Tag Archives: Tay Bak Chiang

Within Ink, Beyond Form – 12 Years Journey of Tay Bak Chiang 筆墨之間.形色之外

Private Preview:

4th October 2025

Exhibition Opens to Public:

6th October 2025 —— 24th October 2025

Venue:

50 Cuscaden Road, HPL House #01-01, Singapore 249724

Tel: + 65 6339 0678 Fax: + 65 6438 2080

www.ipreciation.com

Exhibition Overview

iPRECIATION is delighted to present Within Ink, Beyond Form — 12 Years Journey of Tay Bak Chiang. This retrospective traces twelve years of the artist’s creative evolution.

Known for his contemporary reinterpretation of traditional Chinese ink painting, Bak Chiang explores the relationship between nature, memory, and human experience. His works combine classical ink traditions with modern materials and techniques.

The exhibition presents three key bodies of work: Stone, Guqin, and Local Food. Together, these series reveal the artist’s evolving ideas and artistic language. They also highlight his transition from delicate ink on rice paper to richly layered mineral pigments on canvas.

Themes and Artistic Development

Bak Chiang’s practice is deeply rooted in close observation of nature in Singapore and Southeast Asia. As a result, many of his works feature natural motifs such as flowers, birds, and geological forms.

Throughout his career, he has explored subjects including blooming lotuses, sunbirds, palm groves, and weathered stones. These elements often appear simple at first glance. However, they carry deeper symbolic and emotional meaning.

This exhibition therefore invites viewers to experience the artist’s development in both form and philosophy. On one hand, the Stone Series reflects quiet stillness and contemplation. On the other hand, the Guqin Series explores resonance, absence, and inner space. Meanwhile, the Food Series captures intimate moments of everyday life and memory.

Artistic Transformation

Over the past twelve years, Bak Chiang has gradually expanded the boundaries of ink painting. Initially, he worked primarily with traditional rice paper. However, he later began experimenting with mineral pigments on canvas.

This shift allowed him to build richer textures and stronger colour contrasts. Consequently, his works gained greater physical presence while maintaining the spirit of ink traditions.

His Stone Series presents geological forms as calm and meditative subjects. In contrast, the Guqin Series focuses on perspective and silence, often depicting the instrument through hollow or fragmented views.

More recently, the Food Series emerged during the pandemic. In this series, Bak Chiang reflects on the sensory memory of street food culture. Bold forms and simplified compositions emphasise the emotional connection between food, memory, and daily life.

About the Artist

Tay Bak Chiang (b. 1973) is a Singaporean artist whose work draws inspiration from the natural landscapes of Southeast Asia. His subjects include flowers, animals, and stones. Through bold colours and minimalist forms, he transforms familiar motifs into symbols of emotional depth and reflection.

Bak Chiang graduated from the Nanyang Academy of Fine Arts. He later continued his studies at the China Academy of Art in Hangzhou.

Over the years, he has received several major awards. Notably, he is a two-time recipient of the UOB Painting of the Year. In addition, he received the Young Artist Award in 2002.

Bak Chiang has held more than seventeen solo exhibitions. Furthermore, he has participated in international art fairs such as Art Basel Hong Kong and Art Stage Singapore. His works have also been shown in fairs across Miami, New York, London, and Paris.

Today, his artworks are included in many private and public collections. These include the National Gallery Singapore and the The Istana, as well as several international institutions.

 

Flavours of Life – Showcasing Works by Tay Bak Chiang

Date:

Feb 7, 2025 – Mar 2, 2025

Venue:

Overhead link bridge connecting VOCO Orchard Singapore and Four Seasons Hotel Singapore
190 Orchard Boulevard, Singapore 248646

Tel: + 65 6339 0678

www.ipreciation.com

iPRECIATION is proud to present 14 works from the Flavours of Life series by Tay Bak Chiang at VOCO Link Bridge. The works capture the deep connection between food, culture, and memory in Singapore.

In this series, hawker centres and coffee shops form the backdrop of daily life. They illustrate how these familiar spaces bring people together across different communities. Moreover, they provide affordable meals that cater to all segments of society. As a result, they remain an essential part of Singapore’s culinary heritage.

At the heart of the paintings are everyday dishes such as wonton noodles, char siew rice, and youtiao. These meals represent more than simple nourishment. Instead, they symbolize comfort, routine, and stability in everyday life. Over time, their cultural and emotional meaning has grown, reflecting shared memories across generations.

