
iPRECIATION (Booth BD09) – Art SG 2025
VIP PREVIEW (BY INVITATION ONLY)
Thursday, 16 January | 2pm – 5pm
VERNISSAGE
Thursday, 16 January | 5pm–9pm
GENERAL ADMISSION
Friday, 17 January | 12pm – 7pm
Saturday, 18 January | 11am – 7pm
Sunday, 19 January | 11am – 5pm
VENUE:
Marina Bay Sands Expo and Convention Centre
Sands Expo and Convention Centre
Marina Bay Sands
10 Bayfront Ave
Singapore 018956
iPRECIATION: A Celebration of Singaporean Artistry and Global Excellence
iPRECIATION is delighted to announce its participation in Art SG 2025, one of Asia’s most prestigious art fairs, held at the iconic Marina Bay Sands Expo and Convention Centre. This year, our presentation at Booth BD09 showcases an extraordinary collection of artworks, celebrating Singaporean creativity alongside the dynamic contributions of Southeast Asian talents and globally renowned masters of contemporary ink and calligraphy.
Showcasing Emerging and Established Singaporean Artists
At the heart of our presentation is a spotlight on Singaporean artists, whose works exemplify the multifaceted nature of the country’s art scene. We are thrilled to introduce three new collaborators—Ahmad Abu Bakar (b. 1963), Jonathan Nah (Kiat) (b. 1972), and Willy Tay (b. 1974). Their creative expressions highlight the richness and diversity of Singaporean artistry, offering new perspectives and voices to our curatorial vision.
Alongside these emerging talents, several established Singaporean artists will present exclusive new works that reflect the evolving pulse of the local art landscape. Milenko Prvacki (b. 1951) continues to captivate audiences with his sophisticated abstract compositions, marked by a mastery of colour and form. Oh Chai Hoo (b. 1960) brings tranquillity and elegance to semi-abstract landscapes, using ink and gold leaf on canvas to create works of profound beauty. Vincent Leow (b. 1961) delves into existential themes, exploring global conflicts through evocative depictions of war-torn landscapes rendered in copper rust on paper.
Veteran artist Wee Shoo Leong (b. 1958) provides a lyrical perspective on Singapore’s urban landscape, while Baet Yeok Kuan (b. 1961) evokes personal nostalgia with still-life works inspired by bygone communication tools such as the typewriter. Tay Bak Chiang (b. 1973) presents his latest series, “Blue Planet,” a poignant meditation on humanity’s place in the vast cosmos. Eric Chan (b. 1975) continues his exploration of contemporary painting with mixed media-on-linen landscapes that embody both meticulous craftsmanship and conceptual depth.
We are also proud to feature sculptural works by Lim Soo Ngee (b. 1962), Ahmad Abu Bakar (b. 1963), and Chiew Sien Kuan (b. 1965). Each artist brings a distinct perspective, working with wood, clay, and found objects to craft sculptural pieces that exemplify dedication, innovation, and mastery of their chosen mediums.
Global Masters of Contemporary Ink and Calligraphy
In addition to showcasing the best of Singaporean and Southeast Asian artistry, our presentation highlights the influence of internationally acclaimed masters of contemporary ink and calligraphy. Irene Chou (1924–2011), a pioneer of the New Ink Art Movement, continues to inspire generations with her bold and expressive works. Gao Xingjian (b. 1940), a Nobel laureate, offers a seamless fusion of literature and visual art, while Wang Dongling (b. 1945) redefines traditional calligraphy with his innovative “Chaos Script.” Li Xianting (b. 1949), a leading art critic and curator, has profoundly shaped the development of contemporary Chinese ink art.
Engaging with Artists and Their Creations
iPRECIATION offers visitors a unique opportunity to engage directly with several featured artists at ART SG 2025 Booth BD09. These interactions promise to foster meaningful connections, enrich public understanding of the creative process, and provide deeper insights into Singapore’s vibrant art scene.
A Commitment to Excellence
As a champion of Singaporean art, iPRECIATION remains steadfast in its mission to nurture and promote local talent while fostering cross-cultural dialogue. We invite you to join us at Booth BD09 to explore this exceptional collection of artworks and immerse yourself in a celebration of creativity, innovation, and artistic excellence.
For media inquiries or further information, please contact:
Contact Name: Sun Kexin
Contact Email: kexin.sun@ipreciation.com
Contact Number: +65 6339 0678
Artists and Portfolios:
Irene Chou (b. 1924 – d. 2011, China – Australia)
Irene Chou’s art, celebrated for its resilience and vibrancy, continues to inspire long after her passing. Known for her pioneering role in the New Ink Art Movement, her works have been showcased internationally, including at the Asia Society Museum in Hong Kong. In 2024, her art graced the cover of a Harvard University brochure for the “Medium of the Mind” conference. Despite physical limitations in her later years, Chou’s brushstrokes captured the beauty and perseverance of the human spirit. Her legacy endures, with her works to be featured at ART SG 2025.

