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Wang Dongling

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Wang Dongling (b. 1945) is a seminal figure in contemporary Chinese calligraphy. He transforms the art through his pioneering “chaos-script,” dissolving legibility into dynamic fields of gesture and performance. His large-scale works and live performances have been presented at major institutions like the British Museum and the Metropolitan Museum of Art. A recipient of significant honors like the Orchid Pavilion Prize, his practice redefines the boundaries of ink and calligraphy on a global stage.


Li Bai – Pure and Peaceful Tune First of Three Poems 李白《清平調》三首其第一首, 2018, 181×123 cm, 183x125x5cm (Frame Size), Acrylic on Acrylic Panel
*Price: $100,000.00
Li Bai – Farewell at Jingmen Ferry 李白 《渡荊門送別》, 2019, 69.5×69.5cm, Ink on Paper
*Price: $40,000.00
Li Bai – Pusaman 李白《菩薩蠻》, 2019, 69.5×69.5cm, Ink on Paper
*Price: $40,000.00
Heart Sutra《心經》, 2016, 41.5x67cm, Ink on Paper
*Price: $70,000.00
Li Shangyin – Newly Washed After the Rain, the Bamboo Dock is Transformed 李商隱 – 竹塢無塵水檻清, 2023 51.5x69cm, Ink, Photography on Paper
*Price: $70,000.00
Zhang Xu – Peach Blossom Creek 張旭《桃花溪》, 2018, 181×123 cm, 183x125x5cm (Frame Size), Acrylic on Acrylic Panel
*Price: $100,000.00

*Prices are subject to change without prior notice.


Biography

Wang Dongling (王冬龄) (b. 1945, Rudong, Jiangsu Province, China) is a seminal figure in contemporary Chinese calligraphy whose practice has fundamentally redefined the expressive and conceptual boundaries of ink. Grounded in classical calligraphic training and informed by modern abstraction, Wang transforms written language into expansive fields of movement, rhythm, and energy. His pioneering chaos-script (luanshu) dissolves legibility in favour of gesture and temporality, positioning calligraphy as a performative, time-based art form that unfolds through body, space, and breath.

Educated at Nanjing Normal University and the Zhejiang Academy of Fine Art (now China Academy of Art), Wang has held major solo exhibitions and live calligraphic performances at leading institutions worldwide, including the British Museum, Metropolitan Museum of Art, Art Institute of Chicago, National Gallery Singapore, and Zhejiang Art Museum. His work has been featured in significant international museum exhibitions and biennales across Asia, Europe, and North America. Widely honoured with major accolades such as the Orchid Pavilion Prize and the Jeollabuk-do Biennale Grand Prix, Wang’s practice occupies a pivotal position in the global discourse on contemporary ink and calligraphy.

