan Fine Arts Ltd., Hong Kong
  • 1986 | Contemporary Chinese Painting, Chinese University of Hong Kong, Hong Kong 
  • 1985 | Shui Muo Exhibition, Hong Kong Arts Centre, Hong Kong
  • 1983 | One Art Group Exhibition, Hong Kong Arts Centre, Hong Kong
  • 1982 | Exhibition of International Ink Painters Association, National Museum of History, Taipei
  • 1981 | Benson & Hedges Selection of Hong Kong Art, Hong Kong Arts Centre, Hong Kong
  • 1980 | One Art Group Joint Exhibition, National Museum of History, Taipei Traveling exhibition, Taiwan
  • 1979 | One Art Group Joint Exhibition, National Museum Art Gallery, Singapore
  • 1978 | Urban Council Fine Art Award Winners, Hong Kong Museum of Art, Hong Kong
  • 1977 | Contemporary Chinese Artists from Hong Kong, Rockford College, Illinois
  • 1976 | Hong Kong Art Now, Quorum Galleries, Hong Kong
  • 1971 | Female Painters of China, Memorial Painting Exhibition of Yu Ya-yun, Taipei
Awards

1977 | Urban Council Artist Award, Hong Kong

Permanent Collections
  • Hong Kong Museum of Art, Hong Kong
  • Canadian Consulate General, Hong Kong
  • Bank of Australia, Hong Kong
  • Bank of America, Hong Kong
  • Citibank, Hong Kong
  • Hutchison Global, Hong Kong
  • Shaw Brothers Ltd, Hong Kong
  • Legislative Council of Hong Kong
  • University of Utah, United States

Illusion

Illusions 鏡花水月 2016 69×69 cm Ink on Paper
*Price: SGD$32,000.00

*Price is subejct to change without further notice.

Flowers in a mirror, moon in water”. The impression in a mirror and the moon reflected in water are metaphors for the illusory and unreal.

「鏡花水月」之「花」,典源作「像」,謂影像。 鏡中的影像,水裡的月亮。比喻虛幻不實在。

Pursuit of Wisdom

Pursuit of Wisdom 知尚 2022 81x92cm Ink on Paper
*Price: SGD$50,000.00

*Price is subject to change without further notice.

“知尚”(ZhīShàng) typically refers to an attitude or spirit of pursuing and valuing wisdom, knowledge, and culture. It goes beyond the mere accumulation of knowledge and includes the pursuit of noble virtues and aesthetics. In some contexts, “知尚” can also reflect a desire for an elegant lifestyle and a deep cultural appreciation.

In various cultural settings or discussions, “知尚” may involve how one enhances personal refinement and taste through learning, contemplation, and practice, as well as how one embodies the pursuit of wisdom and noble virtues in everyday life.

“知尚”通常指的是一种追求和崇尚智慧、知识和文化的态度或精神。它不仅仅局限于知识的积累,还包括对高尚品德和审美的追求。在一些语境中,“知尚”也可以反映出对优雅生活方式和深度文化修养的向往。

具体到不同的文化背景或讨论中,知尚可能涉及到如何通过学习、思考和实践来提升个人的修养和品位,以及如何在生活中体现出对智慧和高尚品德的追求。

Harmony in Beauty

Harmony in Beauty 美和 2022 80.5x83cm Ink on Paper
*Price: SGD$35,000.00

*Price is subejct to change without further notice.

“美和” (Měihé) can be understood as the combination of beauty and harmony. This term expresses the relationship between beauty and harmony, emphasizing that beauty is not only an external visual pleasure but also an internal sense of balance and harmony.

Through “美和” , we can understand that true beauty often lies in a harmonious state, whether in the natural landscape, artistic creations, or in interpersonal relationships and inner peace, all of which reflect the profound meaning of “美和”.

“美和”可以理解爲美與和諧的結合。這個詞語表達了美麗與和諧之間的相互關係,強調美不僅僅是外在的視覺享受,更是一種內在的和諧與平衡。

通過“美和”,我們可以理解到真正的美往往蘊含在和諧的狀態中,無論是自然界的風景、藝術作品,還是人際關係和內心世界的平靜,都體現了“美和”的深刻內涵。

Xu Zhimo – Farewell to Cambridge

Xu Zhimo – Farewell to Cambridge 徐志摩《再别康桥》 2023 63x63cm Ink on Paper
*Price: SGD$40,000.00

*Price is subject to change without further notice.

Xu Zhimo

Farewell to Cambridge

Quietly I am leaving,
Just as quietly as I came;
Gently waving my sleeve,
I am not taking away a single cloud.

徐志摩

《再别康桥》

悄悄的我走了,

正如我悄悄的來,

我揮一揮衣袖,

不帶走一片雲彩。

While Flowers Bloom Again, Youth Is Lost Forever

While Flowers Bloom Again, Youth Is Lost Forever 花有重開日,人無再少年 2023 42x69cm Ink on Paper
*Price: SGD$32,000.00

*Price is subject to change without notice.

Chen Zhe

Continuing from my Nephew Pu’s ‘Appreciating Roses and Encouraging Wine’ First of Two Poems

Flowers may bloom again,

but youth is gone forever.

In our reunion, let’s drown our sorrows in wine,

why bother with the delicacies of life?

陳著

《續侄溥賞酴醾勸酒》二首·其一

花有重開日,

人無再少年。

相逢拌酩酊,

何必備芳鮮。

Li Shangyin – Newly Washed After the Rain, the Bamboo Dock is Transformed

Li Shangyin – Newly Washed After the Rain, the Bamboo Dock is Transformed 李商隱 – 竹塢無塵水檻清
2023 45.5×69.5cm Ink, Photography on Paper
*Price: SGD$70,000.00

*Price is subject to change without further notice.

Li Shangyin

Staying at the Luo Family Pavilion, I Express My Feelings to

Cui Yong and Cui Gun

In the bamboo grove, dust-free and water clear,

longing stretches far, separated by heavy city walls.

Autumn’s gloom persists, frost falls late,

leaving withered lotus to listen to the rain’s song.

李商隱

《宿駱氏亭寄懷崔雍崔袞》

竹塢無塵水檻清,

相思迢遞隔重城。

秋陰不散霜飛晚,

留得枯荷聽雨聲。

Su Shi – When It is Clear, the RipplesGleam on This Beautiful Lake

Su Shi – When It is Clear, the Ripples Gleam on This Beautiful Lake 蘇軾 – 水光瀲灩晴方好 2023 63.5x83cm
Ink, Photography on Paper
*Price: SGD$70,000.00

*Price is subject to change without further notice.

Su Shi Viewing the West Lake on a Clear Day After RainSecond of Two Poems

The lake, sparkling brightly under the sunny sky, is a splendid sight; misty mountains shrouded in rain present a wondrous scene.

If I were to compare West Lake to the beauty Xi Shi,

she would be equally enchanting with light or heavy makeup.

蘇軾《飲湖上初晴後雨》

二首·其二

水光瀲灩晴方好,

山色空濛雨亦奇。

欲把西湖比西子,

淡妝濃抹總相宜。

Li Bai- A Toast to the Moon

Li Bai- A Toast to the Moon 李白《將進酒》 2021 75.7×75.8cm Ink on Paper
*Price: SGD$65,000.00

*Price is subject to change without further notice.

Li Bai A Toast to the Moon

Life’s joys should be fully embraced,

never let the golden goblet be empty when facing the moon.

李白 《將進酒》

人生得意須盡歡,

莫使金樽空對月。

Li Bai – Pusaman

Li Bai – Pusaman 李白 《菩薩蠻》2019 69.5×69.5cm Ink on Paper
*Price: SGD$40,000.00

*Price is subject to change without further notice.

Li Bai Pusaman

O’er far-flung wooded plain mist and smoke weave a screen;

Cold mountains stretch into a belt of heartrending green.

The dusk invades the tower high,

where someone sighs a longing sign.

On marble steps she waits in vain;

Birds fly away and come again.

By which way will her lord appear?

She sees but stations far and near.

李白 《菩薩蠻》

平林漠漠煙如織,

寒山一帶傷心碧。

暝色入高樓,

有人樓上愁。

玉階空佇立,

宿鳥歸飛急。

何處是歸程?

長亭連短亭。

(連短亭 一作:更短亭)

Li Bai – Farewell at Jingmen Ferry

Li Bai – Farewell at Jingmen Ferry 李白 《渡荊門送別》 2019 69.5×69.5cm Ink on Paper
*Price: SGD$40,000.00

*Price is subject to change without further notice.

Li Bai – Farewell at JingmenFerry

Sailing far off from Jingmen Ferry, 

soon you will be with people in the south;

Where the mountains end and the plains begin,

and the river winds through wilderness;

The moon is lifted like a mirror,

sea-clouds gleam like palaces;

The water has brought you a touch of home,

to draw your boat three hundred miles.

李白 《渡荊門送別》

渡遠荊門外,

來從楚國遊。

山隨平野盡,

江入大荒流。

月下飛天鏡,

雲生結海樓。

仍憐故鄉水,

萬里送行舟。

Yan Jidao – Riverside Daffodils

Yan Jidao – Riverside Daffodils 晏幾道《臨江仙》2018 99x66cm 135.5x92cm (Framed)
Ink on Paper
*Price: SGD$40,000.00

*Price is subject to change without further notice.

Yan Jidao, Lyrics to the Tune of Riverside Daffodils

Lying inebriated on a high tower,

till I sober up to see the low hanging curtain.

With last year’s spring grief growing,

alone amid fallen petals I stand,

in the drizzle a pair of swallows fly.

I remember when I first saw my lady,

wearing a dress with heart-shaped double collars.

Conveying her yearning through the pipa,

the moon was bright that night,

it once illuminated a lovely lady’s return journey.


晏幾道 詞 《臨江仙》

夢後樓台高鎖,

酒醒簾幕低垂。

去年春恨卻來時,

落花人獨立,

微雨燕雙飛。

記得小蘋初見,

兩重心字羅衣。

琵琶弦上說相思,

當時明月在,

曾照彩雲歸。

The Years of Life Reach Not One Hundred

The Years of Life Reach Not One Hundred《生年不滿百》2018 99x66cm 135.5x92cm (Framed)
Ink on Paper
*Price: SGD$40,000.00

*Price is subject to change without further notice.

The Years of Life Reach Not One Hundred

The years of life reach not one hundred, yet the heart is in constant worry for a millennium.

The day is short while the bitter night is long, why not go wandering by candlelight!

Work for happiness without delay – how can you wait for the time to come?

Fools cherish their expenditure yet earn no more than laughter at the old from those in the future.

The immortal Wang Ziqiao – how difficult to be able to match him.

《生年不滿百》

生年不满百,常怀千岁忧。

昼短苦夜长,何不秉烛游!

为乐当及时,何能待来兹?

愚者爱惜费,但为后世嗤。

仙人王子乔,难可与等期。

Lao Tzu – Tao Te Ching: the Principles of Naturalism

Lao Tzu – Tao Te Ching: the Principles of Naturalism 老子《道德經·道法自然》2018 99x66cm 135.5x92cm (Framed) Ink on Paper
*Price: SGD$40,000.00

*Price is subject to change without further notice.

Lao Tzu The Principles of Naturalism

There was something formless and perfect before the universe was born. It is serene. Empty. Solitary. Unchanging. Infinite.

Eternally present. It is the mother of the universe. For lack of a better name, I call it the Tao.

It flows through all things, inside and outside, and returns to the origin of all things.

The Tao is great. The universe is great. Earth is great. Man is great. These are the four great powers.

Man follows the earth. Earth follows the universe. The universe follows the Tao. The Tao follows only itself.

老子 《道德經·道法自然》

有物混成,先天地生。

寂兮寥兮,独立不改,

周行而不殆,可以为天下母。

吾不知其名,强字之曰“道”,强为之名曰“大”。

大曰逝,逝曰远,远曰反。

故道大,天大,地大,人亦大。域中有四大,而人居其一焉。

人法地,地法天,天法道,道法自然。

Li Shutong – Farewell

Li Shutong – Farewell 李叔同《送別》2017 83x49cm 192x64cm (Scroll Size) Ink on Paper
*Price: SGD$40,00.00

*Price is subject to change without further notice

Artist Li Shutong composed and arranged Chinese song Farewell

Beyond the distant pavilion, beside the ancient road;

jade green fragrant grasses fuse with the sky;

the evening breezes sway the dripping willows amid lingering flute notes;

the sun sets at the hills beyond the hills;

to the far distant quarters of the heaven and earth;

half our intimate friends are scattered;

let’s indulge our remaining joy with a scoop of turbid wine;

tonight’s cold dreams shall be held at bay.

藝術家李叔同作詞編曲的中文歌曲《送別》

長亭外,古道邊;

芳草碧連天;

晚風拂柳笛聲殘;

夕陽山外山;

天之涯,地之角;

知交半零落;

一瓢觚濁酒盡餘歡;

今宵別夢寒。

Du Qiuniang – Gold Embroidered

Du Qiuniang – Gold Embroidered Robe 杜秋娘《金縷衣》2017 69x69cm 191x79cm (Scroll Size) Ink on Paper
*Price: SGD$36,000.00

*Price is subject to change without further notice.

Tang, Du Qiuniang, Poem

Gold Embroidered Robe

Cherish not the gold embroidered robe,

but treasure the days of youth.

Pick the flowers while they are blooming,

wait not ‘til they are gone to grasp in vain of empty sprigs.

唐 杜秋娘 詩 《金縷衣》

勸君莫惜金縷衣,

勸君惜取少年時。

花開堪折直須折,

莫待無花空折枝。

Zhuangzi – Carefree Wandering

Zhuangzi – Carefree Wandering 莊子《逍遙遊》 2017 68.5x46cm 186×59.5cm (Scroll Size) Ink on Paper
*Price: SGD$40,000.00

*Price is subjected to change without further notice.

Zhuangzi Inner Chapters Carefree Wandering

Carefree Wandering is the first chapter of Zhuangzi, composed during the Warring States period. The theme is about the pursuit of a carefree and unrestrained perspective of life, where real “carefree wandering” can only be achieved upon the disavowing of the self and the material world, reaching the selfless and anonymous realm.

莊子內篇《逍遙遊》

《逍遙遊》是在戰國時代撰寫的《莊子》的首篇。《逍遙遊》的主 題是關於追求自由放縱的人生觀, 忘卻物我的界限,達到無己與無名的境界,才能實現真正的“《逍遙遊》”。

Ouyang Xiu – Sand Winnowing Wave

Ouyang Xiu – Sand Winnowing Wave 陽修《浪淘沙》 2017 65×49.5cm 181x65cm (Scroll Size) Ink on Paper
*Price: SGD$40,000.00

*Price is subjected to change without further notice.

Northern Song, Ouyang Xiu, Lyrics Sand Winnowing Waves

Raising my wine cup in honor of the eastern breeze,

let us enjoy in ease.

Willows drape along the violets lined path of eastern Luoyang.

We used to hold hands in bygone days, strolling through flower thickets and tussocks.

Meeting and parting in bitter haste,

forever leaving regrets.

The blossoms this year surpass last year’s brilliance.

Though next year’s blossom will be more brilliant,

who knows whose company I would be in.

北宋 歐陽修詞 《浪淘沙》

把酒祝東風,

且共從容。

垂楊紫陌洛城東。

總是當時攜手處,

遊遍芳叢。

聚散苦匆匆,

此恨無窮。

今年花勝去年紅。

可惜明年花更好,

知與誰同。

A Joyous Occasion

A Joyous Occasion 信可樂也 2017 45x49cm 177x60cm (Scroll Size) Ink on Paper
*Price: SGD$30,000.00

*Price is subjected to change without further notice.

Love is Beautiful

Love is Beautiful 愛真善美 2017 45.5×48.5cm 178×60.5cm (Scroll Size) Ink on Paper
*Price: SGD$30,000.00

*Price is subjected to change without further notice.

Lotus

Lotus 蓮花荷葉 2017 46x46cm 184×59.5cm (Scroll Size) Ink on Paper
*Price: SGD$28,000.00

*Price is subject to change without further notice.

Meng Haoran – Spring Dawn

Meng Haoran – Spring Dawn 孟浩然《春曉》2016 69×71.5cm 199x83cm (Scroll Size) Ink on Paper
*Price: SGD$40,000.00

*Prices are subject to change without prior notice.

Tang, Meng Haoran, Poem Spring Dawn

Missing the dawn in spring slumber;

the chirping of birds is everywhere.

The wind and rain came last night;

countless flowers were swept to the ground.