Located between Voco Orchard Singapore and Four Seasons Hotel Singapore, the VOCO Link Bridge sits in the heart of Orchard Road, a renowned shopping and tourist district. Therefore, the exhibition invites both locals and international visitors to experience Singapore’s food culture through art.

More importantly, the works celebrate local cuisine as a bridge between cultures. After all, food is often described as a universal language. Through this exhibition, viewers are reminded that food expresses cultural identity and hospitality. Ultimately, it connects us to our heritage, to one another, and to the wider world.

Fragments of Life 生活碎片 – A Solo Exhibition by Tay Bak Chiang

Private Preview:

Saturday, May 18, 2024, 2 – 6pm (By Invitation Only)

Kindly RSVP by calling +65 6339 0678 or email enquiry@ipreciation.com

Exhibition Opens to Public:

May 20 – Jun 1, 2024

10am – 7pm (Mon – Fri)

11am – 6pm (Sat)

Closed on Sundays and Public Holidays

Venue:

50 Cuscaden Road, HPL House #01-01, Singapore 249724

Tel: + 65 6339 0678 Fax: + 65 6438 2080

www.ipreciation.com

Exhibition Announcement

iPRECIATION is delighted to announce the latest exhibition by renowned Singaporean contemporary artist Tay Bak Chiang, titled “Fragments of Life 生活碎片,” scheduled from 18th May to 1st Jun 2024.

About the Exhibition:

Life is made up of countless small and often indescribable fragments. Within these moments lie memories of the past as well as stories unfolding in the present. Together, they form a tapestry shaped by joy, sorrow, and reflection.

The exhibition “Fragments of Life” draws inspiration from the reservoir of memories within Tay Bak Chiang’s inner world. Many works reflect everyday experiences. Although these moments may appear fleeting, they resonate deeply with the artist. As a result, they emerge in vivid imagery and vibrant colours on canvas.

Creativity, however, often arises from unexpected encounters. In fact, inspiration can appear suddenly rather than through careful planning. Such moments frequently surprise the artist.

On one occasion, while purchasing paint supplies, a striking shade of purple caught Tay’s attention. Immediately, it reminded him of an unfinished concept titled “Purple Dragon King.” The image of a majestic dragon soaring through purple and gold came to mind. Inspired by this moment, the artist began experimenting with the colour and translating the vision onto canvas.

Meanwhile, colour also became a symbolic tool in other works. In “Equality of Life,” stones of different hues appear side by side. Together, they represent the intrinsic equality of all individuals, regardless of wealth or status.

However, the exhibition also reflects the darker realities of the world. In a time when light and darkness coexist, images of civilian suffering often appear in global media. These scenes raise an important question: how can one remain indifferent in the face of conflict and human greed?

In response, Tay created “Enclosure,” a work that reflects persistent social and psychological barriers. Even in modern societies, invisible walls continue to divide communities. Similarly, “Devouring the Weak” reveals the exploitation and vulnerability that exist within human systems.

Throughout history, cycles of conflict and inequality continue to repeat. Nevertheless, the artist’s brush offers a way to process these realities. Through painting, Tay translates feelings of unease into visual form. At the same time, he captures rare moments of peace and quiet happiness within life’s chaos.

About the Artist:

Tay Bak Chiang (b. 1973, Malaysia) is a Malaysian-born artist who now lives and works in Singapore. Today, he is widely recognised for his contemporary Chinese ink paintings.

Tay graduated with a Diploma from the Nanyang Academy of Fine Arts in 1995. He later pursued further studies at the China Academy of Art in 1997.

Over the years, he has received several important accolades. Notably, he won the UOB Painting of the Year (Traditional Chinese Medium Category) in both 2000 and 2003. In addition, he was awarded the Young Artist Award in 2002.

Tay’s works have appeared in major international art fairs. These include Art Basel Hong Kong, Art Stage Singapore, Art Miami, Art New York, Art Paris, Art Taipei, and Edinburgh Art Fair.

Furthermore, his works are held in numerous public and private collections. These include the National Gallery Singapore, the The Istana, the Ministry of Foreign Affairs Singapore, and the Permanent Mission of Singapore to the United Nations in New York. His artworks are also part of several corporate and hospitality collections worldwide.