Education
  • 1966 | B.A. Fine Art Department of Nanjing Normal University, Nanjing, China
  • 1981 | M.A. Calligraphy Department of Zhejiang Academy of Fine Art (now China
  • Academy of Art), Hangzhou, China
Selected Solo Exhibitions
  • 2023 | Wang Dongling: Ink.Space.Time, The Heong Gallery, Downing College, Cambridge, UK
  • Wang Dongling: Entangled Energies, Hanart TZ Gallery, HK
  • 2021 | From Inception: Wang Dongling 60 Years of Calligraphy, Zhejiang Art Museum, China
  • 2020 | The Way, iPreciation, Singapore
  • 2019 | Public performance of chaos-script (luanshu) calligraphy, National Gallery of Singapore, Singapore
  • 2018 | Along the Great Path – A Solo Exhibition of Wang Dongling’s Calligraphic Repertoire, Public performance of chaos-script (luanshu) calligraphy, iPreciation, Singapore
  • Wang Dongling: Poetry and Painting, Chambers Fine Art, New York, USA
  • Wang Dongling, The Art Institute of Chicago, Chicago, USA
  • 2017 | Poetic Rainbow: The Calligraphy of Wang Dongling, Hanart TZ Gallery, HK
  • Wang Dongling: The Bamboo Path, OCT Art and Design Gallery (Shen Zhen), Shenzhen, China
  • Public performance of chaos-script (luanshu) calligraphy, Asia Society New York, New York, USA
  • 2016 | Public performance of chaos-script (luanshu) calligraphy, Vancouver Art Gallery, Vancouver, Canada
  • Public performance of chaos-script (luanshu) calligraphy, Library and Archives Canada, Vancouver, Canada
  • Between Heaven and Heart, Imperial Ancestral Temple Art Museum, Beijing, China
  • Public performance of calligraphy, Guiyang Confucius Academy, Guiyang, China
  • Wang Dongling: Contemporary Calligraphy, Gus Fisher Gallery, Auckland, New Zealand
  • Public performance of chaos-script (luanshu) calligraphy, British Museum, London, UK
  • Public performance of chaos-script (luanshu) calligraphy, Victoria and Albert Museum, London, UK
  • Public performance of chaos-script (luanshu) calligraphy, Imperial Ancestral Temple / Art Museum, Beijing, China
  • 2015 | “The Heart Sutra in Chaos Script,” public calligraphy performance, Brooklyn Museum, New York, USA
  • Public calligraphy performance, Universität Hamburg, Hamburg, Germany
  • “Drinking by the Lake: Clear Sky followed by Rain’ by Su Shi,” public calligraphy performance, Apple Store West Lake, Hangzhou, China
  • Writing Non-Writing: Calligraphic Works by Wang Dongling, Sanshang Contemporary Art Museum, Hangzhou, China
  • Wang Dongling · The Heart Sutra, Wenzhou Contemporary Art Museum, Wenzhou, China
  • New Works, Chambers Fine Art, New York, USA
  • 2014 | Public performance of monumental cursive-script calligraphy, Nordiska Akvarellmuseet, Skärhamn, Sweden
  • Public performance of monumental cursive-script calligraphy, Metropolitan Museum, New York, USA
  • Beside the Ancient Road, Jinwan Faculty of Humanities of Tianjin Water Park, Tianjin, China
  • The Moon over the River on a Spring Night: The Art of Calligraphy by Wang Dongling, Hong Kong Museum of Art, Hong Kong S.A.R., China
  • Small Calligraphic Works by Wuzhai, Jingcai Gallery, Hangzhou, China
  • 2013 | Wang Dongling: The Origins of Abstraction, Ink Studio, Beijing, China
  • Wang Dongling: Brushing the Ties, Hanart TZ Gallery, Hong Kong S.A.R., China
  • Calligraphy Performance and New Media, City University of Hong Kong, Hong Kong S.A.R., China
  • The Moon over the River, Wang Dongling Public Performance of Calligraphy, Hong Kong Museum of Art, Hong Kong S.A.R., China
  • 2012 | Decanter Ink: Hangzhou Cross-year Exhibition – Wang Dongling Solo Exhibition, Sanshang Art Museum, Hangzhou, China
  • 2011 | Wang Dongling: The Daoism of Calligraphy, Zhejiang Museum of Art, Hangzhou, China
  • 2009 | Public Calligraphy Performance, Royal Museums of Fine Arts of Belgium, Belgium
  • 2007 | Share the Peripatericism: Calligraphy Exhibition by Wang Dongling, National Art Museum of China, Beijing, China
  • 2006 | “Preface to the Riverside Gathering” (Linhe Xu), public calligraphy performance, Lanting International Calligraphy Festival, Shaoxing, China
  • 2003 | Calligraphy by Wang Dongling, Yilanzhai Art Museum, Nanjing, China / Calligraphy by Wang Dongling, Chinese University of Hong Kong, Hong Kong S.A.R., China
  • 2002 | Works of Wang Dongling, Goedhuis Gallery, New
  • York, USA
  • 2001 | It is Not Calligraphy, Ethan Cohen Fine Arts Gallery, New York, USA / Writing With Ease, Jincai Gallery, Hangzhou, China / Calligraphy of Wang Dongling, Lanting International Calligraphy Festival, Shaoxing, China