唐 孟浩然 詩《春曉》

春眠不覺曉,

處處聞啼鳥。

夜來風雨聲,

花落知多少。

Wang Dongling Ink Unbound Pricelist

Meng Haoran – Spring Dawn 孟浩然《春曉》2016 69×71.5cm 199x83cm (Scroll Size) Ink on Paper
*Price: SGD$40,000.00
Lotus 蓮花荷葉 2017 46x46cm 184×59.5cm (Scroll Size) Ink on Paper
*Price: SGD$28,000.00
Pine Wind & Bamboo Rhyme 松風竹韻 2017 45×48.5cm 178x61cm (Scroll Size) Ink on Paper
*Price: SGD$30,000.00
Love is Beautiful 愛真善美 2017 45.5×48.5cm 178×60.5cm (Scroll Size) Ink on Paper
*Price: SGD$30,000.00
A Joyous Occasion 信可樂也 2017 45x49cm 177x60cm (Scroll Size) Ink on Paper
*Price: SGD$30,000.00
Ouyang Xiu – Sand Winnowing Wave 陽修《浪淘沙》 2017 65×49.5cm 181x65cm (Scroll Size) Ink on Paper
*Price: SGD$40,000.00
Zhuangzi – Carefree Wandering 莊子《逍遙遊》 2017 68.5x46cm 186×59.5cm (Scroll Size) Ink on Paper
*Price: SGD$40,000.00
Du Qiuniang – Gold Embroidered Robe 杜秋娘《金縷衣》2017 69x69cm 191x79cm (Scroll Size) Ink on Paper
*Price: SGD$36,000.00
Li Shutong – Farewell 李叔同《送別》2017 83x49cm 192x64cm (Scroll Size) Ink on Paper
*Price: SGD$40,00.00
Long live the Joy that Stirs 動靜樂壽 2018 99x66cm Ink on Paper
*Price: SGD$35,000.00
Lao Tzu – Tao Te Ching: the Principles of Naturalism 老子《道德經·道法自然》2018 99x66cm 135.5x92cm (Framed) Ink on Paper
*Price: SGD$40,000.00
The Years of Life Reach Not One Hundred《生年不滿百》2018 99x66cm 135.5x92cm (Framed)
Ink on Paper
*Price: SGD$40,000.00

Yan Jidao - Riverside Daffodils 晏幾道《臨江仙》, Wang Dongling, 2018
Yan Jidao – Riverside Daffodils 晏幾道《臨江仙》2018 99x66cm 135.5x92cm (Framed)
Ink on Paper
*Price: SGD$40,000.00
Li Bai – Farewell at Jingmen Ferry 李白 《渡荊門送別》 2019 69.5×69.5cm Ink on Paper
*Price: SGD$40,000.00
Li Bai – Pusaman 李白 《菩薩蠻》2019 69.5×69.5cm Ink on Paper
*Price: SGD$40,000.00
花開見佛 2019 32.5×32.5cm Ink on Paper
*Price: SGD$20,000.00
花月春風 2019 32.5×32.5cm Ink on Paper
*Price: SGD$20,000.00
飛花散雪 2019 20×45.5cm Ink on Paper
*Price: SGD$20,000.00
Dongpo Poetry 東坡詩 2022 84x77cm Ink on Paper
*Price: SGD$65,000.00
Li Bai- A Tost to the Moon 李白《將進酒》 2021 75.7×75.8cm Ink on Paper
*Price: SGD$65,000.00
Su Shi – When It is Clear, the Ripples Gleam on This Beautiful Lake 蘇軾 – 水光瀲灩晴方好 2023 63.5x83cm
Ink, Photography on Paper
*Price: SGD$70,000.00
Li Shangyin – Newly Washed After the Rain, the Bamboo Dock is Transformed 李商隱 – 竹塢無塵水檻清
2023 45.5×69.5cm Ink, Photography on Paper
*Price: SGD$70,000.00
While Flowers Bloom Again, Youth Is Lost Forever 花有重開日,人無再少年 2023 42x69cm Ink on Paper
*Price: SGD$32,000.00
Listening to the Rain at West Lake 聽西湖雨 2024 48.5×49.5cm Ink on Paper
*Price: SGD$30,000.00
Xu Zhimo – Farewell to Cambridge 徐志摩《再别康桥》 2023 63x63cm Ink on Paper
*Price: SGD$40,000.00
Harmony in Beauty 美和 2022 80.5x83cm Ink on Paper
*Price: SGD$35,000.00
Pursuit of Wisdom 知尚 2022 81x92cm Ink on Paper
*Price: SGD$50,000.00
晏殊、浣溪沙 2022 83x75cm 156x79cm (Scroll Size) Ink on Paper
*Price: SGD$65,000.00

Alienation


Inspired by Zhuangzi’s butterfly dream, Alienation depicts a hazy landscape interrupted by a small, hovering UFO, blurring the lines between reality and imagination.

The work’s muted tones and ambiguity evoke a sense of dislocation, where the familiar feels strange. In line with the exhibition, the work reflects on the tension between belonging and alienation, suggesting identity as a fluid, uncertain state.


Alienation 2022 84.5x52cm Acrylic and Oil on Canvas

SGD$5,000.00

*Prices are subject to change without prior notice.

Tropical Lion


Tropical Lion presents a lion resting across raised wooden planks in a murky, swamp-like environment.

The work takes on a skeptical view of the “Lion City,” a misnomer given the absence of lions in the region, yet reflects how people continue to live with and make the best of it.

Despite the unstable, fragmented footing and sombre surroundings, the animal appears calm and at ease, suggesting quiet resilience and a broader human tendency toward perseverance in uncertain conditions.


Tropical Lion 2022 102x122cm Acrylic and Oil on Canvas

SGD$12,000.00

*Prices are subject to change without prior notice.

Uncharted


Uncharted reimagines Queen Elizabeth II’s 1972 visit to Toa Payoh as a surreal, staged scene, where the work’s backdrop prompts viewers to question what lies behind the curtain.

Positioned atop a small boat, her white gown contrasts with a deep pink backdrop resembling both high-rise flats and theatrical drapery.

The reflective water and dreamlike setting transform the historical moment into a poetic meditation on memory and spectacle.


Uncharted 2023 91x73cm Acrylic and Oil on Canvas

SGD$9,000.00

*Prices are subject to change without prior notice.

Willy Tay Distance Resonance Pricelist

Figure Head 2022 50 x 70cm Acrylic, oil and oil sticks
*Price: SGD$4,500.00
Among the stars 2024 70 x 50cm Acrylic, oil and oil sticks
*Price: SGD$4,500.00
Deity 2022 86 x 146cm Acrylic, oil and oil sticks
*Price: SGD$12,000.00
Arriving in Toa Payoh 2025 183 x102cm Acrylic, oil and oils sticks
*Price: SGD$14,000.00
Half told story 2025 50 x 70cm Acrylic, oil and oil sticks
*Price: SGD$4,500.00
Working deity 2025 50 x 70cm Acrylic, oil and oil sticks
*Price: SGD$4,500.00
On hindsight 2025 91 x 102cm Acrylic, oil and oil sticks
*Price: SGD$10,000.00
For when is time spent 2024 77 x 76cm Acrylic, oil and oil sticks
*Price: SGD$6,000.00
Snowfall 2025 104 x 39cm Acrylic, oil and oil sticks
*Price: SGD$9,000.00
Still time 2025 45.5 x 45.5cm Acrylic, oil and oil sticks
*Price: SGD$3,000.00
Limbo Until Then 2024 76 x 102cm Acrylic, oil and oil sticks
*Price: SGD$9,000.00
Missing Friends , 2024 , 84 x 52cm , Acrylic, oil and oil sticks
*Price: SGD$5,000.00
Black and White , 2024 , 121 x 167cm , Acrylic, oil and oils sticks
*Price: SGD$14,000.00
Uncharted 2023 91x73cm Acrylic and Oil on Canvas
*Price: SGD$9,000.00
On occasion away from home , 2024 , 30.5 x 30.5cm , Acrylic, oil and oil sticks
*Price: SGD$3,000.00
Trekker 2023 102 x 168cm Acrylic, oil and oil sticks
*Price: SGD$12,000.00
After The Initial Cleaning 30cmx48cm 2024 Acrylic, oil and oil sticks
*Price: SGD$3,000.00
Tropical Lion 2022 102x122cm Acrylic and Oil on Canvas
*Price: SGD$12,000.00
Butterfly effect , 2025 , 158 x 237cm , Acrylic, oil and oil sticks
*Price: SGD$18,000.00
Folklore 2025 45.5 x 45.5cm Acrylic, oil and oil sticks
*Price: SGD$3,000.00
Mirage of Memories 2024 158 x 237cm Acrylic, oil and oil sticks
*Price: SGD$18,000.00
Playing possum 2023 84 x 52cm Acrylic, oil and oil sticks
*Price: SGD$5,000.00
Promise 2023 80 x 60cm Acrylic, oil and oil sticks
*Price: SGD$5,000.00
Repackaged and retold 2024 158 x 237cm Acrylic, oil and oil sticks
*Price: SGD$18,000.00
To See 2024 30 x 41cm Acrylic, oil and oil sticks
*Price: SGD$3,000.00
Bored with what I once longed for 2023 158 x 237cm Acrylic, oil and oils sticks
*Price: SGD$18,000.00
Talking Heads 2025 168 x 143cm Acrylic, oil and oil sticks
*Price: SGD$15,000.00
Embracing impasse 2026 300 x 100cm Acrylic, oil and oil sticks
*Price: SGD$16,000.00
Overcast 2024 70 x 50cm Acrylic, oil and oil sticks
*Price: SGD$4,500.00
Natural Tendency of Inertia 2023 158 x 237cm Acrylic, oil and oil sticks
*Price: $5,000.00
Alienation 2022 84.5x52cm Acrylic and Oil on Canvas
*Price: SGD$5,000.00

*Prices are subject to change without prior notice.

Working deity


Working deity extends Willy Tay’s exploration of the “Deity” figure, now aged and rendered ambiguously with multiple faces symbolic of gods and goddesses.

It questions whether the figure is divine, authoritative, or symbolic, reflecting how power and belief evolve over time.

By presenting a human, imperfect deity, Tay invites viewers to consider how societies create, reinterpret, and ascribe meaning to figures of authority.


Working deity 2025 50 x 70cm Acrylic, oil and oil sticks

SGD$$4,500.00

*Prices are subject to change without prior notice.

Talking Heads


Talking Heads reflects on the overload of information and perspectives we encounter daily through mass media.

The newscasters as depicted in the work represent different individuals either repeating the same narrative or presenting multiple, conflicting versions.

Willy Tay examines how multiple perspectives can blur truth, inviting viewers to question how narratives are constructed and interpreted in contemporary society.


Talking Heads 2025 168 x 143cm Acrylic, oil and oil sticks

SGD$15,000.00

*Prices are subject to change without prior notice.

Still time


Still time explores the concepts of time and finality, juxtaposing the sense of an ending with the possibility that time continues on in spite of an ending.

Willy Tay creates a subtle tension between certainty and possibility, inviting reflection on how we experience time during moments of uncertainty or transition.

The work captures the emotional and psychological perception of time, rather than its measurable passage.


Still time 2025 45.5 x 45.5cm Acrylic, oil and oil sticks

SGD$3,000.00

*Prices are subject to change without prior notice.

Playing possum


Playing possum began with a dead crow, but Willy Tay questions whether it is truly dead or is it merely “playing dead”.

The work explores ambiguity and the instability of meaning, showing how appearances can often be quite misleading.

Willy Tay invites viewers to question our assumptions and accept that not everything might always have a clear, definite answer.


Playing possum 2023 84 x 52cm Acrylic, oil and oil sticks

SGD$5,000.00

*Prices are subject to change without prior notice.

On occasion away from home


On occasion away from home reflects the artist’s frequent travel, capturing the sense of being away yet not fully belonging anywhere.

The work conveys quiet detachment, presenting “home” as an abstract concept shaped by memory and feeling rather than a physical place that one inhabits.


On occasion away from home 2024 30.5 x 30.5cm Acrylic, oil and oil sticks

SGD$3,000.00

*Prices are subject to change without prior notice.

On hindsight


On hindsight is the artist’s reflection on looking back, inspired by the views we often see through a car’s rear window.

The rocking horse symbolizes motion without progress, echoing how we can feel active yet constantly remain in stasis emotionally and historically.

Willy Tay explores how the past is always behind us, shaping our understanding and perspective through hindsight.


On hindsight 2025 91 x 102cm Acrylic, oil and oil sticks

SGD$10,000.00

*Prices are subject to change without prior notice.

Snowfall


Snowfall depicts a quiet gathering with an underlying sense of ambiguity.

The figures appear content, yet the consequences of their decisions remain uncertain. Willy Tay likens this to snowfall, gentle but cumulative, highlighting how small choices can have lasting impact.

The work reflects on the unseen weight of decisions and the slow unfolding of outcomes, capturing a calm moment before any consequences emerge.


Snowfall 2025 104 x 39cm Acrylic, oil and oil sticks

SGD$9,000.00

*Prices are subject to change without prior notice.

Repackaged and retold


Repackaged and retold explores the ever-changing nature of history.

Willy Tay reflects on how narratives are repackaged across generations, reshaping meaning and highlighting the fluidity of historical accounts.

The work encourages viewers to question established accounts, often taken to be objective, and recognize that understanding the past requires ongoing reinterpretation.


Repackaged and retold 2024 158 x 237cm Acrylic, oil and oil sticks

SGD$18,000.00

*Prices are subject to change without prior notice.

Promise


Promise examines how historical narratives are constructed, with the title alluding to a declaration or pledge of sorts.

Referencing Singapore’s founding by Sir Stamford Raffles, Willy Tay questions the idea of crediting a nation’s success to a single figure alone.

The work invites viewers to consider exactly which stories get told, what is omitted, and encourages a more nuanced understanding of history and identity informed by multiple perspectives.


Promise 2023 80 x 60cm Acrylic, oil and oil sticks

SGD$5,000.00

*Prices are subject to change without prior notice.

Overcast


Inspired by an actual, rather disorienting, flight encounter, Overcast captures uncertainty and suspended clarity where one remains close to the destination yet is unable to see it.

Willy Tay uses the overcast, surreal moment as a metaphor for navigating life without any clear direction, conveying calm tension and inviting reflection on moving forward amid moments of ambiguity.


Overcast 2024 70 x 50cm Acrylic, oil and oil sticks

SGD$4,500.00

*Prices are subject to change without prior notice.

Natural tendency of inertia


Natural tendency of inertia transforms the simple act of observing pigeons into a meditation on attention and perception.

By slowing down, the ordinary reveals unexpected complexity, highlighting inertia and our tendency to stay within familiar patterns. Willy Tay encourages viewers to find meaning in the quiet, overlooked moments of our everyday life.


Natural tendency of inertia 2023 158 x 237cm Acrylic, oil and oil sticks

SGD$18,000.00

*Prices are subject to change without prior notice.

Missing friends


Quiet and introspective, Missing friends reflects on how our relationships evolve with age.

Social circles shrink through distance and shifting priorities, capturing a sense of absence balanced by acceptance.

Willy Tay invites viewers to reflect on connection, loss, and the emotional spaces left behind over time.


Missing friends 2024 84 x 52cm Acrylic, oil and oil sticks

SGD$5,000.00

*Prices are subject to change without prior notice.

Mirage of memories


Mirage of memories is an exploration of revisiting and reworking the past. Shaped by ongoing revision, it suggests that memories and histories are very much fluid, always shifting like a mirage with perspective.

The layered process reflects how understanding evolves over time, while a sense of release emerges in letting go of perfect resolution, inviting viewers to consider that meaning is never fixed.


Mirage of memories 2024 158 x 237cm Acrylic, oil and oil sticks

SGD$18,000.00

*Prices are subject to change without prior notice.

Limbo until then


Limbo until then captures a liminal state of being where an individual is neither settled nor lost.

Willy Tay reflects on feeling suspended between places, identities, and life stages. While uncertain at times, this state of existence also holds a quiet comfort, with a surreal atmosphere that implies detachment from time.

The work invites reflection, highlighting the value of pausing and the experience of navigating identity without clear resolution.


Limbo until then 2024 76 x 102cm Acrylic, oil and oil sticks

SGD$9,000.00

*Prices are subject to change without prior notice.

Deity


Inspired by Sir Arthur Cotton, a British officer later revered as a demigod for his irrigation works in Andhra Pradesh, Deity reflects shifting perceptions of colonial authority from intruder to benefactor.

Reframed in a local context, Tay’s portrayal suggests a quiet act of narrative decolonisation, reclaiming history through cultural reinterpretation.

The work explores how power and legacy are shaped over time, revealing history as subjective rather than fixed.


Deity 2022 86 x 146cm Acrylic, oil and oil sticks

SGD$12,000.00

*Prices are subject to change without prior notice.

Bored with what I once longed for


Bored with what I once longed for begins with the artist’s failed attempt to keep an orchid alive, evolving into a reflection on desire and disillusionment.

What we once long for can lose its meaning over time.

The fading orchid becomes a quiet symbol of shifting priorities and emotional distance, capturing how attachment can turn into indifference and inviting viewers to reflect on why certain desires once felt so important.


Bored with what I once longed for 2023 158 x 237cm Acrylic, oil and oils sticks

SGD$18,000.00

*Prices are subject to change without prior notice.

Black and White


Black and White references Singapore’s colonial era “black and white” houses as symbols of heritage and hierarchy.

Though admired for their charm, they reflect colonial power structures, where larger, elevated homes were often reserved for elites.

Willy Tay uses this imagery to question how these values persist, urging viewers to look beyond aesthetics and consider the deeper social and political histories embedded in architecture.


Black and White 2024 121 x 167cm Acrylic, oil and oils sticks

SGD$14,000.00

*Prices are subject to change without prior notice.

Arriving in Toa Payoh


Inspired by early explorers, Willy Tay’s Arriving in Toa Payoh shifts the focus from conquest and wealth to human emotions like curiosity, ambition, and uncertainty.

A self-portrait-like figure of the artist rendered in Mongolian attire conveys displacement and a search for identity.

Referencing Toa Payoh’s transformation from swamp to urban estate, the work parallels physical and inner journeys, inviting viewers to reflect on what drives exploration and how identity is shaped through it.


Arriving in Toa Payoh 2025 183 x102cm Acrylic, oil and oils sticks

SGD$14,000.00

*Prices are subject to change without prior notice.

Trekker


Inspired by a backpack advertisement, Trekker considers adventure and exploration as commercialized ideals.

The exaggerated waterfall that dominates the work’s composition creates a surreal and staged atmosphere, prompting viewers to question whether we truly discover new places or follow curated images.

Willy Tay reflects on how the media shapes our expectations of travel, nature, and experience.


Trekker 2023 102 x 168cm Acrylic, oil and oil sticks

SGD$12,000.00

*Prices are subject to change without prior notice.

To see


To see references the familiar image of Sir Stamford Raffles and attends to the figure’s gaze.

Willy Tay invites viewers to consider the visions that have shaped history and the future Raffles might have possibly had ever since his arrival on Singapore’s shores.

The work underscores how perspective influences what we accept as objective truth, reflecting on how history is often seen through the eyes of a few.


To see 2024 30 x 41cm Acrylic, oil and oil sticks

SGD$3,000.00

*Prices are subject to change without prior notice.

Half told story


Half told story reflects on how we often see only part of a story.

Focusing on a tree trunk rather than its leaves, fruits, or roots, Willy Tay highlights what is typically overlooked.

The tree trunk symbolizes structure and support, reminding viewers that our understanding is often incomplete and inviting reflection on what might be missing from the narratives we often encounter.


Half told story 2025 50 x 70cm Acrylic, oil and oil sticks

SGD$4,500.00

*Prices are subject to change without prior notice.

For when is time spent


For when is time spent depicts a grand royal tomb, symbolizing power and legacy yet reminding us of mortality.

Willy Tay contrasts human ambition with life’s impermanence, inviting reflection on how we spend our time and whether what we leave behind truly endures.


For when is time spent 2024 77 x 76cm Acrylic, oil and oil sticks

$6,000.00

*Prices are subject to change without prior notice.

Folklore


Willy Tay describes folklore as “a skull with a jawbone,” symbolising how stories are constructed from fragments of the past.

The skull in Folklore reminds us of our eventual mortality and the passage of time, while myths and cultural narratives persist and evolve as they are passed down across generations.

The work reflects on how stories shape identity and collective memory, inviting viewers to consider what we inherit and choose to carry forward.


Folklore 2025 45.5 x 45.5cm Acrylic, oil and oil sticks

SGD$3,000.00

*Prices are subject to change without prior notice.

Figure Head


Figure Head presents an early version of the “Deity” figure, exploring the idea of symbolic leadership.