Equality of Life 生命皆平等, 2024, 100×220 cm, Pigments and Acrylic on Canvas

Devouring the Weak 蚕食鲸吞, 2024, 170x170cm, Pigments and Acrylic on Canvas

Enclosure 围墙, 2024, 180x160cm, Pigments and Acrylic on Canvas

Purple Dragon King 紫衫龙王, 2024, 160x220cm, Pigments and Acrylic on Canvas

Flavours of Life 《五味雜陳》 – Recent Works of Tay Bak Chiang

Flavours of Life 《五味雜成》 – Recent Works of Tay Bak Chiang 鄭木彰

Venue: iPreciation (誰先覺), 50 Cuscaden Road, HPL House #01-01, Singapore 249724

Private Preview: Saturday, Jul 23, 2022  (By Invitation Only)

Exhibition Opens to Public: Jul 25 – Aug 6, 2022 

Artist Statement:

Many Singaporeans enjoy their meals at hawker centres and coffee shops, where the food is affordable and diverse. I’m no exception. If I’m not having home-cooked food, I always like to eat at the hawker centre or kopitiam. It’s an integral part of my day, a routine I don’t usually think much about.

For a period during the pandemic, dining in at hawker centres and coffee shops was disallowed. I realised then that the wonton mee, char siew rice, youtiao and other local foods I’d taken for granted had always been my dependable and comforting allies.

I have used local foods as the subjects of my recent works as a natural response to those days. It’s also my way of remembering how these foods have accompanied me during the different stages of my life.

The flavours of these foods – sweet, sour, salty, bitter, spicy – are interwoven with the joys and sorrows in my life. Food needs to be chewed on and savoured slowly, as do happiness and sadness in life.

About the Artist

Tay Bak Chiang (b. 1973, Malaysia/ Singapore) is one of Singapore’s most sought-after painters for his contemporary Chinese ink works. The critically acclaimed artist graduated with a Diploma from the Nanyang Academy of Fine Arts Singapore in 1995 and studied at the China Academy of Art (Hangzhou, China) in 1997. In 2002 he was awarded the Young Artist Award for Visual Arts by the National Arts Council and later won the first prize for UOB Painting of the Year (Traditional Chinese Medium Category) in 2000 and 2003.

Tay Bak Chiang’s works have made numerous appearances at international art fairs, including Art Basel Hong Kong, Art Stage Singapore, Art Miami, Art New York, Art Paris, Art Taipei and Edinburgh Art Fair. In addition, his works are in the collection of much prominent public and private institutions, including The Istana (Singapore); Ministry of Foreign Affairs (Singapore); Permanent Mission of Singapore to the United Nations (New York); National Gallery Singapore; Simmons & Simmons Contemporary Art Collection; Singtel; SC Global Developments; Swiss Re; OCBC Bank; United Overseas Bank; Mandarin Oriental (Singapore); Shangri-La Hotel (Singapore); and Shangri-La Hotel at The Shard, London.

The Fisherman and the Woodcutter 《漁樵問答》- A Solo Exhibition by Tay Bak Chiang

Venue: iPreciation

50 Cuscaden Road, HPL House #01-01, Singapore 249724

Private Preview: Thursday, October 18, 2018 (By Invitation Only)

Exhibition Opens to Public: October 19, 2018 – November 3, 2018

Exhibition Overview

iPreciation presents a solo exhibition titled “The Fisherman and the Woodcutter 「漁樵問答」.” The exhibition features works by Singaporean contemporary artist Tay Bak Chiang.

In this exhibition, Tay explores the guqin, a traditional seven-stringed Chinese zither. The instrument becomes the central subject of his latest canvas paintings. Through this motif, the artist reflects on harmony, contemplation, and the quiet rhythms of nature.

The exhibition draws inspiration from the classic guqin melody “Conversation Between a Fisherman and a Woodcutter.” The piece celebrates a carefree life lived close to nature. Similarly, Tay finds comfort in the melody’s subtle and tranquil tones. For him, the music becomes a metaphor for an ideal way of life.

Artistic Approach

In these works, Tay adopts a minimalist and contemporary visual language. At the same time, he retains the philosophical depth associated with traditional Chinese culture.

Through simplified compositions, he examines the structure and symbolism of the guqin. As a result, the instrument appears both familiar and newly interpreted. Tay carefully constructs layers of meaning within each painting.

Moreover, the guqin becomes more than a musical instrument. Instead, it reflects the artist’s personal outlook on life. The quiet presence of the instrument mirrors his search for balance and inner clarity.

