Jinhuidui, which means ‘a pile of brocade ashes’, is an art form of Chinese scholarly montage painting that might have originated as early as the late Ming Dynasty. The montage usually includes the depiction of ancient objects, paintings, calligraphy, rubbings and fragments of letters. In Oh’s new mixed-media works, the miscellaneous things he uses are torn, burnt, stained, and worn out, giving them a renewed sense of age and elegance. Oh also adopts a realistic painting method for some of the artefacts, and it takes a double take to discern which are painted on, and which are pasted on. The deliberate use of colours and intricate painting technique captivates the eye and encourages it to wander along the different objects to discover something new each time.
Oh Chai Hoo (b. 1960) is a Singapore artist who works extensively with various mediums. Since graduating from Nanyang Academy of Fine Arts, Singapore in 1982, Oh has remained an active member of the local arts scene. He was the vice-president (2013 – 2021) of Singapore’s Siaw-Tao Chinese Seal-Carving Calligraphy & Painting Society had held various exhibitions locally and in South Korea and Japan.
He received a Distinction in Visual Art Creation by the NAFA Alumni Association (1992), and Highly Commended in Abstract Medium at the 18th UOB Painting of the Year competition (1999), the Siaw-Tao Achievement Award in 2009 and Siaw-Tao Best Artwork Award in 2013. His works are collected privately and also in the permanent collection of the National Museum of Singapore and The Istana, Singapore.
For more information, please call +65 6339 0678 or email [email protected].
Presented by iPreciation, a Singapore art gallery specialising in contemporary Asian art.