Willy Tay questions whether figures of authority truly guide or merely serve as representations, highlighting the gap between appearance and reality.

The work invites reflection on how influence is often tied to perception rather than actual displays of power.


Figure Head 2022 50 x 70cm Acrylic, oil and oil sticks

SGD$4,500.00


*Prices are subject to change without prior notice.

Embracing impasse


Embracing impasse depicts opposing forces in a configuration of paralysis, where tension and balance cancel out one another.

Willy Tay uses this seeming equilibrium to reflect on modern society, questioning whether progress is real or stalled by internal contradictions.

The work invites contemplation on resistance, inertia, and the challenges of change.


Embracing impasse 2026 300 x 100cm Acrylic, oil and oil sticks

SGD$16,000.00

*Prices are subject to change without prior notice.

Butterfly effect


Butterfly effect explores how small pieces of information can reshape entire narratives.

Inspired by the recent declassification of the Albatross file, Willy Tay reflects on how a single discovery can alter our understanding of the past.

The painting highlights that truth is often based on incomplete information and encourages viewers to stay open-minded, recognising history’s complexity and the unpredictable impact of seemingly minor details.


Butterfly effect 2025 158 x 237cm Acrylic, oil and oil sticks

SGD$18,000.00

*Prices are subject to change without prior notice.

Among the stars


Among the stars depicts an imagined orchid, serving as a metaphor for hybrid identity and cultural belonging.

Willy Tay offers an intimate and personal reflection on how identity evolves across generations, especially in the context of migrant families.

The orchid, both familiar yet foreign, captures the sense of existing between places, offering a quiet meditation on identity as fluid and ever-changing.


Among the stars 2024 70 x 50cm Acrylic, oil and oil sticks

SGD$4,500.00

*Prices are subject to change without prior notice.

After the initial cleaning


Inspired by a faint wine stain on the carpet, After the initial cleaning serves as a metaphor for memory and the past.

Willy Tay reflects on how experiences leave lasting traces that shape us, even as we try to forget.

The work offers a quiet meditation on memory, consequence, and the passage of time.


After the initial cleaning 2024 30 x 48cm Acrylic, oil and oil sticks

SGD$3,000.00

*Prices are subject to change without prior notice.

Tse Yim On

Tse Yim On (b. 1974, Hong Kong) is a contemporary painter whose vibrant, pop-infused works explore the complexities of Hong Kong culture. Drawing from anime, manga, and Generation X influences, his bold canvases blend cartoon aesthetics with sharp social commentary. A graduate of The Chinese University of Hong Kong (MFA, 2001), Tse has received the Hong Kong Urban Council Fine Art Award (1998) and is held in the permanent collection of the Hong Kong Museum of Art. He continues to exhibit internationally while lecturing at CUHK.
18X (2004) 2016 60cmx60cm Acrylic on Canvas
*Price: $6,500.00
The Five Flagpoles 2018 100x100cm Acrylic on Canvas
*Price: $13,000.00
Grand Tetromino Master 2018 100x100cm Acrylic on Canvas
*Price: $13,000.00
I Love My Home Meow 2018 120x120cm Acrylic on Canvas
*Price: $18,000.00
Being Fragile in Twenties 2017 100x100cm Acrylic on Canvas
*Price: $13,000.00
Wonderful World (1974)-1 2016 60x60cm Acrylic on Canvas
*Price: $6,500.00
Wonderful World (1974)-2 2016 60x60cm Acrylic on Canvas
*Price: $6,500.00

*Prices are subject to change without prior notice.


Education

2001 | Awarded Master’s Degree in Fine Arts, The Chinese University of Hong Kong, Hong Kong SAR, China 1998 | Awarded Bachelor’s Degree in Fine Arts, The Chinese University of Hong Kong, Hong Kong SAR, China

Selected Solo Exhibitions

2018 | Wonderful World of Color by Tse Yim On, Gallery by the Harbour, Harbour City, Hong Kong 2013 | Flâneur, iPreciation Gallery, Singapore 2010 | Great Righteousness Resolving Confusion, iPreciation, Singapore 2003 | I Have a Beautiful World Because I Love You – Works by Tse Yim On, Para/site-Central, Hanart TZ Gallery, Hong Kong SAR, China 2001 | Master’s Degree in Fine Arts Graduate Exhibition, The Chinese University of Hong Kong, Hong Kong SAR, China 1998 | Perusing Culture – Paintings by Tse Yim On, Para/site-Central, Hanart TZ Gallery, Hong Kong SAR, China / HK Book Exhibition 98 – Mixed Media Paintings by Tse Yim On, Hong Kong Cultural Centre, Hong Kong SAR, China

Awards

1998 | Urban Council Award, Contemporary Hong Kong Art Biennial Exhibition 1998, Hong Kong Museum of Art, Hong Kong SAR, China

Ye Jianqing

Ye Jianqing (b. 1972, Zhejiang Province, China) is an acclaimed contemporary painter and educator. A graduate and current professor at the Central Academy of Fine Arts (CAFA) in Beijing, his work masterfully bridges tradition and modernity. His dreamlike oil paintings of landscapes and vanishing hutongs, rendered in muted, diaphanous textures, serve as poetic reflections on cultural memory and urbanization, earning him widespread critical and collector acclaim.

Bustling Town in Red 2008 200 x 300 cm (Diptych) Oil on Canvas
*Price: $150,000.00
City Rain 2007 150x200cm Oil on Canvas
*Price: $60,000.00

Charm of the Alleyway 2011 150x170cm Oil on canvas
*Price: $58,000.00

*Price is subjected to change without further notice.


Biography

Ye Jianqing (b. 1972, Zhejiang Province, China) is a highly respected contemporary Chinese artist whose practice is dedicated to redefining tradition within a modern context. An accomplished painter and scholar, he earned both his Master’s degree and PhD from the Central Academy of Fine Arts (CAFA) in Beijing, where he now serves as a professor in the Fresco Department.

Emerging as a significant voice in contemporary art, Ye’s work represents a thoughtful and valuable return to subtlety and philosophical depth. He seamlessly integrates the refined aesthetics and spiritual concerns of traditional Chinese painting with contemporary techniques, primarily working in oil on canvas. His landscapes and cityscapes are rendered in a distinctive, dreamlike manner, characterized by soft-focus imagery, dusky palettes, and diaphanous textures. This approach evokes a profound sense of poetic melancholy and a yearning for a cultural past that is rapidly disappearing amidst China’s relentless urbanization.

A central and recognizable theme in his oeuvre is the depiction of hutongs—the traditional winding alleyways of ancient Chinese neighborhoods. These spaces, deeply embedded in the social and historical fabric of city life, serve as powerful metaphors for memory, transition, and loss. Ye Jianqing’s paintings do not merely document these scenes; they transform them into emotive vessels for cultural reflection. His blurred, fluid images actively pursue and preserve vanishing moments, capturing the poignant tension between a rich historical past and a homogenizing modern metropolis.

Celebrated by critics and collectors alike, Ye Jianqing’s art offers a rare and insightful visual commentary on contemporary China. His canvases stand as lasting records of cultural traces, solidified through the vision of an artist who skillfully negotiates the space between deep heritage and a unique, individualistic creative identity.

Exhibition

Selected Solo Exhibitions

Scenic Poetry, 2004, iPreciation, Singapore

Rain Rhythms, New Works by Ye Jianqing, 2012, iPreciation, Singapore

Ye Jianqing – Reflections of the Mind, 2010, National Art Museum of China, Beijing, China

Hutong Memory: A Solo Exhibition, 2009, iPreciation, Hong Kong

Ye Jianqing, 2007, The Rotunda, Exchange Square Central, Hong Kong

Vintage Furniture

Chairs (Set of 4) 99(H)x66(L)x54(W)cm (Each) Zitan 紫檀木
*Price: $80,000.00

Chair 120(H)x127(L)x80(W)cm Footrest16.5(H)x100(L)x48.2(W)cm Zitan 紫檀木
*Price: $250,000.00

Table 84(H)x183(L)x85(W)cm Zitan 紫檀木
*Price: $220,000.00
Table 84(H)x117(L)x58(W)cm Zitan 紫檀木
*Price: $55,000.00
Chest (Set of 2) 65(H)x62(L)x51(W)cm Huanghuali 黄花梨 Large
*Price: $95,000.00
Table 81(H)x115(L)x37(W)cm Huanghuali 黄花梨
*Price: $55,000.00

*Prices are subject to change without prior notice.

Gallery Showcase

Tay Bak Chiang


Oh Chai Hoo


Milenko Prvacki


Wang Dongling


Huang Yuanqing


Zhuang Shengtao

Breaking Through (The Hours) 破曉, 2023, 178x96cm, Ink and Colour on Paper 墨、設色紙本
*Price: $22,000.00
Unbridled 1 縱筆 1, 2010, 96x178cm, 127x210cm (Stretcher), Ink on Paper
*Price: $22,000.00
Unbridled 3 縱筆 3, 2010, 96x178cm, 127x210cm (Stretcher), Ink on Paper
*Price: $22,000.00

Gao Xingjian


Lim Jiaqi

Shelter Under the Canopy, 2023, 100x120x2.5cm, Acrylic and Carving on Wood Panel
*Price: $3,900.00
Grids, 2019, 70x120cm, Acrylic and Concrete on Woodblock
*Price: $2,900.00

Willy Tay


Wee Shoo Leong


Baet Yeok Kuan


Lee Wen


Cheung Yee


Zhang Jian-jun


Kacey Wong

Mental Case 精神科, 1998, 23(L)x20(W)x7.5(D)cm
Wood, glass, paint, leather, cardboard, medical capsules, plastic figurines
*Price: $10,000.00

Jin Jie


Wang Tiande

Spring Hills by Shallow Waters, 2023, 150.8×48.6cm, Ink, Flame on Paper
*Price: $45,000.00

Irene Chou


Rosanna Li


*Prices are subject to change without prior notice.

Zhang Jian-Jun

^ Click on the image to view the full Artist Profile.

Zhang Jian-Jun 張建君 (b. 1955) from Shanghai, China, is one of the most disciplined and gifted contemporary Asian artists of our time. Zhang graduated from Shanghai Drama Institute’s Fine Arts Department in 1978 and is today an Adjunct Professor at the Fine Arts Department of New York University.

Zhang’s art perforates the surface of East-West fusion and the idea of time, expressing his strikingly unique and profoundly perceptive musings. Exploring the essence of these topics, his art may not be instantaneously interpretable by many; however, this is also the very quality that elevates the intellectual element of his works, inviting viewer participation. Zhang demonstrates his gift in the artistic manipulation of time by re-creating the ancient scholar rock with modern materials such as silicone rubber. These ornate rocks, called Taihu Rocks, originated from Suzhou and are traditionally appreciated and prized by Chinese Literati. They are also symbolic of traditional Chinese culture and focus on the changes in aesthetics, culture and social patterns across time. Creatively, he has resurrected a fragment of history and propelled episodic moments from that distant time to this present age. These consequential works are evidently contemporary and undoubtedly unique.


*Price is subjected to change without prior notice


Zhang Jian-Jun 張建君

1955 | Born in Shanghai, China

Education

1978 | Graduated from the Fine Arts Department, Shanghai Theater Academy, China

Selected Solo Exhibitions

2021 | Human Traces Zhang Jian-Jun, K11 Art Foundation, Shanghai, China 2020 | Ineffable Garden, Alisan Fine Arts, Hong Kong (in collaboration with Barbara Edelstein) 2019 | “Zhang Jian-Jun: Artist in Residence” Royal Academy Schools Studio, London, UK 2017 | “Between Then and Now,” OCAT Xi’An, China 2016 | “Water • Quintessence,” Pearl Lam Gallery, Shanghai, China 2015 | “China Chapter,” Galerie Albrecht, Berlin, Germany / “Jade Mountain & Ink River,” Christian Duvernois Gallery, New York, New York, USA / “1980s: Zhang Jian-Jun’s Early Artwork (1978-1988),” Yuz Museum, Shanghai, China / “Nature and Beyond,” Leo Gallery, Art Basel Hong Kong / “Water • Ink • China” Pace Prints, New York, New York, USA 2014 | “Nature,” Art Projects International, New York, New York, USA 2012 | “Forms • Water • Vestiges,” Pavilion of Repose Garden, Kunshan, China 2011 | “Water,” 99 Art Center at M50, Shanghai, China 2007 | “Alternative Landscape,” 140 sqm Gallery, Shanghai, China / “Mirage Garden Part 6,” South Beauty Garden, Shanghai, China (in collaboration with Barbara Edelstein) / “Vestiges of a Process: New York, Shanghai, New Village,” iPreciation Gallery, Singapore 2005 | “Vestiges of a Process,” Asian American Art Centre, New York, New York, USA / “Garden of Wishing Trees,” Maiden Lane Exhibition Space, New York, NY, USA (in collaboration with Barbara Edelstein) 2004 | “Vestiges of a Process: Chelsea Chapter,” DTW Gallery, New York, New York, USA 2003 | “Mountain & River,” Art Projects International Gallery, New York, New York, USA 2002 | “Chinese Ink Garden of Re-Creation,” He Xiangning Art Museum, Shenzhen, China / “Vestiges of a Process: Guangzhou Chapter,” Guangdong Museum of Art, Guangzhou, China / “China Chapter,” Museum of the Shenzhen Art Institute, Shenzhen, China 2001 | Art Projects International, New York, New York, USA 1997 | “Footprint,” Gallerie Deux, Tokyo, Japan 1995 | Art Projects International Gallery, New York, New York, USA 1994 | “The Paradox of the Fish,” Gallery Contempo, New York, New York, USA 1989 | Nerlino Gallery, New York, New York, USA 1988 | “Existence,” Kay Garvey Gallery, Glen Ellyn, Illinois, USA / Harvard University, Massachusetts, USA 1987 | Shanghai Art Museum, China