About the Artist

Tay Bak Chiang (b. 1973, Malaysia) lives and works in Singapore. He graduated from the Nanyang Academy of Fine Arts in 1995. Later, he continued his studies at the China Academy of Art in Hangzhou.

Nature has always been a key source of inspiration for Tay. To him, nature represents balance, harmony, and perfection. Therefore, many of his works explore natural forms and philosophical themes.

In recent years, he has experimented with deconstructing and reconfiguring traditional subjects. One example is the guqin, which he portrays through minimalist compositions and contemporary aesthetics.

At the same time, Tay continues to push the boundaries of Chinese ink painting. Instead of working solely on rice paper, he increasingly uses canvas as his primary medium. Consequently, he expands the expressive possibilities of ink while adapting it to contemporary practice.

Exhibition Context

This exhibition marks Tay’s third solo exhibition with iPreciation. It follows the success of “From a Distance,” presented at Art Basel Hong Kong in 2016, and “Cleavages Fractures Folds” in 2014.

Furthermore, the exhibition signals a new direction in his artistic journey. Previously, Tay focused extensively on his well-known rock series. However, this exhibition introduces a fresh exploration of the guqin as a subject.

Through these works, the artist continues to develop new perspectives and visual interpretations of this traditional instrument.

Tay Bak Chiang at Art Basel Hong Kong 2016

Tay Bak Chiang_620x330

To view all the exhibits, browse through our E-catalogue!

After a successful solo exhibition at iPreciation in 2014,  Tay Bak Chiang (b. 1973, Malaysia/Singapore) continues to push boundaries and contemporize the genre of Chinese painting through the use of acrylic and pigments on canvas.

In this body of new paintings, Tay’s progressive attempts have borne fruit; experimenting with mineral-rich tones that range from brilliant blues to opalescent greens and shimmering yellows. In this exhibition we observe an extension of the rock series and his foray portraying the ancient Chinese instrument guqin as a new exploratory subject matter.

The inspiration behind his stone paintings stem from his walks in Bukit Timah Nature Reserve in Singapore some years back. He was inspired by the hulking forms in nature, though inanimate, they appeared full of life and personality. To achieve three dimensionality and character for the stones, Tay manipulates colour and shades to achieve subtle gradations and ink-like translucency using acrylic paint, a technique forged and refined by the artist since his encounter in the nature reserve.

In this exhibition Tay also explores the depiction of one of China’s oldest stringed instrument; the guqin a seven-stringed zither, viewed as a symbol of Chinese high culture and the most expressive of the essence of Chinese music. In Chinese, “gu” means ancient and “qin” means musical instrument. Symbology characterizes this instrument, for example, it measures 3’6.5” (Chinese feet and inches) to symbolize 365 days of the year; the upper surface is rounded representing the sky and the bottom is flat representing the earth. The first 5 strings represent the elements: Metal, Wood, Water, Fire and Earth. The 6th string is sorrowful and the 7th string represents strength. The thirteen mother-of-pearl inlays along the outer edge represents the 13 months of the lunar year. The guqin has been frequently referred to as the preferred instrument of the sages and literati. In imperial China’s past, monks, scholars and ladies of the elite society were supposed to master the four traditional arts, and one of them is qin, for the purposes of enriching the heart and elevating the human spirit.

Tay’s minimalist compositions are not about representing minimalistic images or technical skills, but to evoke a sense of poetry and inner emotion, a nod to the values of Chinese literati painting rendered with a contemporary sensibility. Before the works are exhibited in Art Basel Hong Kong in March 2016, the paintings were previewed at iPreciation.

To view all the exhibits, PLEASE browse through our E-catalogue (top of page).

IMG_0001 IMG_0006 IMG_0025 IMG_0032 IMG_0038 IMG_0040 IMG_0058 IMG_0062 IMG_0071 IMG_0092 IMG_0094 IMG_0101 IMG_0102 IMG_0109 IMG_0120

Art Basel HK 2016 Press Release – Tay Bak Chiang and Gao Xingjian

Tay Bak Chiang_620x330

(above left) Tay Bak Chiang, Stringless Qin 无弦琴, 2015;  (above right) Tay Bak Chiang, After the Feast  盛宴过后, 2015. Each is 140x140cm, Pigments & acrylic on canvas

Tay Bak Chiang a solo exhibition of recent paintings, presented in a dedicated solo booth at Art Basel Hong Kong 2016.