  • 1999 | Calligraphy by Wang Dongling, Shenzhen Art Museum, Shenzhen, China
  • 1998 | Calligraphy by Wang Dongling, D.P. Fong Gallery, San Jose, USA / Muthesius Hochschule & Polytechnic School for Art, Kiel, Germany
  • 1997 | Calligraphy by Wang Dongling, Nagoya Zie Mien Gallery, Nagoya, Japan
  • 1994 | Wang Dongling: Calligraphy and Painting, National Art Museum of China, Beijing, China
  • 1993 | Calligraphy by Wang Dongling, International Press, Tokyo, Japan
  • 1992 | Calligraphy by Wang Dongling, Minnesota State Exhibition Center, Minneapolis, USA / Calligraphy by Wang Dongling, D.P. Fong Gallery, San Jose, USA
  • 1991 | Calligraphy by Wang Dongling, University of California, Santa Cruz, USA / Calligraphy by Wang Dongling, North Dakota Museum of Art, Grand Forks, North Dakota, USA
  • 1990 | Calligraphy by Wang Dongling, University of Minnesota, St. Paul, USA / Calligraphy by Wang Dongling, D.P. Fong Gallery, San Jose, USA / Calligraphy by Wang Dongling, Montreal University, Montreal, Canada
  • 1989 | Public Performance of Calligraphy, Stanford University, US / Calligraphy by Wang Dongling, Krannert Art Museum, University of Illinois, Urbana-Champaign, USA / Calligraphy by Wang Dongling, Macalester Gallery, St. Paul, USA / Calligraphy by Wang Dongling, University of Kansas, Kansas, USA / Calligraphy by Wang Dongling, University of Minnesota, St. Paul, USA / Calligraphy by Wang Dongling, Art School of Santa Cruz, Santa Cruz, USA
  • 1987 | Calligraphy by Wang Dongling, China Academy of Art, Hangzhou, China / Calligraphy Exhibition of Wang Dongling, National Art Museum of China, Beijing, China
Selected Group Exhibitions
  • 2023 | The Rabbit Project, Chambers Fine Art, New York, USA / Global INK: INKstudio’s Ten Year Anniversary Exhibition, Ink Studio, Beijing, China
  • 2022 | Whisper of Stars, iPreciation, Singapore / The innovation of Ink: Transformation and Reinvention of Oriental Aesthetics, Sands Gallery, Macao, China
  • 2020 | The Illustrated Word: Artwork Inspired by Calligraphy, Chambers Fine Art, New York, USA
  • 2018 | Gestures, Christie’s, Hong Kong / Mind Temple, Museum of Contemporary Art, Shanghai, China / New Ink Art in China 1978-2018, Minsheng Art Museum, Beijing, China
  • 2017 | Boundless: On Going Chinese Ink Art, Art Museum of Sichuan Fine Arts Institute, Chongqing, China / The Unusual West Lake: The First Art Scene of West Lake Photo Exhibition, CAA Art Museums, Hangzhou, China
  • 2016 | Open Books: International Artists Explore the Chinese Folding Book, Library and Archives Canada, Vancouver, Canada / Shan Shui A Manifesta, Gong Wang Art Museum, Hangzhou, China / Shan Shui Within, Museum of Contemporary Art, Shanghai, China / Light Writers 2016, Light Gallery, Hangzhou, China
  • 2015 | 10th World Calligraphy Biennale of Jeollabukdo, Jeonju, Korea / Magic Mountains, Hong Kong S.A.R., China / Hangzhou International Modern Calligraphy Exhibition and Writing Nor-writing Document Exhibition, Museum of Contemporary Art of CAA, Hangzhou, China / China 8 – Contemporary Art from China at Rhine & Ruhr, Kunstmuseum, Gelsenkirchen, Germany
  • 2014 | Kochi-Murizis Biennale – Collateral Project “Janela-Migrating Forms and Migrating Gods,” Mill Hall Compound, Kochi, India / Orchid Pavilion Calligraphy Biennial, Zhejiang Art Museum, Hangzhou, China / Guanshan Gathering: Works by Zheng Shengtian and Wang Dongling, Chambers Fine Art, New York, USA / Ink and the Body, Ink Studio, Beijing, China / China’s Changing Landscape—Contemporary Chinese Ink, Nordiska Akvarellmuseet (Nordic Watercolour Museum), Goteborg, Sweden
  • 2013 | Ink Art: Past as Present in Contemporary China, Metropolitan Museum, New York, USA / Beyond Black and White: Chinese Abstract Ink, Pearl Lam Galleries, Shanghai, China / Guanshan Gathering: Works by Zheng Shengtian and Wang Dongling, Chambers Fine Art, Beijing, China
  • 2012 | Images and Words: Since Magritte Era, Chinese Art Museum, Beijing, China / Inner and Outer Transformation: A View on Chinese Contemporary Art, Istanbul Modern, Istanbul, Turkey / Textual Logic: Works by Wang Dongling, Qiu Zhenzhong and Xu Bing, He Xiangning Art Museum, Shenzhen, China
  • 2011 | International Modern Calligraphy Exhibition, Wiesbaden International Arts Festival, Baden and Hamburg, Germany / Hollow Stroke Style: Dimension of Chinese Character, Chengdu Biennial Special Invitation Exhibition, Chengdu, China