Irene Chou, No.14, Life is a Many Splendoured Thing, 2006, 68x68cm, Ink and Colour on Paper
Wang Dongling (b. 1945, China)
Wang Dongling is a renowned contemporary ink artist, recognised for his ground breaking “Chaos Script” that blends traditional Chinese calligraphy with modern interpretations. His work draws from Buddhism, Daoism, and Chinese poetry. Wang earned a Bachelor’s in Fine Art from Nanjing Normal University (1966) and a Master’s in Fine Art from Zhejiang Academy of Fine Arts (1981). His art has been exhibited globally at institutions like the Metropolitan Museum of Art, Guggenheim Museum, and National Art Museum of China. His works are in collections including the British Museum, Yale, and Harvard.

Wang Dongling, Lao Tzu-Tao Te Ching the Principles of Naturalism
老子《道德經·道法自然》,2018,99x66cm,Ink on Paper
Milenko Prvacki (b. 1951, Yugoslavia/Singapore)
Distinguished as a Cultural Medallion recipient and a significant contributor to the Singapore art scene through education, Prvacki is celebrated for his mesmerizing abstract creations. His art involves a harmonious application of colours, motifs, and geometric shapes, possessing a distinctive allure that engages audiences in a nuanced exploration where deeper meaning unfolds with each gaze. This artistic approach has left an enduring imprint on Singapore’s cultural landscape.

Milenko Prvacki, Abstraction for Beginners, 2024, 170 x 165 cm, Acrylic on Linen
Wee Shoo Leong (b. 1958, Singapore)
Renowned for his exceptional oil on canvas creations, Wee Shoo Leong transcends the boundaries of traditional artistic expression. Rooted in a profound love for his homeland, Wee delicately captures the inherent beauty of Singapore’s landscape. His artworks transcend mere visual representation, acting as portals into reimagined narratives that echo poignant tales of the nation’s evolution and cultural vibrancy. Wee’s unique skill lies in his capacity to infuse each piece with a deep sense of connection and reverence, reflecting his appreciation for the diverse beauty found in the surroundings of the city-state. His latest works are set to be unveiled at Art SG 2025.

Wee Shoo Leong, Time Yet for a Little Dance 舞上枝头, 2024, 96x76cm, Oil on Canvas
Wang Tiande (b. 1960, China)
Wang Tiande completed his studies at the Chinese Painting Department of the China Academy of Fine Arts, formerly known as the Zhejiang Academy of Fine Arts. His academic journey coincided with the vibrant wave of the 85’ New Wave Art Movement, an influence that significantly shaped his artistic trajectory. This period left an indelible mark on his subsequent works, characterized by a spirit of exploration and experimentation. Wang’s approach introduces visual gaps that stimulate the viewer’s imagination, a departure from the conventions of traditional landscape paintings. The obscured view of the underlying layer, revealed only through the burns of the top layer, symbolizes the transient nature of modern existence. Wang Tiande sees this partial visibility as a metaphor for the fragmented aspects of contemporary living.
WTD-0034,浅水春岭图,2023,150.8×48.6cm,Ink,Flame on Paper,宣紙、墨、火焰
Oh Chai Hoo (b. 1960, Singapore)
Oh Chai Hoo is a bold trailblazer in contemporary ink art, seamlessly merging traditional mediums with his imaginative flair. His artistic ventures yield creations that emanate tranquility, prompting profound introspection. What distinguishes Oh is his distinctive approach, at times opting for unconventional tools to create his pieces. This unconventional method showcases Oh’s exceptional talent and underscores his commitment to expanding the horizons of artistic expression in contemporary ink art.