Gao XingjianApres le Deluge (After The Flood) 洪荒之后 has been selected for inclusion in the Film sector at Art Basel Hong Kong 2016.

Art Basel Hong Kong 2016 opens to public from 24 – 26 March; the VIP Preview takes place from 22 – 23 March. The fair will be held at Hong Kong Convention and Exhibition Centre.

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Introduction

iPreciation is pleased to return to Art Basel Hong Kong 2016.

At this edition of the fair, the gallery will present two projects. The first is a solo exhibition of new paintings by Tay Bak Chiang in the Insights sector. The second is a film screening by Nobel Prize laureate Gao Xingjian in the Film sector.

The fair will take place at the Hong Kong Convention and Exhibition Centre. VIP previews run from 22–23 March, while the public fair opens from 24–26 March.

For press queries related to artists or images, please email enquiry@ipreciation.com

Tay Bak Chiang

Contemporary Interpretations of Chinese Painting

Tay Bak Chiang (b. 1973, Malaysia/Singapore) continues to expand the possibilities of contemporary Chinese painting.

After a successful solo exhibition at iPreciation in 2014, the artist presents a new body of works at Art Basel Hong Kong 2016.

These paintings combine acrylic and mineral pigments on canvas, pushing the traditional language of ink painting into a contemporary format. The works feature luminous colours ranging from deep blues to shimmering greens and yellows.

Nature and the Stone Series

Tay’s stone paintings began after walks in Singapore’s Bukit Timah Nature Reserve. During these walks, he observed the powerful forms of rocks and boulders in nature.

Although stones appear inanimate, the artist sees them as forms filled with life and personality. To express this idea, he carefully manipulates colour and tone.

Through subtle gradations, he creates depth and translucency that resemble traditional ink washes.

The Guqin Series

In this exhibition, Tay also explores a new subject: the guqin, one of China’s oldest musical instruments.

The guqin is a seven-string zither associated with Chinese literati culture. Historically, scholars believed that mastering the instrument helped cultivate the mind and spirit.

Tay interprets the instrument in a minimalist way. Instead of depicting it realistically, he often suggests its presence through outlines, shadows, or symbolic forms.

Through these compositions, the artist evokes poetry, emotion, and quiet contemplation.

Gao Xingjian

Writer, Painter and Filmmaker

Gao Xingjian (b. 1940, China/France) is an internationally recognised writer, playwright, director, painter, and photographer.

In 2000, he became the first Chinese writer to receive the Nobel Prize in Literature.

Over the years, he has received several international honours. These include the Asian Cultural Council Fellowship in 1989, the Chevalier de l’Ordre des Arts et des Lettres in 1992, and the Legion of Honour in 2002.

Film Presentation at Art Basel

At Art Basel Hong Kong 2016, Gao presents the short film “Après le Déluge (After the Flood)”, created in 2008.

The film runs for approximately twenty-eight minutes and unfolds like a cinematic poem. Dialogue is completely absent. Instead, movement, sound, and imagery shape the narrative.

Black-and-white paintings form the background for the scenes, while performers act before projected images. Occasionally, faint colours appear, suggesting moments when life and consciousness return.

This experimental film merges painting, performance, and cinema into a single visual language.

Tay Bak Chiang: Cleavages Fractures Folds

TBC Canvas8 70x140cm

Exhibition period: 2nd October – 25th October 2014

Artist Talk: Saturday, 11th October 2014 – 11:30 a.m (Open for Public)

Venue: iPRECIATION (誰先覺) 50 Cuscaden Road HPL House #01-01 Singapore 249724 Tel 65 6339 0678


This October, iPRECIATION is staging Tay Bak Chiang’s solo exhibition titled “Cleavages Fractures Folds.” This is his eighth solo exhibition after previous ones such as Fa Zi Hua Sheng《法自画生》(2003), Between Breaths《呼吸之间》(2010), Ingenuity《天工》(2011), Hear the Wind Sing《且听风吟》(2012), The Breath of A Blade《剑气》(2013) and 《石頭記》The Story of the Stone, where themes of his work have been predominantly inspired by nature.