Selected Group Exhibitions

2022 | Whisper of Stars, iPreciation, Singapore 2021 | “Spring Rhapsody”, iPreciation, Singapore 2019 | “Arts of China”, Brooklyn Museum, USA / “Out of Ink: Interpretations from Chinese Contemporary Art”. Pera Museum, Istanbul/ Scripts, Traces, and the Unpredictable, Pearl Lam Galleries, Shanghai, China 2018 | “Beyond Scholar Gardens,” Doland Museum of Modern Art, Shanghai, China / “Between Human and Water,” Zhu Jia Jiao Contemporary Art Museum, Shanghai, China / “Dialog,” Zhu Qi Zhan Museum, Shanghai, China / “From New Shanghai School to Contemporary,” Baoshan Art Museum, Shanghai, China / “Romantic Abstraction of Shanghai,” SPSI Art Museum, Shanghai, China / “Ink Worlds: Contemporary Chinese Painting from the Collection of Akiko Yamazaki and Jerry Yang, Cantor Arts Center at Stanford University, Stanford, California, USA / “Blurred Horizons,” Art Projects International, New York, New York, USA 2017 | “Avant-Garde · Shanghai: 1979-2010 Documenta of Shanghai Contemporary Art,” Ming Yuan Art Museum, Shanghai, China / “Landmark,” Guardian Art Center, Beijing, China / “Shanghai Visions,” Shanghai Art Museum, Shanghai, China / ‘The Plane of Rewriting,” Pearl Lam Galleries, Shanghai, China / “Quotidian,” Pearl Lam Galleries, Shanghai, China / “Presence,” Art Projects International, New York, New York, USA 2016 | “Under Heaven: Contemporary Art from China in the Ahmanson Collection,” Ahmanson Gallery, Irvine, California, USA / “White Grey Black,” Gallerie Canvas International Art, Amsterdam, The Netherlands / “Water & Ink: Tradition in the Contemporary Art,” China Cultural Center in Brussels, Belgium / “Splotch,” Sperone Westwater Gallery, New York, New York, USA / “Splotch,” Leslie Heller Workspace, New York, New York, USA / “Wu-U Speech: Artists Living in Shanghai,” Shanghai Art Museum, Shanghai, China / “Chinese Whispers,” Kunstmuseum Bern, Switzerland 2015 | “View from Shanghai,” Cloud Art Museum, Shanghai, China “30 Years of Contemporary Shanghai Art,” Sheshan Contemporary Art Center, Shanghai, China / “Navigating Abstraction,” Christian Duvernois Gallery, New York, New York, USA / Canvas Gallery, Basel, Switzerland / “Open: Contemporary Ink Art” Da Xiang Art Center, Taizhong, Taiwan / “Force 12 Hurricane: Ming Gathering,” Ming Yuan Art Museum, Shanghai, China 2014 | “Nature and Beyond,” Leo Gallery, Shanghai, China / “Pursuing Dream: Shanghai Sculpture Invitational Show,” Shanghai Sculpture Space, China / “Contemporary Ink,” Da Xiang Art Center, Taizhong, Taiwan / “Experimental Art,” The 12th China National Art Exhibition, Today Museum, Beijing, China / “Sempre Natura,” Christian Duvernois Gallery, New York, New York, USA / “Chinese Abstraction: 1980s – Current,” Pearl Lam Galleries, Hong Kong Art Basel / “China Arte Brazil,” OCA, Sao Paulo, Brazil / “Contemporary Chinese Prints,” Pace Prints Gallery, New York, New York, USA / “Nomads,” Ming Yuan Art Center, Shanghai, China 2013 | “Ink Art: Past as Present in Contemporary China,” The Metropolitan Museum of Art, New York, New York, USA / “Tutte le strade portano a Roma. 17 artisti contemporanei da SHANGHAI a Palazzo Brancaccio,” Museo Nazionale D’Arte Orientale, Rome, Italy / “Opening,” Christian Duvernois Gallery, New York, New York, USA / “Yang Shi (Form),” Z-Art Center, Shanghai, China / “Portrait of the Times: 30 Years of Chinese Contemporary Art,” Power Station of Art, Shanghai, China / “Insightful Charisma,” Shanghai Himalayas Museum, Shanghai, China / “Voice of the Unseen: Chinese Independent Art 1979-Today,” Arsenale, Venice Biennale Collateral Exhibition, Venice, Italy / “Early Contemporary Art in Shanghai,” Baoshan International Art Center, Shanghai, China / “Contemporary Chinese Art,” Halcyon Gallery, Shanghai, China 2012 | “Culture Shanghai: A Return Oriented Towards the Future,” Shanghai Sculpture Space, Shanghai, China / “Ink Now,”  Special Project of The SH Contemporary Art Fair, Shanghai, China / “Water,” Anacostia Art Museum, Smithsonian Institute, Washington DC, USA / “Undoing ShuiMo – Contemporary ShuiMo Exhibition,” Shanghai Duolun Museum of Modern Art, Shanghai, China / “A New Spirit in Ink: An Exhibition of Cutting Edge Ink Art,” Zendai Contemporary Art Space, Shanghai, China / “Shanghai! La Tentation de l’occident,” L’Institut Culturel Bernard Magrez, Bordeaux, France / “Abstraction,” Pearl Lam Gallery, Hong Kong / “Line,” Art Center of the Shanghai Academy of Fine Arts, Shanghai, China / “Water/Ink Biennial,” DaFen Art Museum, Shenzhen, China / “Ink Boundary,” M50 Art Center, Shanghai, China 2011 | “Celestial Abstraction,” Contemporary Art Museum, Rome, Italy / “20 Years Retrospective Exhibition of 1991 San Diego Chinese Artistic Creation Seminar,” Xian Art Museum, Xian, China / “Selected Asian Cultural Council Fellows: Then and Now,” Alisan Fine Arts, Hong Kong / “ShanShui,” Kunstmuseum, Lucern, Switzerland / “Sofia Paper Biennial,” National Gallery of Foreign Art, Sofia, Bulgaria / “Wu Ming: Form is Formless,” Contrasts Gallery, Shanghai, China / “Nature and Its Modern Forms,” Ming Yuan Art Center, Shanghai, China 2010 | “The Seventh Shenzhen International Chinese Ink Biennale,” Shenzhen, China / “Big Draft – Shanghai,” Kunstmuseum Bern, Bern, Switzerland / “Speed and Chaos,” PingYao International Photography Biennial, PingYao, China / “Vestiges of a Process: Transition,” Zendai Contemporary Art Center, Shanghai, China / “Celestial Abstraction,” National Art Museum of China, Beijing, China / “Shanghai,” Asian Art Museum, San Francisco, California, USA 2009 | “Ink Society,” Sunshine International Museum, Song Zhuang, Beijing, China / “In-Situ: A Dialog with Space and Time,” River South Art Center, Shanghai, China / “Chinese Gardens for Living: Illusions to Reality,” Europalia.China International Arts Festival, The Square, Brussels, Belgium / “Shanghai Tang – History in the Making: Shanghai 1979-2009,” Jumen Art Center, Shanghai, China / “Yi Pai,” Art Today Museum, Beijing, China / “Direction of Ink Art,” Zendai Zhujiajiao Art Museum, Zhujiajiao, China / “A Starting Point: Intrude 366 – Dynamics of Change and Growth,” Zendai Museum of Modern Art, Shanghai, China 2008 | “Mountain & Water,” Dresden Art Museum, Dresden, Germany / “Towards Abstraction: 1976-1985 Shanghai Contemporary Art,” Zendai Museum of Modern Art, Shanghai, China / “Art Multiple,” Ke Center for the Contemporary Art, Shanghai, China / “Speed of the Flows,” Shanghai YuanDian Gallery, Shanghai, China / “Vestiges of a Process: Shanghai Shikumen Project 2008,” “Intrude 366,” Zendai Museum of Modern Art, Shanghai, China / “China Abstract Painting 30 Years,” Caixa Forum Museum, Barcelona & Madrid, Spain 2007 | “Rejected Collection,” Ke Center for Contemporary Arts, Shanghai, China / “Asia/Europa Mediation,” Poznan National Museum of Art, Poznan, Poland / “3rd International Art Festival,” Rajamangala University, Poh-Chang, Bangkok, Thailand / “Escape by Crafty Scheme_salvation From Traditional and Revolutional Language,” Square Gallery of Contemporary Art, Nanjing, China / “Language/Environment,” Museum of Contemporary Art Beijing, Beijing, China 2006 | “Crossing the Atlantic,” Goldsmith’s College, London, England / “Entry Gate: Chinese Aesthetics of Heterogeneity,” 1st Envisage, Museum of Contemporary Art Shanghai, Shanghai, China / “Experimental Ink,” Contemporary Art Museum, Tian Jin, China / “Close to Home,” BlockParty Brooklyn, New York, USA / “New Chinese Occidentalism,” Ethan Cohen Fine Arts, New York, New York, USA 2005 | “Flowing River: 30 Years of Chinese Oil Painting,” National Art Museum, Beijing, China / “100 Years of Chinese Sculpture,” Shanghai Sculpture Space, Shanghai, China / “1st International Sculpture Biennale,” Xu Jia Hui Park, Shanghai, China / “Black+White,” Shanghai Art Museum, Shanghai, China / “Regards to ’85,” Duolun Art Museum, Shanghai, China / “Replacement,” Cathay Gallery, Beijing, China / “Poles Apart Poles Together: Markers V,” Venice Biennale, Venice, Italy / “Anniversary Show,” Beijing Film Institute, Beijing, China 2004 | “The Fourth Shenzhen International Chinese Ink Biennale,” Shenzhen, China / “Shanghai Abstract Survey – 50 Years,” Ming Yuan Art Center, Shanghai, China / “10/20,” Lui Hai Su Art Museum, Shanghai, China / “A Grain of Dust A Drop of Water,” The 5th Gwangju Biennale, Gwangju, Korea / “On the Edge,” Ethan Cohen Fine Arts, New York, New York, USA 2003 | “10-Year Anniversary,” Art Projects International Gallery, New York, New York, USA / “Breathe,” New York University Gallery, New York, New York, USA / “Brushworks: New Asian Calligraphy,” Andrew Bae Gallery, Chicago, Illinois, USA / “Mountain & River,” Barbara Davis Gallery, Houston, Texas, USA / Diverseworks Art Center, Houston, Texas, USA / “5=1,” L.A. Artcore Gallery, Los Angeles, California, USA 2002 | “Urban Creation,” The Fourth Shanghai Biennale, Shanghai Art Museum, Shanghai, China / “Guangzhou Triennial,” Guangdong Museum of Art, Guangzhou, China / “East + West,” Kunstlerhaus, Vienna, Austria / “China Triennial,” Metropolitan Museum of Guangzhou, Guangzhou, China / “Markers II,” EAM Gallery, Kassel, Germany / “Variations of Ink,” Chambers Fine Art, New York, New York, USA / “Contemporary Brush Strokes,” China 2000 Gallery, New York, New York, USA / “Making China,” Ethan Cohen Fine Arts, New York, New York, USA 2001 | “1st Chengdu Biennial,” Chengdu, China / “Markers,” Venice Biennale, Venice, Italy / “Metaphysics and Reality,” Shanghai Art Museum, Shanghai, China / “Milestones for Peace,” Weill Art Gallery, New York, New York, USA 2000 | “DMZ_2000,” Korean Gallery, New York, USA / “Construction in Process VII: This Earth is a Flower,” The International Artists’ Museum, Lodz, Poland / “Cow Parade,” New York, New York, USA / “Milestones for Peace,” Jerusalem Art Festival, Jerusalem, Israel / “Conceptual Ink,” Ethan Cohen Fine Arts, New York, New York, USA / “The International Artists’ Museum in New York,” Mercer Gallery, New York, New York, USA 1999 | “Wrap the World,” The Kitchen, New York, New York, USA / “Transience: Chinese Experimental Art at the End of the Twentieth Century,” Smart Museum of Art, Chicago, Illinois, USA / “Language,” Ethan Cohen Fine Art, New York, New York, USA 1998 | Observatoire 4 Galerie, Montreal, Quebec, Canada / “Chinese Artists Working in New York,” Purdue University Gallery, Indiana, USA 1997 | “Basic Elements,” Art Beatus Gallery, Vancouver, B.C., Canada / “Bank: Inside the Counting Room,” Lower Manhattan Cultural Council, New York, New York, USA / Art Projects International Gallery, New York, New York, USA / “Sculpture 1997,” Connemara Conservancy Sculpture Park, Dallas, Texas 1996 “Open Space,” Shanghai Art Museum Biennial, China / Pennsylvania University Art Museum, USA / “Eastern Fusion: Contemporary Asian American Art in New York,” Hillwood Art Museum, New York, USA 1995 | Grosse Kunstausstelung, Dusseldorf, Germany / “Peace, Earth, Healing,” Hiroshima, Japan 1993 | “Construction in Process #4,” The Artists’ Museum, Lodz, Poland / “93NY50,” Socrates Sculpture Park, Long Island City, New York, USA 1992 | Ruine der Kunst, Berlin, Germany / “Conversations,” The Artists’ Museum, Lodz, Poland / “Workspace ’92,” Jamaica Arts Center, New York, New York, USA

Natural History Museum, New York, New York, USA 1991 | San Diego State University Gallery, California, USA / “Annual,” Asian American Art Center, New York, New York, USA 1990 | East West Contemporary Inc. Gallery, Chicago, Illinois, USA / Exhibition Space Gallery, New York, New York, USA 1989 | Nerlino Gallery, New York, New York, USA / Tokyo Gallery, Tokyo, Japan  / Han Art Gallery, Hong Kong / “China/Avant Garde,” China National Art Gallery, Beijing, China 1988 | “Last Supper” performance, Shanghai Art Museum, China / Art West/Art East Gallery, Hamburg, Germany / Art Waves Gallery, New York, New York, USA

Art Museum of Nanjing, China / “Annual,” Shanghai Art Museum, China 1987 | Hong Kong Art Centre, Hong Kong / Alisan Gallery, Hong Kong / Pacific Asia Museum, Pasadena, California, USA 1986 | Tokyo Municipal Museum, Tokyo, Japan / “Annual,” Shanghai Art Museum, China / “First Shanghai Young Artists Competition Exhibition,” Shanghai Art Museum, China 1985 | “Annual,” Shanghai Art Museum, China / Shanghai Drama Institute Gallery, China 1983 | “Painting Experiment,” Fudan University Faculty Center, Shanghai, China 1982 | “Annual,” Shanghai Art Museum, China 1981 | “Annual,” Shanghai Art Museum, China 1980 | Shanghai Art Museum, China 1979 | “Annual,” Shanghai Art Museum, China 1978 | “Wild Roses,” Shanghai Drama Institute, China

Grants and Awards

2002 | The Annie Wong Foundation, Hong Kong 1996 | The Pollock-Krasner Foundation, New York, USA 1995 | Art Matters Inc., New York, USA 1990 | The Pollock-Krasner Foundation, New York, USA 1986 | First Prize, The Shanghai Young Artist’s Exhibition, China

Selected Permanent Collections

Brooklyn Museum, New York, USA
The Metropolitan Museum of Art, New York, USA
Djerassi Foundation Collection, California, USA
Dow Jones Company, New Jersey, USA
Guangdong Museum of Art, Guangzhou, China
Ink Art Center, Kunshan, China
International Artists Museum, Lodz, Poland
K11 Art Foundation
Lehman Brothers, Hong Kong & New York, USA
JP Morgan, Hong Kong
M+ Museum for Visual Culture, Hong Kong
San Francisco Asian Art Museum, California
Shanghai Art Museum, China
Shanghai City Government, Changning District, China
Shenzhen Art Institute, Shenzhen, China
Uli Sigg Collection, Switzerland
Frederick R. Weisman Foundation of Art, California, USA
Yuz Museum, Shanghai, China
White Rabbit Collection, Sydney, Australia
Power Station of Art, Shanghai, China
Jerry Yang Collection, California, USA

Li Xianting

Li Xianting (b. 1949, Jilin, China) is a pivotal figure in Chinese contemporary art, renowned as an influential critic, curator, and the “Godfather of Chinese Contemporary Avant-Garde Art.” He championed key movements like Scar Art and Political Pop, naming iconic trends such as “Cynical Realism” and “Political Pop.” As a former editor of major art journals like Meishu, his critical writings remain essential references. Beyond criticism, he practices calligraphy and founded the Li Xianting Film Fund to support independent documentary cinema in China.

The Essence of Being 是是非非無非是非風風雨雨總歸風 2024 144.5×17.5cm Each (Couplets),200x41cm Each (Backing Size) Ink on Paper
*Price: $7,500.00

*Prices are subject to change without prior notice.


Biography

Li Xianting (b. 1949, Jilin, China) is a seminal figure in the development of Chinese avant-garde art, widely respected as an independent critic, curator, and intellectual. Often called the “Godfather of Chinese Contemporary Avant-Garde Art,” he played a crucial editorial and critical role during China’s economic reform era. As a magazine editor at Meishu (1978-1983), he introduced and supported influential movements such as “Scar Art,” “Rural Art,” and the pioneering modernist “Twelve Artists Group Exhibition.” He was notably the only critic to give a positive review of the groundbreaking “Stars Art Exhibition” in a state-owned publication.

Li Xianting’s editorial leadership extended to other major journals, including Art Newspaper of China (1985-1989) and The Renaissance (Xin Chao) (2001). His critical essays, such as “The Sense of ‘Boredom’ in Contemporary Chinese Art: Analyzing the Cynical Realism Trend” (1991) and “Political Pop and Consumer Imagery,” provided the definitive theoretical frameworks for understanding the art of the 1990s, coining the now-historic terms “Cynical Realism” and “Political Pop.” His article “Questioning ‘Modern Calligraphy’” is a key text on the modernization of this traditional art form.

As a curator, he helped shape the international presentation of post-1989 Chinese art, contributing to landmark exhibitions like “China’s New Art, Post-1989” (1993-1997). A graduate of the Chinese Painting Department at the Central Academy of Fine Arts (1978), Li Xianting is also a dedicated practitioner of calligraphy, approaching it with the sensibility of a traditional intellectual rather than a professional artist. Since 2006, he has founded and directed the Li Xianting Film Fund, a non-profit initiative dedicated to the screening, education, and archiving of independent Chinese documentaries, reflecting his enduring commitment to critical and independent cultural production.

Education

1978 | Graduated from the Chinese Painting Department, Central Academy of Fine Arts, Beijing, China

Exhibition curated

1993-1997: “China’s New Art, Post-1989” (Hong Kong, Australia, North America)

1995: “Departing from State Ideology” (Hamburg, Germany)

1999: “Rainbow Across the Century: Chinese Kitsch Art” (Tianjin, China)

2000: “Fascination with Harm” (Beijing, China)

2003: “Prayer Beads and Brush Strokes” (Beijing, China)

Zhuang Shengtao

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Zhuang Shengtao (b. 1944) was born in Chao’an, China. He moved to Singapore in 1955 where he enrolled in Nanyang Academy of Fine Arts later in 1964 and studied Chinese painting and calligraphy under the tutelage of renowned Singaporean calligrapher, See Hiang To. Being exposed to many years of education in the Chinese classics gave him a steadfast grounding in Chinese literature, brushwork and the philosophy of Taoism. He excelled in his academic studies and majored in Chinese Literature at the Nanyang University in Singapore, where he obtained both a Bachelor’s degree in 1974 and a Master’s degree in 1977. In 1981, Zhuang traveled to France to study French at the University of Nice (Nice, France) and the Alliance Francoise (Paris, France). Zhuang also studied printmaking at the Cornish College of the Arts (Seattle, Washington, USA) in 1988 and achieved a Master of Fine Arts from the University of Washington (Seattle, USA) in 1990.


Breaking Through (The Hours) 破曉, 2023, 178x96cm, Ink and Colour on Paper 墨、設色紙本
*Price: $22,000.00
Unbridled 1 縱筆 1, 2010, 96x178cm, 127x210cm (Stretcher), Ink on Paper
*Price: $22,000.00
Unbridled 3 縱筆 3, 2010, 96x178cm, 127x210cm (Stretcher), Ink on Paper
*Price: $22,000.00

*Prices are subject to change without prior notice.


Biography

Zhuang Shengtao (b. 1944, Guangdong, China) is a prominent Singaporean ink artist and academic, celebrated for his lyrical and abstract approach to the medium. He moved to Singapore in 1955 and later relocated to Suzhou, China, in 1997. His extensive education includes a Foundation Class at the Nanyang Academy of Fine Arts (1964), a First-Class Honours B.A. and an M.A. from Nanyang University, Singapore (1974, 1977), and a Master of Fine Arts from the University of Washington, Seattle, USA (1990).

His pioneering career is marked by major solo exhibitions spanning decades, from early shows at the Hilton Hotel (1979) and the National Museum Art Gallery (1985) in Singapore to recent presentations with iPreciation in Singapore, such as Beyond Ink – Suzhou (2021) and Poetry of Colours (2020). He has been a key participant in defining group exhibitions in Singapore, including Journey of Ink (1993) at the National Museum and Power and Poetry – Monuments and Meditations in Chinese Contemporary Ink Painting (1998) at the Singapore Art Museum, as well as international showcases like ASEAN traveling exhibitions and the Shanghai Ink Biennial (2007).

Zhuang Shengtao’s work is held in the permanent collection of the National Gallery Singapore, cementing his legacy as a foundational figure in the development of modern and contemporary ink art in Singapore. His practice is distinguished by its synthesis of Eastern philosophical depth with the chromatic and formal explorations of Western modernism.

Education
  • 1990 | Master of Fine Arts, University of Washington, Seattle, Washington, USA
  • 1977 | Master of Arts, Nanyang University, Singapore
  • 1974 | Bachelor of Arts (Hons), First Class, Nanyang University, Singapore
  • 1964 | Foundation Class, Nanyang Academy of Fine Arts, Singapore
Selected Solo Exhibitions
  • 2021 | Beyond Ink – Suzhou, iPreciation, Singapore / Zhuang Shengtao Exhibition, Hanyang Art Centre, Hangzhou, China
  • 2020 | Poetry of Colours, iPreciation, Singapore
  • 2017 | The Ink Art of Zhuang Shengtao, iPreciation, Singapore
  • 2016 | Variations In Ink, Artspace @ Helutrans, Singapore
  • 1994 | Autumn Poems, Shenn’s Fine Art, Singapore
  • 1986 | Shengtao’s Way, Alpha Gallery, Singapore
  • 1985 | Zhuang Shengtao: New Work, National Museum Art Gallery, Singapore
  • 1982 | Work in Paris, Gallery of James Tan, Singapore
  • 1980 | 2nd Solo Exhibition, Alliance Francaise, Singapore
  • 1979 | 1st Solo Exhibition, Hilton Hotel, Singapore
Selected Group Exhibitions
  • 2024 | Art SG, iPreciation, Singapore
  • 2022 | Whisper of Stars, iPreciation, Singapore
  • 2018 | Ink Expressions II: Traditions and Contestations, Artspace @ Helutrans, Singapore
  • 2011 | Ink Expressions, Gallery 3 Artspace @ Helutrans, Singapore
  • 2009 | shuimo yuehui, True Colour Museum, Suzhou, China / A Florid Movement of Harmony, in Celebration of the 15th Anniversary of China-Singapore Suzhou Industrial Park, Suzhou, China
  • 2007 | Exploration: New Ink Art Shanghai, the 3rd Shanghai Ink Biennial, Zhu Qizhan Art Museum, Shanghai, China
  • 2006 | Modern Ink of Singapore, 5th International Ink Painting Biennial of Shenzhen, Guan Shanyue Art Museum, Shenzhen, China
  • 1999 | Exposition of Arts, Shanghai, China
  • 1998 | Power and Poetry – Monuments and Meditations in Chinese Contemporary Ink Painting, Singapore Art Museum, Singapore
  • 1995 | Perception, Drawings by 6 Singaporean Artists, Cicada Gallery, Singapore
  • 1993 | Journey of Ink, Singapore National Museum Art Gallery, Singapore / 2nd ASEAN Workshop, Symposium, and Exhibition, Cultural Centre of the Philippines, Manila, Philippines
  • 1990 | Master of Fine Art Exhibition, Henry Gallery, University of Washington, Seattle, USA
  • 1987 | New Direction, Singapore Contemporary Art in the 80’s / The National Museum Centennial Art Exhibition, Singapore National Museum Art Gallery, Singapore
  • 1984 | 4th ASEAN Traveling Art Exhibitions, ASEAN Countries
  • 1983 | 3 Singaporean Artists in Australia, Raya Gallery, Melbourne, Australia
  • 1982 | 3rd ASEAN Traveling Art Exhibitions, ASEAN Countries

Baet Yeok Kuan

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Baet Yeok Kuan (b. 1961, Singapore) is a multidisciplinary artist best known for his sculptural and installation-based practice. Working across sculpture, drawing, and site-specific interventions, his work explores the relationship between form, space, and the human condition within urban and natural environments.