Oh Chai Hoo, Into the Unknown 林深不知处, 2024, 100 x 100cm, Mix Media with Gold Leaf on Canvas
Vincent Leow (b. 1961, Singapore):
Vincent Leow is a renowned artist and art educator whose diverse practice spans sculpture, installation, performance art, painting, and mixed media. A pivotal figure in Singapore’s contemporary art history, Vincent has made substantial contributions through his involvement with key art collectives. He was an early member of The Artists Village, founded in 1988 by Tang Da Wu, and has been influential in other artist-run spaces. Vincent also co-founded the now-defunct Utopia and is the founder of Plastique Kinetic Worms, a leading alternative artist-run space in Singapore.
Vincent was honored with the prestigious Singapore Cultural Medallion in 2020, recognizing his outstanding contributions to the arts. Additionally, he received the Culture Award from the Japanese Chamber of Commerce and Industry in 2002. His international representation includes the 52nd Venice Biennale of Contemporary Art (2007), the 9th Indian Triennial of Contemporary Art in New Delhi (1997), and the 1st Asia Pacific Triennial of Contemporary Art in Brisbane (1993).

Vincent Leow, Echoes from the Ruins, 2024, 41x29cm, Copper Rust on Paper
Baet Yeok Kuan (b. 1961, Singapore):
Baet Yeok Kuan is a distinguished sculptor and educator whose practice is characterized by a profound exploration of form, space, and materiality. With a substantial contribution to the Singaporean art landscape, Baet’s work is recognized for its intellectual rigor and aesthetic innovation. A graduate of the Nanyang Academy of Fine Arts and the University of Central England, Birmingham, Baet’s artistic journey has been marked by experimentation and a constant pursuit of new forms. His sculptures often challenge traditional notions of form, inviting viewers to engage in a dialogue with the artwork. Baet’s work has been exhibited extensively both locally and internationally, garnering critical acclaim and prestigious awards such as the Young Artist Award from the National Arts Council of Singapore. His inclusion in Art SG 2025 is a testament to his enduring impact on the contemporary art scene.

Baet Yeok Kuan, Study of Typewriter, 2024, 80x100cm, Oil on Canvas
Lim Soo Ngee (b. 1962, Singapore)
Renowned sculptor Lim Soo Ngee possesses a unique ability to infuse life into inert matter, transcending the boundaries of traditional sculpture. His creations, ranging from the whimsically cheeky to subtly charged with political undertones, act as powerful conduits for meaningful dialogue and reflection on a diverse array of subjects. Lim’s sculptural works extend beyond the physical realm, inviting viewers to engage emotionally and intellectually.

Lim Soo Ngee, Birdman 鳥人, 2023, 70x38x39cm, Painted Wood
Ahmad Abu Bakar (b. 1963, Malaysia / Singapore):
Ahmad Abu Bakar is a Singapore-based installation artist who utilizes ceramics as his primary medium. His career trajectory is marked by a unique blend of academic training and professional experience. Holding a Bachelor of Fine Arts in Sculpture from the University of Tasmania and a Master of Fine Arts, his artistic journey began with early exhibitions in Singapore and Malaysia. He has since become a prominent figure in the region’s contemporary art scene.
Ahmad’s work is recognized for its intricate and large-scale ceramic sculptures. Often referencing organic forms like pods, seeds, and clouds, his pieces explore themes of earth, sky, and the interconnectedness of nature and Southeast Asian culture. His sculptures challenge the traditional perception of ceramics, pushing the boundaries of scale and materiality.
Ahmad’s artistic practice extends beyond creating sculptures. He actively contributes to the art community through his role as an adjunct lecturer at the National Institute of Education. Additionally, he mentors inmates in an Arts program (3D studies) at the Singapore Prison Service, highlighting his dedication to art education and social impact.

Ahmad Abu Bakar, Aaa Baa Taa, 2024/25, 60x20x20cm, Clay, Glaze, and Wood
Chiew Sien Kuan (b. 1965, Singapore):
Chiew Sien Kuan explores the subconscious response to urbanization and modernity through introspective mixed media works and assemblages. His art, influenced by the Christian tradition of self-examination and Makoto Fujimura’s views on creation and brokenness, delves into the impact of urban change on inner lives. Fujimura’s philosophy of nurturing culture through creative generosity resonates in Chiew’s work, emphasizing the healing power of art. Inspired by Singapore’s Ulu Pandan Railway Bridge, Chiew’s ‘Bridges Assemblages’ series symbolizes both past and future connectivity, blending physical and spiritual elements. His pieces, made from collected objects over 10-15 years, integrate materials like wood and aluminum, often including miniature trains. Chiew’s patient, intuitive process reflects temporality and the journey of transformation. His art, marked by inventive humor and musical sensibilities, is a personal reflection on inner growth and cultural healing.