Cleavages Fractures Folds debuts Tay Bak Chiang’s first-ever complete solo exhibition featuring Chinese ink and pigment works on canvas instead of the traditional rice paper. Merging the historical genre of ink painting on contemporary canvases creates a significant exploration and breakthrough, and Bak Chiang is the first Singapore artist to experiment and successfully present a contemporised style of the traditional 3000-year-old Chinese ink painting through a clever manipulation of ink, pigments, canvases and raw linens. He has developed an innovative technique of using powdered colour pigments to produce distinct texture in traditional Chinese ink painting. This set of works also marks his progressive attempts to move away from representational forms and introduce new perspectives in the portrayal of nature with minimalistic simplicity. Stones, to him, are not lifeless objects, but are bestowed with worldly experiences and personal expressions. This which, he expresses through his unique visual language that is in synch with current contemporary art ideas.

iPRECIATION is proud to collaborate with the artist in this endeavor. Cleavages Fractures Folds is supported in art analysis and essay writing by industry veteran Kwok Kian Chow.  The show reflects the artist’s spirit of consistently reflecting, questioning and experimenting with new ideas within the traditional Chinese painting medium in today’s contemporary art world. It will begin new dialogues in this art genre amongst local artists.

Tay Bak Chiang

A graduate from the Nanyang Academy of Fine Arts in Singapore in 1995, Tay Bak Chiang (b. 1973) also studied at the China Academy of Art in Hangzhou, China, in 1997. In 2002, he received the Young Artist Award from the National Arts Council of Singapore. He was awarded the First Prize in the Chinese Painting category in the 19th and 22nd United Overseas Bank Painting of the Year Competitions (2000 and 2003 respectively). He has since been prolific in creating new ideas and works, developing a new visual language, and boldly pushing boundaries of Chinese ink painting from working on rice paper to canvases.

Press Release:

Cleavages Fractures Folds debuts Tay Bak Chiang’s first-ever solo exhibition featuring pigment and acrylic works on canvas. Formerly trained and known for his works in Chinese ink on traditional rice paper, current works show Tay folding the spirit of historical Chinese ink painting over the modern convention of acrylic painting on canvas. This merge indicates a significant breakthrough for the artist, as he consistently reflects, questions and experiments through the synthesis of the tradition and contemporary. The current works activate the painted surface full of distinct textures and representational paradoxes. Not only does Cleavages Fractures Folds provide us with a contemporary perspective on the philosophy behind nature, it also stands for a visual survey of ontological nature – materializing nature as a canvas fold and pigments that surface out of it.

Platter of Plenty聚宝盆, 2014 100x100cm, Pigments and acrylic on canvas  Monolith 独石, 2014, 100x100cm, Pigments and acrylic on canvas  Lunar Arch月如勾, 2014 100x100cm, Pigments and acrylic on canvas  Larderite 田黄, 2014 100x100cm, 2014, Pigments and acrylic on canvas

Scarlet Cloak 红披风, 2014, 140x140cm, Pigments and acrylic on canvas  Armour 战甲, 2014, 140x140cm, Pigments and acrylic on canvas  Double Lines 双钩, 2014, 140x140cm, Pigments and acrylic on canvas  White Tiger 白虎, 2014, 160x140cm, Pigments and acrylic on canvas

Black Warrior 玄武, 2014, 160x140cm, Pigments and acrylic on canvas  Wind Beneath My Wings 相濡以沫, 2014, 140x100cm, Pigments and acrylic on canvas  Celestial 通天, 2014, 180x180cm, Pigments and acrylic on canvas  Azure Dragon 青龙, 2014, 180x180cm, Pigments and acrylic on canvas

One to Three 一挑三, 2014140x200cm, Pigments and acrylic on canvas  Vermilion Bird朱雀, 2014, 140x200cm, Pigments and acrylic on canvas  Blue on White青花, 2014, 150x190cm, Pigments and acrylic on canvas  Innocence 稚气, 2014, 200x140cm, Pigments and acrylic on canvas

Courting 暧昧, 2014, 140x160cm, Pigments and acrylic on canvas  Still Life 清供, 2014, 70x140cm, Pigments and acrylic on canvas  Dragon Orb 龙珠, 2014, 140x140cm, Pigments and acrylic on canvas  Unmasked 藏机, 2014, 140x140cm, Pigments and acrylic on canvas

Leverage 四两拨千斤, 2013, pigment on canvas, 200x200cm  Recluse不知有汉, 2014, 140x140cm, Pigments and acrylic on canvas  Cats Eye猫眼, 2014, 140x140cm, Pigments and acrylic on canvas  Sterling 金不换, 2014, 140x140cm, Pigments and acrylic on canvas

Thin Relief 薄意, 2014, 140x180cm, Pigments and acrylic on canvas  Indulgence 纸醉金迷, 2013, 200X300cm, Pigments on canvas

Tay Bak Chiang 鄭木彰 (b. 1973)

Tay Bak Chiang (鄭木強, b. 1973) is a Singaporean contemporary ink artist represented by iPreciation. His works are known for bridging traditional Chinese ink painting with modern abstraction, exploring nature, structure, and philosophical depth through expressive brushwork and refined minimalism.