*Prices are subject to change without prior notice.


Biography

Baet Yeok Kuan (b. 1961, Singapore) is a leading Singaporean contemporary artist whose practice spans sculpture, installation, drawing, and public art. Over a career of more than three decades, he has consistently examined the dynamic relationship between form, space, environment, and human presence, positioning his work at the intersection of material inquiry and social consciousness.

Baet received his Diploma in Fine Arts (Painting) from the Nanyang Academy of Fine Arts in 1988, before completing a Master of Arts in Fine Art (Sculpture) at the University of Central England in Birmingham, United Kingdom, in 1992. His academic grounding in both painting and sculpture informs a practice that is conceptually rigorous and materially expansive.

He has presented numerous solo exhibitions at major institutions and galleries in Singapore and abroad, including the National Museum Art Gallery, Singapore, Sculpture Square, Art Forum Gallery, and exhibitions in the Philippines and the United Kingdom. Baet has also participated extensively in international group exhibitions and biennales across Asia, Europe, North America, and Australia, including the Asian International Art Exhibition, ASEAN travelling exhibitions, and museum presentations in Japan, South Korea, China, Germany, and Canada.

A recipient of the Young Artist Award from the National Arts Council Singapore in 1995, Baet has received numerous accolades for his contributions to contemporary art, including major prizes in sculpture and painting competitions in Singapore and internationally. His works are held in significant public and institutional collections such as the Singapore Art Museum, National Gallery Singapore (former National Museum Art Gallery), NUS Museum, Fukuoka Art Museum, Singapore Changi Airport, and various public spaces and civic institutions.

In addition to his artistic practice, Baet has played an influential role in arts education and cultural leadership. He has served as a lecturer at Nanyang Academy of Fine Arts, Nanyang Technological University (NIE), and international institutions, and has held leadership positions within key arts organisations including the Modern Art Society and the Federation of Art Societies Singapore. His longstanding commitment to mentorship, public art, and institutional development has significantly shaped Singapore’s contemporary art landscape.

Education
  • 1992 | M.A. in Fine Art (Sculpture), University of Central England in Birmingham, United Kingdom
  • 1988 | Diploma in Fine Arts (Painting), Nanyang Academy of Fine Arts, Singapore
Exhibitions

Selected Solo Exhibitions

  • 2003 | Ayala Museum, University of the Philippines Diliman, Quezon City, Philippines
  • 2002 | Dilation, Sculpture Square, Singapore
  • 1998 | INFLAMED, Sculpture and Drawing, Art Forum Gallery, Singapore
  • 1994 | Sculptures and Installations, Commonwealth Institute Today Gallery, London, UK
  • 1993 | Untitled 91–92, Sculptures and Installations, National Museum Art Gallery, Singapore
  • 1988 | One-Man Show, National Museum Art Gallery, Singapore

Selected Group Exhibitions

  • 1987 | Salon des Artistes Français, Grand Palais, Paris
  • 2017 | Juxtaposition, iPreciation Gallery, Singapore
  • 2016 | Envision: Sculptures @ the Garden City, Singapore
  • 2013 | Made in Singapore – Three Quarters of a Century, NAFA Gallery, Singapore
  • 2011 | Site-Specific Work – Sculpture in the Park, Fort Canning Park, Singapore
  • 2010 | Ex-change: China–Singapore Art Show, Shanghai & Beijing, China
  • 2009 | Remade Relived: Modern Art in Singapore, NAFA Gallery, Singapore
  • 2007 | Singapore Art Show (Invited Section), Singapore Art Museum
  • 2006 | Ex-change: Contemporary Asian Art Exhibition, Sculpture Square, Singapore
  • 2003 | Asia International Art Exhibition, Hong Kong Heritage Museum
  • 2001 | Nokia Singapore Art, Singapore Art Museum
  • 1996 | Modernity and Beyond: A Century of Art in Singapore, Singapore Art Museum
  • 1991 | Many in One: 25 Years of Art from Singapore, Traveling Exhibition, USA
Awards
  • 1995 | Young Artist Award, National Arts Council, Singapore
  • 1994 | Area Prize and Judges’ Prize, Third Tokyo Urbanart Competition, Tokyo & Singapore
  • 1994 | Second Prize, Contemporary Art Competition (Sculpture), Philippe Charriol Foundation, Singapore
  • 1990 | Honorable Mention, Sentosa Sculpture Design Competition, Singapore
  • 1989 | Second Prize, IBM Art Award Competition, National Museum Art Gallery, Singapore
  • 1987 | Grand Prize, UOB Painting of the Year Competition, National Museum Art Gallery, Singapore
  • 1985 | Merit Prize, Australian Young Artist Awards Competition, National Museum Art Gallery, Singapore
  • 1984 | First Prize, Windsor & Newton Watercolour Competition, Nanyang Academy of Fine Arts, Singapore

Lim Jia Qi

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Lim Jia Qi (林加淇) (b. 1997) is a Singaporean artist whose practice examines everyday urban spaces tied to local lifestyles—from public housing estates to domestic interiors and fragments of nature embedded within the city. Drawing from her printmaking background, she merges woodcut and painting processes to explore the quiet poetics of urban life.


Grids, 2019, 70x120cm, Acrylic and Concrete on Woodblock
*Price: $2,900.00
Shelter Under the Canopy, 2023, 100x120x2.5cm, Acrylic and Carving on Wood Panel
*Price: $3,900.00

*Prices are subject to change without prior notice.


Biography

Lim Jia Qi 林加淇 is a Singaporean contemporary artist whose practice investigates the overlooked and intimate spaces of the urban environment, particularly those embedded within everyday Singaporean life. Her works traverse public housing landscapes, domestic interiors, and urban nature, revealing a quiet poetry that emerges from spaces often taken for granted. Through careful observation, Lim frames these environments as sites of reflection, memory, and lived experience.

Trained as a printmaker, Lim adopts an expanded and experimental approach to the medium. She carves wood to create matrices that function not merely as tools for reproduction, but as autonomous pictorial surfaces. By treating the woodblock as a canvas, she blurs the boundaries between printmaking and painting, challenging conventional hierarchies of process and medium. This material-driven methodology allows chance, texture, and physical labour to play an integral role in the formation of her imagery.

Lim graduated with a BA (Hons) in Fine Arts from LASALLE College of the Arts in 2019, following a Diploma in Fine Arts in 2017. She has presented solo exhibitions at iPreciation Gallery and ION Art Gallery under the Young Talent Programme, and has participated in numerous group exhibitions in Singapore and the region, including presentations at ART SG, the Institute of Contemporary Arts Singapore, and international platforms in Southeast Asia.

Her practice has received critical attention through major publications and media outlets such as The Straits Times, Lianhe Zaobao, MUSE Magazine, and MediaCorp Channel 8. Lim is a recipient of multiple awards and scholarships, including the Young Talent Programme Solo Exhibition Prize and grants from the National Arts Council Singapore. Through her evolving body of work, Lim Jia Qi continues to invite viewers to contemplate the subtle relationships between space, memory, and daily life within the urban condition.

Education
  • 2019 | BA (Hons) in Fine Arts, LASALLE College of the Arts, Singapore
  • 2017 | Diploma in Fine Arts, LASALLE College of the Arts, Singapore
Exhibition

Solo Exhibitions

  • 2022 | Urban: Backyard《都市:後院》 – Recent Works of Lim Jia Qi, iPreciation Gallery
  • 2019 | Concrete Encounters, Young Talent Programme Winners’ Solo, Ion Art Gallery, Singapore

Group Exhibitions

  • 2023 | Spatial Narratives, Art Porters Gallery, Singapore
  • 2023 | NEW/NOW, ART SG 2023, Singapore
  • 2022 | The Celebration of Striving Creativity in Singapore, iPreciation Gallery, Singapore
  • 2021 |  paper: a December selection, AC43 Gallery, Singapore
  • 2020 |  Living in Still, iPreciation Gallery, Singapore
  • 2019 |  Asymptote, Institute of Contemporary Arts, Singapore
  • 2019 |  Jen- Why Art, Hotel Jen Manila, Philippines
  • 2018 |  Young Talent Programme, Affordable Art Fair, Singapore
  • 2018 |  You Don’t Need 100 Editions, Institute of Contemporary Arts, Singapore
  • 2018 |  LOADING.. PLEASE WAIT, Alliance Française, Singapore
  • 2017 |  THE LASALLE SHOW 2017, Institute of Contemporary Arts, Singapore
  • 2017 |  Buku Mini 2, Ace House Collective, Jogjakarta, Indonesia
  • 2017 |  In Hindsight, Brother Joseph McNally Gallery, Singapore
  • 2017 |  In Search of Ground: A Retrospective of the Local, LASALLE College of the Arts, Singapore 2016   Conversation between the echoes, Brother Joseph McNally Gallery, Singapore
Awards
  • 2019 |  Presentation & Participation Grant, National Arts Council, 2019
  • 2018 |  Young Talent Programme 18/19 Solo Exhibition prize
  • 2017 |  Ngee Ann Kongsi Scholarship, BA (Hons) in Fine Arts AY2017/2018
  • 2017 |  LASALLE Award for Academic Excellence 2017
  • 2016 |  LASALLE Scholarship, Diploma in Fine Arts AY 2016/2017
  • 2015 |  30 Art Friends II Scholarship, Diploma in Fine Arts AY 2015/2016

Vincent Leow

Vincent Leow (b. 1961, Singapore) has been teaching at the School of the Arts, Singapore since 2013. Leow received his Diploma in Fine Art, Sculpture from LASALLE, College of the Arts in 1987 and his Master of Fine Art from Maryland Institute College of Art, Baltimore, USA in 1991. In 2005, Leow attained his Doctorate of Fine Art from the Royal Melbourne Institute of Technology, Melbourne, Australia. Leow consistently questions and pushes the boundaries of the roles of artists, and develops his perspectives through various media, ranging from painting, drawings, sculpture, installation, printmaking, conceptual and performance art.

Green Hare 2012 100x120cm Oil on Canvas
*Price: $16,000.00

*Prices are subject to change without prior notice.


Vincent Leow
Bio

Vincent Leow (b. 1961) is a visual artist known for his use of mixed media to interrogate the role of the artist and art-making in contemporary society, interspersed with his own personal observations and experiences. Vincent expresses his work through a range of mediums and genres, including sculpture, painting, printmaking, drawing, video, and more. With the various social and communal contexts integrated into his works, he was able to push his artistic practice to the public forefront and inspire others. After graduating from LASALLE College of the Arts (1987), he obtained an MA in Fine Art (1991) in the USA and completed his Doctorate in Fine Art in 2005 (R MIT, Melbourne, Australia). Vincent has spent close to 30 years educating the younger generation in visual arts. He was previously teaching at LASALLE College of the Arts, serving as Head of Sculpture Department from 1992 to 1996, and Senior Lecturer for the MA in Fine Arts programme from 2003 to 2007. From 2008 to 2013, he was Associate Professor at Sharjah University College of Fine Arts in the UAE. Currently, Vincent teaches at School of the Arts (SOTA). Vincent was active in The Artists Village (TAV), an artist collective that has been taking the lead in conceptual and experimental artmaking in Singapore since the mid-80s. A decade later, he co-founded the collective Plastique Kinetic Worms (PKW) and served as its Artistic Director in exhibitions and programmes in Singapore and Southeast Asia. Vincent was the recipient of scholarships and awards from the National Arts Council, the Mount Royal Scholarship, as well as the Japanese Chamber of Commerce and Industry (JCCI) Culture Award (2002). In addition, Vincent’s works have been acquired by both private collectors as well as institutions such as the National Gallery Singapore, NUS Museum, Singapore Art Museum, and Fukuoka Art Museum. Vincent has participated extensively in various group exhibitions such as the Chiang Mai Social Installation (1995); the 9th Indian Triennale of Contemporary Art (1997); and Singapore Children’s Biennale (2017), National Gallery Singapore. Some of Vincent’s prominent solo exhibitions since 1991 include Tags & Treats: Works by Vincent Leow at Singapore Art Museum (2010); For Andy’s Pranks & Swimming Lessons at Xin Beijing, China (2007) and Vincent Leow: Recent Paintings (1991), United States. Vincent has also represented Singapore on numerous international platforms, most notably at the Singapore Pavilion of the 52nd Venice Biennale (2007).

Au Ka Wai

Au Ka Wai (歐家威)(b. 1973, Hong Kong) is a contemporary artist whose practice spans painting, sculpture, and experimental forms. Trained in Hong Kong and London, his work explores perception, materiality, and spatial experience. He is a recipient of the Vermont Studio Center Freeman Fellowship and has exhibited internationally.

Saam Sing 三星 2013 101x101cm Paper
*Price: $18,000.00
Maa Soeng Gaa Gun 馬上加官 2013 101x101cm Paper
*Price: $18,000.00
Deoi Gam Zaau 對金抓 2013 101x101cm Paper
*Price: $18,000.00

*Prices are subject to change without prior notice.


Biography

Au Ka Wai (b. 1973, Hong Kong) is a contemporary artist whose practice encompasses painting, sculpture, and experimental art forms, marked by a sustained inquiry into perception, materiality, and spatial experience. His work reflects an early engagement with both Eastern philosophical thought and Western conceptual approaches, resulting in a practice that is contemplative, process-driven, and formally rigorous.

Au received his Bachelor of Fine Arts from the Chinese University of Hong Kong in 1996, followed by a Master of Fine Arts from Chelsea College of Art & Design, London, in 2000. His academic training in Hong Kong and the United Kingdom provided a critical foundation for his cross-disciplinary approach and sensitivity to context, scale, and audience experience.

He has presented solo exhibitions at major cultural institutions in Hong Kong, including the Hong Kong Cultural Centre Exhibition Gallery and Sir Run Run Shaw Hall, and has participated in numerous group exhibitions internationally. These include the International Festival of Experiment and Performance Art in St. Petersburg, Russia, as well as curated exhibitions in Hong Kong and Singapore.

In recognition of his artistic contribution, Au was awarded the Urban Council Fine Arts Award at the Contemporary Hong Kong Art Biennial in 1996, and later the Vermont Studio Center Freeman Fellowship in 2002. Through his evolving practice, Au Ka Wai continues to investigate the boundaries between form, space, and experience, positioning his work within broader conversations on contemporary art in the region and beyond.

Education

2000 | Masters in Fine Arts, Chelsea College of Art & Design, London, UK

1996 | Bachelors in Fine Arts, the Chinese University of Hong Kong, Hong Kong

Exhibition

Selected Solo Exhibitions

1996 | Yathabhutadarsana, Hong Kong Cultural Centre Exhibition Gallery, Hong Kong

1995 | Exhibition by Au Ka Wai, Sir Run Run Shaw Hall, Chinese University of Hong Kong, Hong Kong

1995 | Art Exhibition by Au Ka Wai, Hong Kong Cultural Centre Exhibition Gallery, Hong Kong

Selected Group Exhibitions

1999 | Public – Sculpture – Exhibition, Agfa Gallery, Fringe Club, Hong Kong

2012 | Four Symbols . Eight Faces, iPreciation, Hong Kong

2002 | Cheung Yee and Hong Kong Contemporary, iPreciation, Singapore

2000 | The 3rd International Festival of Experiment and Performance Art, Manege Central Exhibition Hall, St. Petersburg, Russia

2000 | Chelsea 2000, MA Graduation Show, Chelsea College of Art & Design, London, UK

Awards

2002 | Vermont Studio Center Freeman Fellowship, USA

1996 | Contemporary Hong Kong Art Biennial 1996, Urban Council Fine Arts Awards, Hong Kong

Irene Chou

Irene Chou (周綠雲) (b.1924–2011) was a key pioneer of the Hong Kong New Ink movement. Blending abstraction, gesture, and spiritual inquiry, she transformed traditional ink into an expressive modern language, now held in major international museum collections.

No.14, Life is a Many Splendoured Thing, 2006, 68x68cm, 111.5×111.5cm (Black Frame), Ink and Colour on Paper
*Price: $35,000.00

*Prices are subject to change without prior notice.


Biography

Irene Chou (周綠雲) (1924–2011) was a pioneering figure of the Hong Kong New Ink movement and one of the most important female artists in modern Chinese ink history. Born in Shanghai and later based in Hong Kong and Australia, Chou transformed traditional ink painting into a deeply personal, spiritual, and abstract visual language. Her work explores the inner cosmos of the mind, drawing upon Zen Buddhism and Daoist philosophy to express emotion, transcendence, and the mysteries of existence.

Educated at St. John’s University, Shanghai, Chou received formative guidance from Zhao Shao’ang of the Lingnan School and Lui Shou-kwan, whose New Ink theories inspired her radical departure from convention. From the 1970s onwards, she developed a distinctive vocabulary using splash ink, layered piled ink, pointillist textures, and later, her signature one-stroke technique, through which gesture and energy became carriers of inner truth. Following personal loss in the late 1970s, her work evolved from somber tonalities into powerful, expansive abstractions marked by rhythmic vitality and luminous intensity.