Chiew Sien Kuan, Elephant Warrior I, 2023, 60x50x25 cm, Wood, Metal Assemblage and Found Objects
Jonathan Nah/Kiat (b. 1972, Singapore)
Since the start of the pandemic in 2020, Jonathan Nah, referred to as Kiat, has explored innovative and resourceful ways of creating art in response to lockdowns and limited access to materials. This journey has led him to develop a hybrid technique that combines digital and analogue mediums, inspired by his method of resampling material in music. The adventurous themes in Kiat’s work are closely linked to his fascination with emotions and the concept of freedom. His freeform creative approaches have enabled him to work across multiple mediums, from painting on walls and canvases to composing music for dance floors, theatrical stages, and art installations. He also creates works that blur the line between art and design for various brands and cultural institutions. Kiat has developed projects both locally and internationally for notable organisations, including Cake Theatre, The Peranakan Museum, Swarovski, Adidas, ArtScience Museum, Dazed Online, Versus, Dior, Selfridges, the Singapore Tourism Board, Nike, Beams, and SHOWstudio. His recent presentations include “Antinodes” during Singapore Art Week in 2022, “Sonic Sessions” at Singapore Art Week in 2024, and his first solo exhibition, “I Against I,” at Art Outreach in 2024.

Kiat / Jonathan Nah, Flanging Breaths, 2024, 150 x 150 cm, Oil, Acrylic, Palo Santo on Linen
Tay Bak Chiang (b. 1973, Singapore):
Tay Bak Chiang, a contemporary artist renowned for his semi-abstract paintings, imparts a serene and introspective quality to his work. His acrylic on canvas creations captivated through a distinctive blend of traditional influences and contemporary flair. Tay’s art transcends conventional categories, celebrating diversity and appealing to a wide audience by seamlessly integrating familiar traditional elements with innovative approaches. His sophisticated understanding of form, space, and composition is evident in the meticulous execution of each piece, balancing visual allure with intellectual depth. By blending abstraction with representation, Tay provides viewers with a unique and engaging experience.

Tay Bak Chiang, Blue Planet 藍色星球, 2024, 170x170cm, Acrylic and Pigments on Canvas
Willy Tay (b. 1974, Singapore)
Willy Tay, a graduate of LASALLE College of the Arts (1994) and RMIT University (1998, 2004), has exhibited widely in Singapore and internationally. Notable shows include “Do You Believe in Angels?” (2014), “The Realm in the Mirror, the Vision out of Image” (2013), and “Moments on White” (2007). His recent work was part of the 2023 Impression Culture and Art Festival in Chengdu, China. Tay views art as a reflective medium, interpreting cultural and aesthetic narratives that shape collective understanding. His paintings engage with the layering of paint, drawing on themes of societal reflection and visual tension. His new works explore the lack of singular narratives, often focusing on antiquities and historical events to reconstruct fragmented stories that bridge the mundane with the magical, offering alternative perspectives and an escape from reality.

Willy Tay, Everyone There, Everyone Else, 2022, 158 x 237cm, Acrylic and Oil on Canvas
Eric Chan (b.1975, Malaysia)
Eric Chan, a key figure in Southeast Asia’s contemporary art scene, is renowned for his ability to blend diverse skills into unified masterpieces. His latest works reflect a personal journey of growth and transcendence, symbolizing renewal and hope. Unlike his previous pieces, these works radiate optimism, depicting a world bathed in light with vibrant colours and blurred lines. The luminosity of his paintings highlights the resilience of the human spirit, offering a beacon of hope amidst the noise and challenges of today’s world. Chan’s art encourages us to find beauty in life’s possibilities, even in adversity, reminding us that there is always a glimmer of hope, no matter the darkness.

Eric Chan ,Flow, 2022, 90x70cm, Mixed Media on Linen