About Tay Bak Chiang

Tay Bak Chiang was born in 1973 in Malaysia/Singapore. He showed an interest in art from an early age and pursued formal training. He graduated from the Nanyang Academy of Fine Arts in Singapore in 1995 and later continued his studies at the China Academy of Art in Hangzhou in 1997. These experiences shaped his understanding of both traditional and contemporary Chinese art techniques.

Tay’s early exposure to both Singaporean and Chinese artistic environments influenced his later experimentation. He developed a distinctive visual language that balances classical ink traditions with contemporary expression.

Artistic Vision

Tay draws inspiration primarily from nature, especially the landscapes and plant life of Southeast Asia. Heliconias, banana leaves, and lotus ponds often appear in his works, though they are abstracted into simplified forms. Rather than reproducing nature directly, he interprets it through expressive brushwork and abstract composition. Stones and rocks also frequently appear as bold silhouettes, evoking quiet strength and contemplation.

Tay believes that art should reflect both environment and spirit. His paintings therefore carry philosophical depth alongside visual simplicity, encouraging viewers to experience nature not just as subject matter but as a process of perception and imagination.

Development of Artistic Style

Tay began by experimenting with the deconstruction of natural motifs. Lotus flowers were reduced to minimal outlines, while stalks became bold, rhythmic strokes. Over time, he moved away from literal representation and began emphasizing the inner energy and structure of forms. His later works are visually quieter yet conceptually stronger.

His use of negative space highlights both stillness and movement. By integrating modern abstraction with classical ink traditions, Tay creates a tension between past and present. As a result, his compositions remain balanced, meditative, and contemporary.

Materials and Techniques

In recent years, Tay has extended beyond traditional ink on rice paper. He has used acrylic and mineral pigments on canvas to achieve richer textures, often combining these materials with ink to explore new effects. His work retains the philosophical depth of traditional ink painting while embracing modern techniques.

Tay believes that traditional mediums should continue to evolve. His experimentation expands the possibilities of Chinese ink painting and allows him to engage viewers through both colour and form, bridging tradition and contemporary aesthetics.

Themes in Tay’s Work

Tay frequently explores natural forms and philosophical ideas. Lotus, rocks, and landscapes appear across multiple series, often simplified to convey essence rather than literal detail. Through these subjects, he interprets nature’s rhythm and structure, creating compositions that invite contemplation.

At the same time, his work explores harmony, balance, and silence. His paintings communicate both visual beauty and intellectual reflection, uniting natural observation with abstract meditation.

Exhibitions and Recognition

Since graduating from NAFA, Tay has participated in numerous exhibitions in Singapore and internationally. His works have been shown in Singapore, Taiwan, China, Japan, Korea, the United Kingdom, and the United States. His works have also been acquired by collectors and institutions, and he has received awards recognising his contribution to contemporary art.

Tay is regarded as an important figure in contemporary ink painting and continues to represent Singapore on the international art stage.