Chou held numerous solo exhibitions internationally and was the subject of major retrospectives at institutions such as the University Museum and Art Gallery, University of Hong Kong, Hong Kong Arts Centre, Asia Society Hong Kong, and leading galleries in Hong Kong, Europe, Australia, and Singapore. Her works are housed in prestigious public collections including the British Museum, Boston Museum of Fine Arts, Ashmolean Museum, University of Oxford, M+ Hong Kong, Hong Kong Museum of Art, Queensland Art Gallery, and major institutional and private collections worldwide.

Recognised with multiple awards during her lifetime, Irene Chou’s legacy endures as a cornerstone of modern ink art. Her fearless experimentation and introspective vision secured her place as one of the most innovative and influential artists of her generation, redefining ink painting as a medium of boundless psychological and spiritual depth.

Education

1945 | BA in Economics at St. John’s University, Shanghai

Exhibitions

Selected Solo Exhibitions

  • 2021 | As Clouds – Ink Paintings of Irene Chou, iPreciation, Singapore
  • 2019–2020 | Irene Chou Rediscovered: Paintings from the M. K. Lau Collection, Duddell’s, Hong Kong
  • 2019 | A World Within – The Art and Inspiration of Irene Chou, 20th Century Chinese Female Artist Series, Asia Society Hong Kong Centre, Hong Kong
  • 2008 | Irene Chou 84, Hanart TZ Gallery, Hong Kong
  • 2008 | Life is a Many Splendoured Thing, iPreciation, Singapore
  • 2007 | Life is a Many Splendoured Thing, The Rotunda, Exchange Square Central by iPreciation, Hong Kong
  • 2006 | Universe of the Mind – Irene Chou a Retrospective Exhibition, University Museum and Art Gallery, University of Hong Kong, Hong Kong
  • 2006 | New Paintings by Irene Chou, Hanart TZ Gallery, Hong Kong
  • 2004 | Irene Chou at Eighty, Hanart TZ Gallery, Hong Kong
  • 2004 | From Representation to Revelation: The Transitional Works (1950-1990) of Irene Chou, Grotto Fine Art, Hong Kong
  • 2004 | The Universe is My Heart – Exhibition by Irene Chou, Pao Galleries, Hong Kong Arts Centre, Hong Kong
  • 2003 | Winter Solstice, iPreciation, Singapore
  • 2003 | My Universe, iPreciation, Singapore
  • 2003 | The Universe is My Heart, My Heart is the Universe, Hong Kong Arts Centre, Hong Kong
  • 2000 | The Universe is My Mind, Hanart TZ Gallery, Hong Kong
  • 1999 | Solo Exhibition, Philip Bacon Gallery, Australia
  • 1998 | Solo Exhibition, Rotunda, Exchange Square, Hong Kong
  • 1997 | Irene Chou Painting Exhibition, (Solo exhibition), Hong Kong Bank Building, Brisbane, Australia
  • 1996 | Ancient Traditions, New Images, Philip Bacon Galleries, Brisbane, Australia
  • 1996 | Works by Irene Chou, Lyric Lounge, Queensland Performing Art Complex, Brisbane
  • 1995 | The Cosmic Vision of Zhou Luyun, Cat Street Galleries, Hong Kong
  • 1994 | The Kenneth and Yasuko Myer Collection of Contemporary Asian Art, Myer Centre, Brisbane
  • 1994 | Solo Exhibition, Taipei Art Museum, Taipei
  • 1991 | Solo Exhibition, Godfrey Far East Art, London
  • 1989 | Solo Exhibition, Hanart TZ Gallery, Hong Kong
  • 1988 | Solo Exhibition, Hanart Gallery, New York
  • 1987 | Solo Exhibition, Leal Senado, Museum Luis de Camoes, Macau
  • 1986 | Solo Exhibition, Fung Ping Shan Museum, University of Hong Kong, Hong Kong
  • 1985 | Solo Exhibition, Charlotte Horstmann and Gerald Godfrey, Hong Kong
  • 1983 | Solo exhibition, City Gallery, Manila
  • 1981 | Solo exhibition, Raya Gallery, Melbourne
  • 1977 | Solo exhibition, Raya Gallery, Melbourne
  • 1976 | Solo exhibition, Quorium Galleries, Hong Kong
  • 1970 | Solo exhibition, US Cultural Centre, Hong Kong
  • 1968 | Solo exhibition, Hong Kong City Hall, Hong Kong

Selected Group Exhibitions

  • 2021 | Art for Everyone at HKMoA, City-wide art campaign, Hong Kong
  • 2020 | UNSCHEDULED, Hong Kong Art Gallery Association, Tai Kwun, Hong Kong
  • 2019 | iPreciation 20th Anniversary: Reverie Collection – 25 Years of Art Collecting Journey, iPreciation, Singapore
  • 2019 | iPreciation at Taipei Dangdai 2019, Taipei Nangang Exhibition Center, Taipei, Taiwan
  • 2019 | A Tribute to Irene Chou, Ink Society at Ink Asia 2019, Hong Kong
  • 2019 | One Art Group – Pioneers of Ink Art, Galerie du Monde, Hong Kong
  • 2018 | iPreciation at Fine Art Asia 2018, Hong Kong Convention and Exhibition Centre, Wan Chai, Hong Kong
  • 2018 | HOPE A charity exhibition celebrating the works of outstanding contemporary Chinese women artists
  • 2015 | A Legacy of Ink: Lui Shou-kwan 40 Years On, Hong Kong Arts Centre, Alisan Fine Arts, Hong Kong
  • 2013 | Hong Kong Masters, Rossi & Rossi Ltd, London, U.K
  • 2012 | A tribute to Hong Kong Masters, Hanart TZ Gallery, Hong Kong
  • 2010 | De la Chine, entre Tradition et Modernite, Galerie F. Helser, Luxembourg
  • 2008 | Hong Kong Art: Open Dialogue Exhibition Series II – New Ink Art: Innovation and Beyond, curated by Alice King, Hong Kong Museum of Art, Hong Kong
  • 2007 | The Norman W. M Ko Collection of Hong Kong Art, 2007, University Museum and Art Gallery, The University of Hong Kong, Hong Kong
  • 2007 | The New Face of Ink Painting: Modern Ink Painting Group Exhibition, Central Plaza, Hong Kong
  • 2006 | Contemporary Hong Kong Ink Painting Exhibition, Hong Kong Central Library, Hong Kong
  • 2004 | Reconciliation Art Works, Multicultural Community Centre, Brisbane
  • 2002 | Chinese Paintings from the Khoan and Michael Sullivan Collection, Ashmolean Museum, University of Oxford, Oxford, United Kingdom
  • 2002 | Artists in the Neighbourhood Scheme II Launching Exhibition, Hong Kong Central Library, Hong Kong
  • 2002 | Hong Kong Cityscapes – Ink Painting in Transition, Hong Kong Festival, London, United Kingdom
  • 2001 | Multicultural Women’s Business Exhibition, Australia/ In Celebration of Art – Hong Kong Arts Centre 25th Anniversary Exhibition, Hong Kong Arts Centre, Hong Kong
  • 1999 | Sculpting Nature, Hanart TZ Gallery, Hong Kong
  • 1996 | Annandale Art Gallery, Sydney
  • 1995 | Lui Shou-kwan (1919-1975) and His School, Hong Kong Arts Centre, Alisan Fine Arts, Hong Kong
  • 1995 | Lingo – Getting the Picture, Brisbane City Hall, Brisbane, Australia
  • 1994 | Art Asia 1994, Hong Kong International Fine Art Expositions, Hong Kong
  • 1994 | The 25th Anniversary Exhibition of One Art Group, City Hall, Hong Kong
  • 1993 | Inaugural Exhibition of the Asia-Pacific Triennial of Contemporary Art, Queensland Art Gallery, Brisbane
  • 1993 | Art Asia 1993, Hong Kong International Fine Art Expositions, Hong Kong
  • 1992 | Chinese Art 1992, Godfrey Far East Art, London, United Kingdom
  • 1992 | Contemporary Hong Kong Art Biennial, Hong Kong Museum of Art
  • 1991 | Recent Paintings of Irene Chou and Hon Chi-Fun, The Rotunda, Exchange Square, Hong Kong
  • 1991 | Six Contemporary Chinese Women Artists, San Francisco
  • 1991 | Art Works of Hong Kong Women Artists, The Hong Kong Institute for Promotion of Chinese Culture
  • 1990 | Art Works of Hong Kong Women Artists, The Hong Kong Institute for Promotion of Chinese Culture, Hong Kong
  • 1989 | Exhibitions of 19th and 20th Century and Modern Chinese Paintings, Sotheby’s Hong Kong and Christie’s Swire, Hong Kong (to 1993)
  • 1989 | The Fourth Asian International Art Exhibition, Seoul Metropolitan Museum of Art
  • 1989 | Thirteen Well-Known Hong Kong Painters, Nagoya
  • 1988 | The XXII International Prix of Contemporary Art, Monte Carlo, Monaco
  • 1988 | Hong Kong Modern Art, National Art Museum of China, Beijing, China
  • 1988 | Ink Paintings by Hong Kong Artists, Barbican Centre, London, United Kingdom
  • 1987 | Ten Years of Hong Kong Painting, Hong Kong Art Centre, Hong Kong
  • 1987 | Reality & Infinity-with Koo Mei, Alisan Fine Arts, Hong Kong
  • 1986 | University Art Collection Show, Fung Ping Shan Museum, The University of Hong Kong, Hong Kong
  • 1986 | Art’ 86, Hong Kong Museum of Art, Hong Kong
  • 1986 | Hong Kong International Contemporary Ink Paintings, The Chinese University of Hong Kong, Hong Kong
  • 1985 | Contemporary Hong Kong Art Biennial, Hong Kong Museum of Art, Hong Kong
  • 1985 | Foundation Prince Pierre de Monaco Exhibition, Monte-Carlo National Museum, Monaco
  • 1985 | Shui Mo – The New Spirit of Chinese Tradition, Hong Kong Arts Centre, Hong Kong
  • 1984 | Academy Award Winner’s Exhibition, Hong Kong Museum of Art, Hong Kong
  • 1983 | Art 1983, Fung Ping Shan Museum, University of Hong Kong, Hong Kong
  • 1983 | The Experience of Art, Hugh Moss Collection, Hong Kong
  • 1983 | Contemporary Art of the Eighties, Hong Kong Art Centre, Hong Kong
  • 1983 | Woman Artists’ Show, Hong Kong Women’s Art Council, Hong Kong
  • 1982 | Contemporary Art from Hong Kong, Metropolitan Museum of Manila
  • 1982 | Exhibition of International Association of Ink Painters, Taiwan, Singapore, Malaysia, Seoul
  • 1982 | Contemporary Vision of Landscape, Hong Kong Museum of Art, Hong Kong
  • 1981 | Art 1981, Fung Ping Shan Museum, University of Hong Kong, Hong Kong
  • 1981 | Contemporary Art of Chinese Intellectuals, Hong Kong City Hall, Hong Kong
  • 1981 | Inaugural Exhibition, Japan! International Artists Society
  • 1980 | One Art Group Exhibition, National Museum of History, Taipei
  • 1980 | Hong Kong Art, Yolanda Gallery, Chicago
  • 1979 | One Art Group Exhibition, National Museum, Singapore
  • 1979 | New Raya Inaugural Exhibition, Raya Gallery, Melbourne
  • 1979 | Hong Kong Art, Australia
  • 1978 | Art’ 78, Fung Ping Shan Museum, University of Hong Kong, Hong Kong
  • 1978 | One Art Group Show, Hong Kong
  • 1977 | First Choice Hong Kong Exhibition, Hong Kong (annually until 1986)
  • 1977 | Hong Kong Arts Centre Inaugural Exhibition, Hong Kong Arts Centre, Hong Kong
  • 1977 | Women Artists, Hong Kong City Hall, Hong Kong
  • 1977 | Art-The Visual Experience, Hong Kong
  • 1976 | Critics’ Choice, St. John Hall, Hong Kong
  • 1976 | Art’ 76, Fung Ping Shan Museum, University of Hong Kong, Hong Kong
  • 1975 | Cleveland International Drawing Biennial, London
  • 1975 | Contemporary Hong Kong Art, Hong Kong Museum of Art, Hong Kong
  • 1975 | Five Artists Exhibition, National Taiwan Arts Centre, Taiwan
  • 1975 | Hong Kong Artists 1975, St. John’s Hall, Hong Kong
  • 1975 | Hong Kong Painters, Luz Gallery, Manila
  • 1974 | Contemporary Hong Kong Art, Hong Kong Art Festival, Hong Kong
  • 1973 | Chinese Ink Painting, Fung Ping Shan Museum, University of Hong Kong
  • 1973 | Contemporary Hong Kong Art Exhibition, City Hall Museum and Art Gallery, Hong Kong
  • 1973 | Five Contemporary Chinese Artists, Mavis Chapman Gallery, Sydney, Australia
  • 1972 | International Society of Plastic and Audio-Visual Art (ISPAA). Hong Kong, Taiwan, Japan, Korea
  • 1972 | Contemporary Hong Kong Art, Pacificulture Asia Museum, Pasadena, California
  • 1972 | One Art Group, City Hall, Hong Kong
  • 1972 | Art Now Hong Kong, Evansville Museum, Indiana
  • 1971 | Art Now Hong Kong, London, Edinburgh, Bristol, Manchester, United Kingdom
  • 1971 | Contemporary Chinese Ink Painters, Lee Nordness Gallery, New York, United States
  • 1970 | 202nd The Royal Academy Summer Exhibition, The Royal Academy of Arts, London, United Kingdom
  • 1969 | 201st The Royal Academy Summer Exhibition, The Royal Academy of Arts, London, United Kingdom
  • 1969 | Contemporary Hong Kong Art, City Hall Museum and Art Gallery, Hong Kong
  • 1968 | In Tao Art Association, City Hall, Hong Kong
  • 1968 | Contemporary Hong Kong Art, City Museum and Art Gallery, Hong Kong
Awards
  • 1988 | Hong Kong Artists’ Guild Painter of the Year Award
  • 1983 | Urban Council Fine Arts Award for Painting (Chinese Media)
  • 1972 | Pacificulture Asia Museum Fine Art Award
Selected Collections
  • Ashmolean Museum, University of Oxford, United Kingdom
  • British Museum, London, United Kingdom
  • Museum of Fine Arts, Boston, USA
  • Hong Kong Museum of Art, Hong Kong
  • The University of Hong Kong, Hong Kong
  • Chinese The University of Hong Kong, Hong Kong
  • University Museum and Art Gallery, The University of Hong Kong (formerly known as Fung Ping Shan Museum), Hong Kong
  • Norman W. M. Ko Collection, Hong Kong
  • M. K. Lau Collection, Hong Kong
  • M+, Hong Kong
  • Queensland Art Gallery, Brisbane, Australia
  • National Museum of History, Taipei, Taiwan
  • National Taiwan Museum of Fine Arts, Taichung, Taiwan
  • National Art Gallery, Manila, Philippines
  • City Gallery, Manila, Philippines
  • Raya Gallery, Melbourne, Australia
  • Hong Kong Land, Hong Kong

Wang Tiande

^ Click on the image to view the full Artist Profile.

Wang Tiande (王天德) (b. 1960) redefines Chinese ink art. Trained traditionally, he employs burning, layering, and piercing to explore time and memory. His work, featured in solo exhibitions worldwide, is held in major museum collections, including the Met and the British Museum.

Spring Hills by Shallow Waters, 2023, 150.8×48.6cm, Ink, Flame on Paper
*Price: $45,000.00

*Prices are subject to change without prior notice.


Biography

Wang Tiande (王天德) (b. 1960, Shanghai, China) is a leading figure in contemporary Chinese ink art, renowned for redefining the relationship between calligraphy, painting, and conceptual practice. Trained in traditional Chinese painting and calligraphy, Wang extends ink beyond brush and paper, incorporating acts of burning, piercing, and inscription to explore themes of time, memory, impermanence, and spiritual reflection. His works occupy a meditative space where absence and presence, destruction and creation, coexist.

Wang holds a Ph.D. in Calligraphy from the China Academy of Art and a BFA in Chinese Painting from the Zhejiang Fine Arts Academy. He has presented major solo exhibitions at prominent institutions and galleries worldwide, including the Palace Museum, Beijing, Suzhou Museum, Guangdong Museum of Art, Today Art Museum, Chambers Fine Art (New York), Alisan Fine Arts (Hong Kong), and iPreciation, Singapore. His work has been featured in landmark international exhibitions such as Inside Out: New Chinese Art and major ink biennales and museum surveys across Asia, Europe, and North America.

Wang’s works are held in prestigious public and corporate collections, including the British Museum, Metropolitan Museum of Art, Art Institute of Chicago, Los Angeles County Museum of Art, Asian Art Museum of San Francisco, Brooklyn Museum, National Art Museum of China, Hong Kong Museum of Art, Shanghai Museum, Boston Museum of Fine Arts, and the JP Morgan and Fidelity Investments art collections. His practice occupies a pivotal position in the global discourse on contemporary ink, bridging literati tradition with conceptual and material experimentation.

Education

2006 | Ph.D. in Calligraphy, China Academy of Art (2006)

1988 | BFA in Chinese Painting, Zhejiang Academy of Fine Arts (now China Academy of Art)

Exhibitions

Selected Solo Exhibitions (Recent Highlights)

2021 – WS SPACE, Shanghai
2020 – iPreciation, Singapore
2019 – Ink Studio, Beijing
2018 – Alisan Fine Art, Hong Kong
2017 – Guangdong Museum of Art
2015 – The Palace Museum, Beijing
2014 – Suzhou Museum / Today Museum, Beijing
2009 – Spencer Museum of Art, Kansas, USA

Selected Group Exhibitions (Recent Highlights)

2022 – Qualia Contemporary Art, California / iPreciation, Singapore
2021 – Los Angeles County Museum of Art / New-York Historical Society / Hong Kong Museum of Art
2019 – Brooklyn Museum, New York / Art Basel Hong Kong
2018 – Cantor Arts Center, Stanford University
2017 – Yinchuan Museum of Contemporary Art
2008 – The Metropolitan Museum of Art, New York
1998-99 – Inside Out: New Chinese Art (PS1, SFMOMA, others)

Wang Dongling

^ Click on the image to view the full Artist Profile.

Wang Dongling (b. 1945) is a seminal figure in contemporary Chinese calligraphy. He transforms the art through his pioneering “chaos-script,” dissolving legibility into dynamic fields of gesture and performance. His large-scale works and live performances have been presented at major institutions like the British Museum and the Metropolitan Museum of Art. A recipient of significant honors like the Orchid Pavilion Prize, his practice redefines the boundaries of ink and calligraphy on a global stage.