  • 2010 | Hangzhou International Modern Calligraphy Art Exhibition, Hangzhou, China / Breaking out, Zhejiang Contemporary Art Exhibition, Hangzhou, China / Beauty of Chinese Characters: Chinese Calligraphy Exhibition, Paris, France
  • 2009 | The Orchid Pavilion: The Art of Writing in China, Royal Museum of Fine Arts of Belgium, Brussels, Belgium / Black and White Image – Wang Dongling & Joao Carlos Almeida, Museu do Oriente, Lisbon, Portugal
  • 2008 | Seoul Calligraphy Art Biennial, Seoul, Korea / Water & Wood Wonderland, BFA International New Media Art Triennial, Beijing, China / The Sixth International Brush Painting Biennial – Ink · City, Exhibition, Shenzhen, China / Eighteen Teaching Plans – Experimental Art Teaching Plan Exhibition, Hangzhou, China / Classic Calligraphy – Silent Night Calligraphy Activity, Hangzhou, China
  • 2007 | In the Hand of Paper, Art Academy of Rome, Rome, Italy / Start Again, The 3rd Chengdu Biennale, Chengdu, China / Opening Fun – International Modern Calligraphy Exhibition, Taipei, Taiwan, China / Made in China – Contemporary Art Exhibition, Louisiana Art Museum, Louisiana, Denmark
  • 2006 | Ink & Brush – Chinese Writing Art Exhibition, Metropolitan Museum, New York, USA / Yellow Box, Qingpu China Space Contemporary Art Exhibition, Shanghai, China
  • 2005 | The Calligraphy Is Not Calligraphy: The Open Calligraphy Space – International Modern Calligraphy Exhibition, Hangzhou, China / International Calligraphy Exhibition, World Exposition, Nagoya, Japan
  • 2004 | Maze: The 2nd National Media Art Exhibition, Hangzhou, China / The 8th National Calligraphy and Seal Exhibition, Xi’an, China
  • 2003 | Calligraphy Exhibition, Sydney, Australia / International Modern Ink Color Exhibition, Xi’an, China / Hello, Chinese Calligraphy, Modern Chinese Calligraphy Exhibition, Finland / The 1st Exhibition of the Works of Chinese Leading Calligraphers, Tokyo, Japan
  • 2002 | Silent Music – Contemporary Chinese Calligraphy Exhibition, London, UK / Brushes with Surprise: The Art of Calligraphy, British Museum, London, UK
  • 2001 | Borderless China: Exhibition of Chinese Paintings, New York, USA / Spirit of Ink & Brush, Chinese Calligraphy Exhibition, Seoul, Korea
  • 1999 | Exhibition of The Works of 46 Contemporary Chinese Artists, Shanghai, China; Melbourne, Australia / Grand Exhibition of Chinese Calligraphy in the 20th Century, Tokyo, Japan
  • 1998 | Contemporary Chinese Calligraphy Exhibition, Paris, France / Exhibition of Contemporary Chinese Calligraphy & Paintings, Konsthall Gallery, Malmö, Sweden / Contemporary Chinese Calligraphy Exhibition, Columbia University, New York, USA / Chinese Art & Civilization of Five Thousand Years, Guggenheim Museum, New York, USA
  • 1997 | Calligraphy Exhibition of the 21st Century, National Art Museum of China, Beijing, China
  • 1994 | Modern Calligraphy Exploration Exhibition, National Art Museum of China, Beijing, China
  • 1993 | Chinese Seal Exhibition, Yale University, New Haven, USA
  • 1992 | The 2nd International Art Exposition, Miami, USA
  • 1991 | Chinese Art and the West – Chinese Art Exhibition, San Diego, USA
  • 1990 | Brush Dancing & Ink Singing, collected by the British Museum, Hayward Gallery, London, UK
  • 1989 | SinoJapanese Calligraphy Exchange Exhibition, Hong Kong S.A.R., China / Paper Art from Hangzhou, Hamburg, Germany
  • 1987 | Lanting Sino – Japanese Calligraphy Exhibition, Shaoxing, China / Exhibition of Contemporary Chinese Calligraphy Treasures from Mainland China, Taipei, Taiwan, China
Awards
  • 2012 | “Orchid Pavilion Prize: The Art Prize” in The 4th Chinese Calligraphy Orchid
    Pavilion Exhibition
  • 2011 | Named “Annual Influential Artist,” 6th Award of Art China (AAC) / Named “Annual Top Ten Persons in Chinese Calligraphy”
  • 2006 | “Orchid Pavilion Prize: The Education Prize (The First Prize)” in The 2nd Chinese Calligraphy Orchid Pavilion Exhibition
  • 2005 | Named “Annual Top Ten Persons in Chinese Calligraphy”
  • 1997 | “The Grand Prix” in Worldwide Calligraphy of Jeollabukdo Biennale

Get in touch with us

iPRECIATION(誰先覺)
50 Cuscaden Road
HPL House #01-01
Singapore 249724

iPreciation Gallery is a Singapore contemporary art gallery presenting modern and contemporary Asian art.

Operating Hours:
Mon – Fri: 9.00am – 6.00pm
Sat: 11.00am – 6.00pm
Sundays and Public Holidays by Appointment Only

Tel: +65 6339 0678
Email: [email protected]

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