Selected Solo Exhibitions

Selected Group Exhibitions

  • 2018 | 《唤风》Beckoning of the Breeze, Visual Arts Centre, Singapore
  • 2018 | 《岩石裂缝》In the Cleft of the Rock, Pontone Gallery, Taichung, Taiwan
  • 2018 | 《磊》Moving Mountains, Artsembly, Esplanade – Theatres on the Bay, Singapore
  • 2017 | Singapore – Japan Ink Painting Exchange Exhibition, Visual Arts Centre, Singapore
  • 2017 | Impressions, Oriental Art & Cultural Center, Kuala Lumpur, Malaysia
  • 2015 | 45th Anniversary Exhibition of Siaw-Tao Chinese Seal-Carving Calligraphy and Painting Society, Singapore
  • 2015 | Portable Art Week, iPreciation Gallery, Singapore
  • 2013 | Made in Singapore – Three Quarters of a Century, Nanyang Academy of Fine Arts, Singapore
  • 2013 | 《床事》A Thing or Two about the Bed, FOST Gallery, Singapore
  • 2013 | Cascadence – Singapore Redux, iPreciation Gallery, Singapore
  • 2013 | Crisis of Monumentality, Chan Hampe Galleries, Singapore
  • 2012 | Cityscapes Unbound, OCBC Centre, Singapore
  • 2012 | 《墨》Mò, Jendela Visual Arts Space, Esplanade, Singapore
  • 2010 | Now and Next – Modern Arts of Korea, Japan, Singapore, National Museum of Gwang-Ju, Korea
  • 2010 | Space + Imagination, Korea Singapore Contemporary Art Exchange Exhibition, Jeollanamdo Okgwa Art Museum, Korea
  • 2010 | Celebrating Asian Art, Artfolio Gallery, Singapore
  • 2010 | Live Our Dreams Community Paintings, The Arts House, Singapore
  • 2009 | Nanyang in Paris, Nanyang Academy of Fine Arts Gallery, Singapore
  • 2009 | Nanyang – 70 Years After, Nanyang Academy of Fine Arts Gallery, Singapore
  • 2005 | Singapore Art Show, Singapore Management University, Singapore
  • 2004 | Internationale Cite des Arts, Paris, France
  • 2004 | Siaw-Tao Chinese Seal-Carving Calligraphy and Painting Society Exhibition, Kuala Lumpur, Malaysia

Awards

  • 2003 | First Prize (Traditional Chinese Medium Category), 22nd UOB Painting of the Year Competition, Singapore
  • 2002 | Young Artist Award for Visual Arts, National Arts Council, Singapore
  • 2002 | Distinction Award, Chinese Painting Category, Dr Tan Sze Chor Art Award, Singapore
  • 2000 | First Prize, Traditional Chinese Medium, 19th UOB Painting of the Year Competition, Singapore
  • 1999 | First Prize, Singapore Turf Club Art Competition
  • 1999 | Distinction Award, Chinese Painting Category, Dr Tan Sze Chor Art Award, Singapore
  • 1995 | 16th Shell Discovery Art Award, Singapore

Selected Public Collections

  • The Istana, Singapore
  • Ministry of Foreign Affairs, Singapore
  • Nanyang Academy of Fine Arts, Singapore
  • National Arts Council, Singapore
  • National Gallery Singapore
  • Mandarin Oriental, Singapore
  • Permanent Mission of Singapore to the United Nations, New York
  • OCBC Bank, Singapore
  • Shangri-La Hotel, Singapore
  • Shangri-La Hotel at The Shard, London, UK
  • Simmons & Simmons Contemporary Art Collection, Singapore
  • Singapore Turf Club, Singapore
  • Singtel, Singapore
  • SC Global Developments, Singapore
  • Swiss Re, Singapore
  • United Overseas Bank, Singapore

For the full list of exhibitions, awards and collections, please contact the gallery at enquiry@ipreciation.com.

Further Information

For further information on Tay Bak Chiang and his artistic practice, please refer to the following resources:

Official and Institutional Resources

Market and Auction Records

Social Media


Images of Artworks

Three Meals a Day 一日爲三餐, 2022, 34x139cm, Ink and Colour on Paper Breakfast 早餐, 2022, 28x139cm, Ink and Colour on PaperColours of Life 南洋好顏色, 2022, 28x139cm, Ink and Colour on Paper At Ease 從容自在, 2022, 28x139cm, Ink and Colour on Paper Blooming 花開滿地, 2022, 28x139cm, Ink and Colour on Paper Striving 力爭上游, 2022, 34x139cm, Ink and Colour on Paper The Good Life 大口吃肉,痛快喝酒, 2022, 67x67cm, Ink and Colour on Paper Feast 盛宴, 2022, 69x69cm, Ink and Colour on Paper Food for Thought 精神糧食, 2022, 69x69cm, Ink and Colour on Paper Joy of Sharing 有福同享, 2022, 69x69cm, Ink and Colour on Paper From a Distance 何謂遠方, 2022, 69x69cm, Ink and Colour on Paper Worth Living 人間有味, 2022, 69x69cm, Ink and Colour on Paper Rise Above 出人頭地, 2022, 69x69cm, Ink and Colour on Paper Never Not Laughing 笑口常開, 2022, 69x69cm, Ink and Colour on Paper A Flavoured Life 煎炸人生, 2022, 69x69cm, Ink and Colour on Paper