*Prices are subject to change without prior notice.


Biography

Wang Dongling (王冬龄) (b. 1945, Rudong, Jiangsu Province, China) is a seminal figure in contemporary Chinese calligraphy whose practice has fundamentally redefined the expressive and conceptual boundaries of ink. Grounded in classical calligraphic training and informed by modern abstraction, Wang transforms written language into expansive fields of movement, rhythm, and energy. His pioneering chaos-script (luanshu) dissolves legibility in favour of gesture and temporality, positioning calligraphy as a performative, time-based art form that unfolds through body, space, and breath.

Educated at Nanjing Normal University and the Zhejiang Academy of Fine Art (now China Academy of Art), Wang has held major solo exhibitions and live calligraphic performances at leading institutions worldwide, including the British Museum, Metropolitan Museum of Art, Art Institute of Chicago, National Gallery Singapore, and Zhejiang Art Museum. His work has been featured in significant international museum exhibitions and biennales across Asia, Europe, and North America. Widely honoured with major accolades such as the Orchid Pavilion Prize and the Jeollabuk-do Biennale Grand Prix, Wang’s practice occupies a pivotal position in the global discourse on contemporary ink and calligraphy.

Education
  • 1966 | B.A. Fine Art Department of Nanjing Normal University, Nanjing, China
  • 1981 | M.A. Calligraphy Department of Zhejiang Academy of Fine Art (now China
  • Academy of Art), Hangzhou, China
Selected Solo Exhibitions
  • 2023 | Wang Dongling: Ink.Space.Time, The Heong Gallery, Downing College, Cambridge, UK
  • Wang Dongling: Entangled Energies, Hanart TZ Gallery, HK
  • 2021 | From Inception: Wang Dongling 60 Years of Calligraphy, Zhejiang Art Museum, China
  • 2020 | The Way, iPreciation, Singapore
  • 2019 | Public performance of chaos-script (luanshu) calligraphy, National Gallery of Singapore, Singapore
  • 2018 | Along the Great Path – A Solo Exhibition of Wang Dongling’s Calligraphic Repertoire, Public performance of chaos-script (luanshu) calligraphy, iPreciation, Singapore
  • Wang Dongling: Poetry and Painting, Chambers Fine Art, New York, USA
  • Wang Dongling, The Art Institute of Chicago, Chicago, USA
  • 2017 | Poetic Rainbow: The Calligraphy of Wang Dongling, Hanart TZ Gallery, HK
  • Wang Dongling: The Bamboo Path, OCT Art and Design Gallery (Shen Zhen), Shenzhen, China
  • Public performance of chaos-script (luanshu) calligraphy, Asia Society New York, New York, USA
  • 2016 | Public performance of chaos-script (luanshu) calligraphy, Vancouver Art Gallery, Vancouver, Canada
  • Public performance of chaos-script (luanshu) calligraphy, Library and Archives Canada, Vancouver, Canada
  • Between Heaven and Heart, Imperial Ancestral Temple Art Museum, Beijing, China
  • Public performance of calligraphy, Guiyang Confucius Academy, Guiyang, China
  • Wang Dongling: Contemporary Calligraphy, Gus Fisher Gallery, Auckland, New Zealand
  • Public performance of chaos-script (luanshu) calligraphy, British Museum, London, UK
  • Public performance of chaos-script (luanshu) calligraphy, Victoria and Albert Museum, London, UK
  • Public performance of chaos-script (luanshu) calligraphy, Imperial Ancestral Temple / Art Museum, Beijing, China
  • 2015 | “The Heart Sutra in Chaos Script,” public calligraphy performance, Brooklyn Museum, New York, USA
  • Public calligraphy performance, Universität Hamburg, Hamburg, Germany
  • “Drinking by the Lake: Clear Sky followed by Rain’ by Su Shi,” public calligraphy performance, Apple Store West Lake, Hangzhou, China
  • Writing Non-Writing: Calligraphic Works by Wang Dongling, Sanshang Contemporary Art Museum, Hangzhou, China
  • Wang Dongling · The Heart Sutra, Wenzhou Contemporary Art Museum, Wenzhou, China
  • New Works, Chambers Fine Art, New York, USA
  • 2014 | Public performance of monumental cursive-script calligraphy, Nordiska Akvarellmuseet, Skärhamn, Sweden
  • Public performance of monumental cursive-script calligraphy, Metropolitan Museum, New York, USA
  • Beside the Ancient Road, Jinwan Faculty of Humanities of Tianjin Water Park, Tianjin, China
  • The Moon over the River on a Spring Night: The Art of Calligraphy by Wang Dongling, Hong Kong Museum of Art, Hong Kong S.A.R., China
  • Small Calligraphic Works by Wuzhai, Jingcai Gallery, Hangzhou, China
  • 2013 | Wang Dongling: The Origins of Abstraction, Ink Studio, Beijing, China
  • Wang Dongling: Brushing the Ties, Hanart TZ Gallery, Hong Kong S.A.R., China
  • Calligraphy Performance and New Media, City University of Hong Kong, Hong Kong S.A.R., China
  • The Moon over the River, Wang Dongling Public Performance of Calligraphy, Hong Kong Museum of Art, Hong Kong S.A.R., China
  • 2012 | Decanter Ink: Hangzhou Cross-year Exhibition – Wang Dongling Solo Exhibition, Sanshang Art Museum, Hangzhou, China
  • 2011 | Wang Dongling: The Daoism of Calligraphy, Zhejiang Museum of Art, Hangzhou, China
  • 2009 | Public Calligraphy Performance, Royal Museums of Fine Arts of Belgium, Belgium
  • 2007 | Share the Peripatericism: Calligraphy Exhibition by Wang Dongling, National Art Museum of China, Beijing, China
  • 2006 | “Preface to the Riverside Gathering” (Linhe Xu), public calligraphy performance, Lanting International Calligraphy Festival, Shaoxing, China
  • 2003 | Calligraphy by Wang Dongling, Yilanzhai Art Museum, Nanjing, China / Calligraphy by Wang Dongling, Chinese University of Hong Kong, Hong Kong S.A.R., China
  • 2002 | Works of Wang Dongling, Goedhuis Gallery, New
  • York, USA
  • 2001 | It is Not Calligraphy, Ethan Cohen Fine Arts Gallery, New York, USA / Writing With Ease, Jincai Gallery, Hangzhou, China / Calligraphy of Wang Dongling, Lanting International Calligraphy Festival, Shaoxing, China
  • 1999 | Calligraphy by Wang Dongling, Shenzhen Art Museum, Shenzhen, China
  • 1998 | Calligraphy by Wang Dongling, D.P. Fong Gallery, San Jose, USA / Muthesius Hochschule & Polytechnic School for Art, Kiel, Germany
  • 1997 | Calligraphy by Wang Dongling, Nagoya Zie Mien Gallery, Nagoya, Japan
  • 1994 | Wang Dongling: Calligraphy and Painting, National Art Museum of China, Beijing, China
  • 1993 | Calligraphy by Wang Dongling, International Press, Tokyo, Japan
  • 1992 | Calligraphy by Wang Dongling, Minnesota State Exhibition Center, Minneapolis, USA / Calligraphy by Wang Dongling, D.P. Fong Gallery, San Jose, USA
  • 1991 | Calligraphy by Wang Dongling, University of California, Santa Cruz, USA / Calligraphy by Wang Dongling, North Dakota Museum of Art, Grand Forks, North Dakota, USA
  • 1990 | Calligraphy by Wang Dongling, University of Minnesota, St. Paul, USA / Calligraphy by Wang Dongling, D.P. Fong Gallery, San Jose, USA / Calligraphy by Wang Dongling, Montreal University, Montreal, Canada
  • 1989 | Public Performance of Calligraphy, Stanford University, US / Calligraphy by Wang Dongling, Krannert Art Museum, University of Illinois, Urbana-Champaign, USA / Calligraphy by Wang Dongling, Macalester Gallery, St. Paul, USA / Calligraphy by Wang Dongling, University of Kansas, Kansas, USA / Calligraphy by Wang Dongling, University of Minnesota, St. Paul, USA / Calligraphy by Wang Dongling, Art School of Santa Cruz, Santa Cruz, USA
  • 1987 | Calligraphy by Wang Dongling, China Academy of Art, Hangzhou, China / Calligraphy Exhibition of Wang Dongling, National Art Museum of China, Beijing, China
Selected Group Exhibitions
  • 2023 | The Rabbit Project, Chambers Fine Art, New York, USA / Global INK: INKstudio’s Ten Year Anniversary Exhibition, Ink Studio, Beijing, China
  • 2022 | Whisper of Stars, iPreciation, Singapore / The innovation of Ink: Transformation and Reinvention of Oriental Aesthetics, Sands Gallery, Macao, China
  • 2020 | The Illustrated Word: Artwork Inspired by Calligraphy, Chambers Fine Art, New York, USA
  • 2018 | Gestures, Christie’s, Hong Kong / Mind Temple, Museum of Contemporary Art, Shanghai, China / New Ink Art in China 1978-2018, Minsheng Art Museum, Beijing, China
  • 2017 | Boundless: On Going Chinese Ink Art, Art Museum of Sichuan Fine Arts Institute, Chongqing, China / The Unusual West Lake: The First Art Scene of West Lake Photo Exhibition, CAA Art Museums, Hangzhou, China
  • 2016 | Open Books: International Artists Explore the Chinese Folding Book, Library and Archives Canada, Vancouver, Canada / Shan Shui A Manifesta, Gong Wang Art Museum, Hangzhou, China / Shan Shui Within, Museum of Contemporary Art, Shanghai, China / Light Writers 2016, Light Gallery, Hangzhou, China
  • 2015 | 10th World Calligraphy Biennale of Jeollabukdo, Jeonju, Korea / Magic Mountains, Hong Kong S.A.R., China / Hangzhou International Modern Calligraphy Exhibition and Writing Nor-writing Document Exhibition, Museum of Contemporary Art of CAA, Hangzhou, China / China 8 – Contemporary Art from China at Rhine & Ruhr, Kunstmuseum, Gelsenkirchen, Germany
  • 2014 | Kochi-Murizis Biennale – Collateral Project “Janela-Migrating Forms and Migrating Gods,” Mill Hall Compound, Kochi, India / Orchid Pavilion Calligraphy Biennial, Zhejiang Art Museum, Hangzhou, China / Guanshan Gathering: Works by Zheng Shengtian and Wang Dongling, Chambers Fine Art, New York, USA / Ink and the Body, Ink Studio, Beijing, China / China’s Changing Landscape—Contemporary Chinese Ink, Nordiska Akvarellmuseet (Nordic Watercolour Museum), Goteborg, Sweden
  • 2013 | Ink Art: Past as Present in Contemporary China, Metropolitan Museum, New York, USA / Beyond Black and White: Chinese Abstract Ink, Pearl Lam Galleries, Shanghai, China / Guanshan Gathering: Works by Zheng Shengtian and Wang Dongling, Chambers Fine Art, Beijing, China
  • 2012 | Images and Words: Since Magritte Era, Chinese Art Museum, Beijing, China / Inner and Outer Transformation: A View on Chinese Contemporary Art, Istanbul Modern, Istanbul, Turkey / Textual Logic: Works by Wang Dongling, Qiu Zhenzhong and Xu Bing, He Xiangning Art Museum, Shenzhen, China
  • 2011 | International Modern Calligraphy Exhibition, Wiesbaden International Arts Festival, Baden and Hamburg, Germany / Hollow Stroke Style: Dimension of Chinese Character, Chengdu Biennial Special Invitation Exhibition, Chengdu, China
  • 2010 | Hangzhou International Modern Calligraphy Art Exhibition, Hangzhou, China / Breaking out, Zhejiang Contemporary Art Exhibition, Hangzhou, China / Beauty of Chinese Characters: Chinese Calligraphy Exhibition, Paris, France
  • 2009 | The Orchid Pavilion: The Art of Writing in China, Royal Museum of Fine Arts of Belgium, Brussels, Belgium / Black and White Image – Wang Dongling & Joao Carlos Almeida, Museu do Oriente, Lisbon, Portugal
  • 2008 | Seoul Calligraphy Art Biennial, Seoul, Korea / Water & Wood Wonderland, BFA International New Media Art Triennial, Beijing, China / The Sixth International Brush Painting Biennial – Ink · City, Exhibition, Shenzhen, China / Eighteen Teaching Plans – Experimental Art Teaching Plan Exhibition, Hangzhou, China / Classic Calligraphy – Silent Night Calligraphy Activity, Hangzhou, China
  • 2007 | In the Hand of Paper, Art Academy of Rome, Rome, Italy / Start Again, The 3rd Chengdu Biennale, Chengdu, China / Opening Fun – International Modern Calligraphy Exhibition, Taipei, Taiwan, China / Made in China – Contemporary Art Exhibition, Louisiana Art Museum, Louisiana, Denmark
  • 2006 | Ink & Brush – Chinese Writing Art Exhibition, Metropolitan Museum, New York, USA / Yellow Box, Qingpu China Space Contemporary Art Exhibition, Shanghai, China
  • 2005 | The Calligraphy Is Not Calligraphy: The Open Calligraphy Space – International Modern Calligraphy Exhibition, Hangzhou, China / International Calligraphy Exhibition, World Exposition, Nagoya, Japan
  • 2004 | Maze: The 2nd National Media Art Exhibition, Hangzhou, China / The 8th National Calligraphy and Seal Exhibition, Xi’an, China
  • 2003 | Calligraphy Exhibition, Sydney, Australia / International Modern Ink Color Exhibition, Xi’an, China / Hello, Chinese Calligraphy, Modern Chinese Calligraphy Exhibition, Finland / The 1st Exhibition of the Works of Chinese Leading Calligraphers, Tokyo, Japan
  • 2002 | Silent Music – Contemporary Chinese Calligraphy Exhibition, London, UK / Brushes with Surprise: The Art of Calligraphy, British Museum, London, UK
  • 2001 | Borderless China: Exhibition of Chinese Paintings, New York, USA / Spirit of Ink & Brush, Chinese Calligraphy Exhibition, Seoul, Korea
  • 1999 | Exhibition of The Works of 46 Contemporary Chinese Artists, Shanghai, China; Melbourne, Australia / Grand Exhibition of Chinese Calligraphy in the 20th Century, Tokyo, Japan
  • 1998 | Contemporary Chinese Calligraphy Exhibition, Paris, France / Exhibition of Contemporary Chinese Calligraphy & Paintings, Konsthall Gallery, Malmö, Sweden / Contemporary Chinese Calligraphy Exhibition, Columbia University, New York, USA / Chinese Art & Civilization of Five Thousand Years, Guggenheim Museum, New York, USA
  • 1997 | Calligraphy Exhibition of the 21st Century, National Art Museum of China, Beijing, China
  • 1994 | Modern Calligraphy Exploration Exhibition, National Art Museum of China, Beijing, China
  • 1993 | Chinese Seal Exhibition, Yale University, New Haven, USA
  • 1992 | The 2nd International Art Exposition, Miami, USA
  • 1991 | Chinese Art and the West – Chinese Art Exhibition, San Diego, USA
  • 1990 | Brush Dancing & Ink Singing, collected by the British Museum, Hayward Gallery, London, UK
  • 1989 | SinoJapanese Calligraphy Exchange Exhibition, Hong Kong S.A.R., China / Paper Art from Hangzhou, Hamburg, Germany
  • 1987 | Lanting Sino – Japanese Calligraphy Exhibition, Shaoxing, China / Exhibition of Contemporary Chinese Calligraphy Treasures from Mainland China, Taipei, Taiwan, China
Awards
  • 2012 | “Orchid Pavilion Prize: The Art Prize” in The 4th Chinese Calligraphy Orchid
    Pavilion Exhibition
  • 2011 | Named “Annual Influential Artist,” 6th Award of Art China (AAC) / Named “Annual Top Ten Persons in Chinese Calligraphy”
  • 2006 | “Orchid Pavilion Prize: The Education Prize (The First Prize)” in The 2nd Chinese Calligraphy Orchid Pavilion Exhibition
  • 2005 | Named “Annual Top Ten Persons in Chinese Calligraphy”
  • 1997 | “The Grand Prix” in Worldwide Calligraphy of Jeollabukdo Biennale

Cheung Yee

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Born in Guangzhou, China, Cheung Yee 張義 (b. 1936 – d. 2019) graduated from the Fine Art Department of Taiwan Normal University in 1958, and five years later he formed the Circle Group with other local artists in Taiwan. In 1965, Cheung received a grant to travel the USA and Europe, exploring the discovering Western artists and their key influences and practices.

Most renowned for his cast paper murals developed in the 1970s, Cheung Yee is widely regarded as the pioneer of the contemporary art movement in Hong Kong. His artistic innovation and contributions had also won him The Most Excellent Order of the British Empire, Member class (MBE) in 1979 conferred by the Queen of England. With over a hundred exhibitions organised worldwide since he started his career, Cheung holds the record as the only living artist in the history of Hong Kong to have been specially invited to exhibit three solo-exhibitions at the prestigious Hong Kong Museum of Art.


*Prices are subject to change without prior notice.


Key Events
  • 1936 | Born in Guangzhou, China
  • 1949 | Moved to Hong Kong
  • 1998 | Moved to California, U.S.A
  • 2019 | Passed away
Solo Exhibitions
  • 2021 | The Art of Cheung Yee, iPreciation, Singapore
  • 2019-20 | Cheung Yee – The Early Years, Galerie Du Monde, Hong Kong
  • 2013-14 | Solo Exhibition, Galerie du Monde, Hong Kong
  • 2005 | iPreciation, Singapore in collaboration with Jeff Hsu’s Art, Taiwan / Perceptive Impressions, Galerie Du Monde, Hong Kong / Cheung Yee: Fortune, AO Vertical Art Space, Hong Kong
  • 2003 | Cheung Yee Solo Exhibition, iPreciation, Singapore
  • 2002 | iPreciation, Singapore
  • 2000 | The Art of Cheung Yee, Nanyang Academy of Fine Art, Singapore / Alliance Francaise de Singapour / DP Space, Singapore
  • 1999 | Alliance Francaise de Singapore
  • 1996 | Artpreciation Gallery, Hong Kong
  • 1994 | Artpreciation Gallery, Hong Kong
  • 1993 | Solo Exhibition, Hong Kong Museum of Art
  • 1992 | Hsiung Shih Gallery, Taipei, Taiwan
  • 1988 | Hsiung Shih Gallery, Taipei, Taiwan / Galerie Du Monde, Hong Kong
  • 1987 | Yuen Long Town Hall, Hong Kong
  • 1985 | Hsiung Shih Gallery, Taipei, Taiwan
  • 1979 | Printmakers Art Gallery, Taiwan
  • 1978 | Hong Kong Museum of Art / Pacific Gallery, San Francisco, U.S.A.
  • 1976 | Hong Kong Arts Centre
  • 1974 | The Luz Gallery, Manila, Philippines
  • 1969 | U.S.I.S. Library, Hong Kong / University of Hong Kong / Thor Gallery, Louisville, KY, U.S.A. / The Luz Gallery, Manila
  • 1967 | The Luz Gallery, Manila, Philippines
  • 1966 | Sally Jackson Gallery, Hong Kong
  • 1965 | Commonwealth Institute, London
  • 1964 | City Museum and Art Gallery, Hong Kong
Education
  • 1958 | Graduated from the Fine Art Dept. of Taiwan Normal University
Group Exhibitions
  • 2021 | Taiwanese Art Treasures Preserved Overseas: The Homecoming Exhibition of the Sun Ten Collection, National Taiwan Museum of Fine Arts, Taiwan
  • 2020 | 20/20 Hong Kong Print Art Exhibition, Hong Kong Heritage Museum, Hong Kong
  • 2019 | iPreciation 20th Anniversary: Reverie Collection–25 Years of Art Collecting Journey, iPreciation, Singapore / Embody, Galerie du Monde, Hong Kong
  • 2018 | Beyond Signs and Symbols: Hong Kong Landmarks Re-presented, Grotto Fine Art, Hong Kong
  • 2010 | It’s Not Sculpture, Linda Gallery, Singapore
  • 2008 | Bridge ArtFair New York 2008, U.S.A
  • 2007 | Art Taipei 2007, Taiwan / Korea International Art Fair, Korea / Art Beijing 2007, China
  • 2002 | Cheung Yee and Hong Kong Contemporary, iPreciation, Singapore
  • 2000 | Valentine Willie, Kuala Lumpur, Malaysia
  • 1997 | Faculty show of 40th Anniversary of Fine Arts Department, The Chinese University of Hong Kong
  • 1996 | Tresors, Singapore / Taipei & Hong Kong Leading Artist Exhibition, Museum Annex, Hong Kong / The 11th Asian International Art Exhibition, Metropolitan Museum of Manila, Philippines
  • 1995 | Tresors, Singapore / Art Asia Hong Kong – HK Convention & Exhibition Center / Crown Art Center, Taipei, Taiwan / Art Trends 95 – HK Convention & Exhibition Center / Faculty show of Fine Arts Department, The Chinese University of Hong Kong
  • 1994 | Asian Art Fair, Hong Kong / Taipei Fine Arts Museum Taipei, Taiwan / Crown Art Center, Taipei, Taiwan
  • 1993 | Asian Art Fair, Hong Kong / Duchamp Gallery, Taiwan
  • 1990 | Contemporary Artists Drawing Exhibition, Cheng Pin Gallery, Taipei.
  • 1989 | The Sculpture Walk, Kowloon Park / Hong Kong Cultural Centre Art Exhibition, Hong Kong / Hong Kong Convention and Exhibition Centre Art Exhibition, Hong Kong / Tradition and Creation, National Palace Museum, Taipei
  • 1987 | Contemporary Chinese Painting, Shin Kong Life Insurance Art Gallery, Taiwan
  • 1986 | Hong Kong Sculpture ’86, Fung Ping Shan Museum, University of Hong Kong / Hong Kong & Overseas Chinese Artists, Canton Fine Arts Institute, China / Drawings ’86 – Hong Kong & New York Chinese Artists, HK Institute for Promotion of Chinese Culture
  • 1985 | The Sculpture Show, Exchange Square, Hong Kong
  • 1984 | Contemporary Open Air Sculpture, Hong Kong Museum of Art / Sculpture in Hong Kong, The Goethe Institut, German Cultural Centre, Hong Kong
  • 1983 | 10th National Arts Exhibition, Taiwan National Museum / Overseas Chinese Artists Exhibition, Taipei Fine Arts Museum, Taiwan / Museum Opening Arts Exhibition, Taipei Fine Arts Museum, Taiwan
  • 1982 | 6 Chinesen Aus Hong Kong, Galerie Henning, Hamberg, Germany / Contemporary Hong Kong Art, Metropolitan Museum of Manila, Philippines / Hong Kong Contemporary Sculpture Exhibition, Hong Kong Arts Centre
  • 1981 | Works of Contemporary Hong Kong Artists, Museum of Canton, China / Hong Kong Art 1970-80, Hong Kong Museum of Art
  • 1979 | Sketches By Three Hong Kong Artists, Hong Kong Arts Centre / Contemporary Hong Kong Art Biennial Exhibition, Hong Kong Museum of Art (also in ’83, and ’85) / Contemporary Art Hong Kong, Raya Gallery, Victoria, Australia
  • 1977 | First Choice, St. John’s Ambulance Assn. Hong Kong (also in ’78, ’79, ’80, ’82, ’83, ’84, ’85, ’86 at Hong Kong Arts Centre) / Inaugural Exhibition, Hong Kong Arts Centre
  • 1976 | Critic’s Choice, St. John’s Ambulance Assn. Hong Kong / Art 76, Fung Ping Shan Museum, University of Hong Kong (also in ’78,’81,’84)
  • 1971 | Art Now Hong Kong, London, Edinburgh, Manchester, Bristol / 2nd Triennale of Contemporary Art, New Delhi, India
  • 1970 | Expo’ 70, Hong Kong Pavilion, Japan / Four Artists of Hong Kong, City Museum and Art Gallery, Hong Kong
  • 1969 | Sculpture Model and Sketch Exhibition, City Museum and Art Gallery, Hong Kong / Exhibition of Contemporary Hong Kong Art, City Museum and Art Gallery, Hong Kong (also in ’71,’72,’75,’77)
  • 1968 | The Artist’s Eye of Hong Kong, City Museum and Art Gallery, Hong Kong
  • 1967 | Exhibition of City Museum and Art Gallery’s Collection, Hong Kong
  • 1966 | Hong Kong Artist, Sally Jackson Gallery
  • 1965 | Traveling Exhibition in South East Asia / Bayreuth International, Germany
  • 1964 | 1st Circle Group Show, Hong Kong (Also in ’65, ’66,’67,’68,’69,’70) / Pittsburgh International, Carnegie Institute, U.S.A.
  • 1962 | Hong Kong Art Today, City Museum and Art Gallery, Hong Kong / 2nd International Salon of Arts, Hong Kong (also in ’63) / Hong Kong Artists, Chatham Galleries, Hong Kong / 1st International Art Exhibition in Saigon. (Awarded) / Joint Exhibition of Cheung Yee and Lam Chun-fai, City Hall, Hong Kong
  • 1961 | Salon d’Aout, Hong Kong, St. John Cathedral Hall
  • 1960 | Pittori Cinesi Contemporanie, Roma
Commission
  • Hong Kong Hilton
  • Taipei Ambassador Hotel
  • Hong Kong Mandarin Hotel
  • Citibank Taipei
  • Philippine Bank of Commerce, Manila
  • Losin Bldg., Manila
  • Commercial Radio., H.K.
  • Hong Kong & Shanghai Banking Corp., H.K.
  • Hilton Hotel, Guam
  • Hyatt Corp., U.S.A.
  • Sheraton Hotel, H.K.
  • Hayashida Hotel, Kagoshima, Japan
  • Park Hotel, H.K.
  • Bancom International Ltd., H.K.
  • The Bank of Canton Ltd., H.K.
  • Wing Hang Bank, H.K.
  • Plaza Hotel, H.K.
  • Citibank Tower, H.K.
  • Sheraton-Molokai Hotel, Hawaii
  • Manufacturers Hanover Trust Co., H.K.
  • The Hong Kong & Shanghai Banking Corp., H.K.
  • The Commercial Bank of H.K. Ltd.
  • Gloucester Tower, Landmark, H.K.
  • Grindlays Dao Heng Bank Ltd., H.K.
  • Hong Kong Telephone
  • Hong Kong Electric Co., Ltd.
  • Lucky Stores Inc., Phoenix, Arizona, U.S.A.
  • Peninsula Centre, H.K.
  • Coca Cola, H.K.
  • The Marco Polo, Hong Kong
  • East Asia Bank, Hong Kong
  • Furama Hotel, Hong Kong
  • East Kowloon Park, Hong Kong
  • Jockey Club, Shatin, N.T., Hong Kong
  • Victoria Hotel, Hong Kong
  • Swiss Bank Corp., Hong Kong
  • Prince’s Building, Hong Kong
  • Grand Plaza Hotel, Hong Kong
  • Hong Kong Cultural Centre
  • Hong Kong Convention and Exhibition Centre
  • Taipei 101, Taiwan

Wee Shoo Leong

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Wee Shoo Leong (黄树龙) (b. 1958, Singapore) is a Singaporean oil painter renowned for his still life works depicting everyday objects—birdcages, jars, vases, flowers, and fruits—set against minimalist backgrounds. Through this restrained visual language, Wee reveals a quiet sense of simplicity and harmony, later extending into semi-abstract landscape paintings. A graduate of the Nanyang Academy of Fine Arts (1979), Wee gained early recognition after winning the UOB Painting of the Year in 1984. His works are held in major public and corporate collections, including the National Gallery Singapore, Singapore Art Museum, and The Istana.


*Prices are subject to change without prior notice.


Biography

Wee Shoo Leong (b. 1958, Singapore) is a distinguished painter renowned for his masterful and contemplative realist oil paintings. His work captures serene, timeless scenes—from intimate interiors to tranquil landscapes—with a profound sense of stillness, atmosphere, and luminous quality.

He received his foundational training at the Nanyang Academy of Fine Arts (1979) and further honed his craft through a study programme at the Sydney College of the Arts in Australia (1987). His career has been marked by significant solo exhibitions, including presentations at the National Museum Art Gallery in Singapore (1985), the Robin Gibson Gallery in Sydney (1987), and more recently, In Search of Shangri-La at iPreciation in Singapore (2022). He has also been a consistent participant in important international group exhibitions, such as Many in One: 25 Years of Singapore Art in Washington D.C. (1991) and the 1st Asean Youth Painting Workshop in Bangkok (1983).

Wee Shoo Leong’s talent was recognized early with major awards, including first prize in the UOB Painting of the Year competition (1984), a silver medal at the Salon in Paris (1985), and the prestigious Commonwealth Foundation Fellowship (1986). His works are held in an extensive range of prestigious public, corporate, and private collections. These include the Singapore Art Museum, the National Art Gallery, and the Istana in Singapore; the Agung Rai Museum of Art in Bali; and corporate collections such as Dresdner Bank in Germany, Citibank, and the Development Bank of Singapore.

Education
  • 1979 | Graduated from Nanyang Academy of Fine Arts, Singapore
  • 1987 | Study Programme (Oil Painting) in Sydney College of Arts, Australia
Exhibitions

Selected Solo Exhibitions

  • 2022 | In Search of Shangri-La, iPreciation, Singapore
  • 2017 | Wee Shoo Leong Oil Painting Exhibition 2017, Flor Gallery, Singapore
  • 2014 | Ding Yi Xuan Art Centre, Singapore
  • 2008 | Living in Stillness, Art Forum, Singapore
  • 1992 | Art Forum, Singapore
  • 1987 | Robin Gibson Gallery, Sydney, Australia
  • 1985 | Alliance Francaise / National Museum Art Gallery, Singapore
  • 1984 | Nanyang Academy of Fine Arts, Singapore

Selected Group Exhibitions

  • 2015 | Fullerton Hotel Heritage Gallery, Singapore
  • 2005 | Art Singapore
  • 2001 | Art Singapore
  • 1996 | Nine Artists in Bali, Singapore
  • 1993 | Art from Singapore, The Netherlands / Spectrum – an Exhibition of Paintings by 6 Outstanding Singapore Realistic Artists Singapore
  • 1991 | Many in One: 25 Years of Singapore Art, Washington D.C., USA / 2nd Bru-Sin Art Exhibition, Singapore and Brunei
  • 1990 | Modern Art Travels East-West, Singapore and Rotterdam, Netherlands
  • 1989 | Contemporary Art in Singapore: Where East Meets West, Amsterdam, Hamburg, Nuremberg, Mannheim, and Singapore
  • 1985 | Salon ’85, Paris, France
  • 1983 | 1st Asean Youth Painting Workshop and Exhibition, Bangkok, Thailand
Awards
  • 1984 | 1st prize in “1984 Painting of the Year” organised by UOB Singapore Marketing and Development Grant, National Arts Council Singapore
  • 1985 | Silver medal, “Salon 85”, Paris, France
  • 1986 | Awarded the “1st Commonwealth Foundation Fellowship” London, England

Jin Jie

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Jin Jie (金捷) (b. 1965, Jiangsu, China) is a professor at Nanjing University of the Arts, where he earned his BFA, MA, and PhD. Known for lyrical semi-abstract oil paintings, he masterfully blends Western techniques with restrained palettes of grey, black, and white to evoke the rural landscapes of Jiangsu. His vigorous, layered brushwork captures atmosphere and emotion over detail, expressing a poetic Jiangnan spirit. Jin Jie has exhibited widely in China, is a member of the China Artists Association, and his works are held in major national and provincial museum collections.

*Prices are subject to change without prior notice.


Biography

Jin Jie was born in 1965 in Jiangsu, China. He graduated from Oil painting studies in Nanjing University of the Arts in 1991 and went on to achieve an M.A. in Western Arts and Lecture in 1997. In 2008, he went back to Nanjing University of the Arts to obtain a PhD in Fine Art.

The lyrical nature of Jin Jie’s semi-abstract works is a testament of his mastery of western traditional of oil painting techniques. With over two decades of exploration and development within one of the most competitive art institutions in China, Jin Jie employs inviting colours, notably various shades of grey, black and white, with occasional strokes of colours, to portray the rural landscape of his beloved homeland.

Jin Jie feels a strong affinity to his homeland, a personal and familiar place deeply rooted where his spirit lifts when he encounters her beautiful landscape and scenery. This is evident in his work where we observe generous layers of oil streaked across the canvas, in quick and vigorous strokes, capturing not the minute details but the essence of the place, of the atmospheric qualities of the Jiangsu landscape and also the essence of the artist’s state of mind and his response to the place.

As such, Jin Jie instinctively captures the spirit of Jiangnan style – where the works are poetic rather than political in today’s contemporary art scene. Despite the weighty societal changes occurring in China, the artist has allowed viewers to adopt a unique perspective of his hometown, casting aside the stuffy, industrialized atmosphere that precedes economic development, and drawing attention to the presence of a poetic, tireless cultural code that binds a country with its people.

Jin Jie has exhibited extensively within Jiangsu province and is a member of the prestigious China Artists Association amongst many other notable appointments in China. His works are permanently collected in Dadu Museum of Art (China), Jiangsu Art Museum (China), Suzhou Art Museum (China), Wuxi Phoenix Art Museum (China) and National Art Museum of China. He continues to live and practice art in Nanjing, China, where he is a professor at his alma mater Nanjing University of the Arts.

Education

1991 | B.A. in Oil Painting, Nanjing University of the Arts

1997 | M.A. in Western Arts and Lecture, Nanjing University of the Arts

1991 | Ph.D in Fine Art, Nanjing University of the Arts

Exhibitions

Selected Solo Exhibitions

2016 | Trail of Heart a solo exhibition by Jin Jie, iPreciation Gallery, Singapore

Selected Group Exhibitions

2021 | Spring Rhapsody, iPreciation, Singapore 2019 | iPreciation 20th Anniversary: Reverie Collection – 25 Years of Art Collecting Journey, iPreciation, Singapore 2018 | Unbounded – Nie Weigu Art Exhibition, National Art Museum of China, Beijing, China 2017 | iPreciation at Art New York 2017, New York, USA 2016 | Nanyi Art Exhibition, Chong Chuan Art Museum, Nantong China 2015 | Mind & Schema Painting Exhibition, National Art Museum of China, Beijing, China / Picturesque Jiangnan, Suzhou Municipal Center of Public Culture, Jiangsu, China 2014 | Mind & Schema Painting Exhibition, National Art Museum of China, Beijing, China / Integration – Academic and Contemporary Art Research and Exhibition, Suzhou Municipal Center of Public Culture, Jiangsu, China / Integration – Academic and Contemporary Art Research and Exhibition, Fangshan Art Camp, Nanjing, China / Memory of South China – The 3rd Selected Oil Painting Masters Exhibition, Jiangsu Art Museum, Jiangsu, China 2013 | Should live without it – Jiangsu Contemporary Art Research Exhibition 2012 | Thousand Mile Live Drawing Journey Art Exhibition / The 8th Jiangsu Province Oil Painting Exhibition 2011 | Zhuzi Gallery Prominent Artist Oil Painting Exhibition / Jiangnan Culture Native Country Oil Painting Exhibition / Noumenon Discussion Jiangsu Artist Oil Painting Exhibition 2010 | Jiangsu Province Research and Exhibition of Small Oil Paintings / “Reality and Exceed” Jinling Oil Painting Exhibition of One Hundred Artists 2008 | Jiangnan Culture Yangtze River Delta Oil Painting Exhibition 2007 | Jiangsu Province Oil Painting Exhibition 2005 | Jiangsu Province Oil Painting Exhibition 2004 | Jiangsu Province Oil Painting Exhibition 2003 | Winter Solstice, iPreciation Gallery, Singapore / The 3rd Anniversary China Oil Painting Exhibition 2001 | Jiangsu Province Oil Painting Exhibition 1999 | The 9th Anniversary Art Exhibition of China / New Millennium Jiangsu Province Art Festival 1997 | China Youth Oil Painting Exhibition

Liu Hung

Hung Liu 劉虹 (1948–2021) was a Chinese-born American contemporary artist whose work engages history, memory, and displacement. At the age of 20, she was sent to the countryside for compulsory re-education under Mao’s communist regime. Liu’s evocative depictions of hardship, often featuring early 20th century migrant and female figures, draw from the visual language of socialist realism and its vivid red palette. Through her signature “weeping realism,” marked by layered brushwork and veils of ink washes, Liu reworked archival imagery into powerful reflections on resilience and loss. Her works are held in major museum collections, including The Metropolitan Museum of Art and the Whitney Museum of American Art.

Prayer 2007 153x104cm Mixed Media-Digital Print with Hand Painting and Resin
*Price: $80,000.00
Red Shoes 2007 104x153cm Mixed Media-Digital Print with Hand Painting and Resin
*Price: $80,000.00
Yellow Pair 2004 74x99cm Mixed Media-Digital Print with Hand Painting and Resin
*Price: $60,000.00

*Prices are subject to change without prior notice.